At this moment, any effort to preserve our shared culture is a noteworthy event. This is especially true of the arts parts of the culture. As Oregon Arts Commission’s Meagan Atiyeh noted at a symposium that introduced one such effort, the Oregon Visual Arts Ecology Project, the state’s media has abandoned its commitment to full-time critics writing about the arts. And that means that both contemporary conversations about the arts and future investigation of our culture are/will be limited. What happens to a culture that doesn’t understand its past or its present? We are perilously close to finding out.
Backed by the considerable resources of The Ford Family Foundation and the Oregon Arts Commission—more than $50,000 since early 2014, according to Atiyeh, not including lots of staff time—the project intends to be an informal archive and an online magazine that takes the measure of the visual arts in the state. “The partners’ shared wish is to create an accessible, permanent, virtual collection documenting Oregon’s visual arts landscape,” the mission statement says, “and, to continue the metaphor, the interconnected realms of artist, institution, patron, curator, arts writer… which become that ecology.”
According to Atiyeh (in an email interview), the website hopes to reach a broad public. “We designed a site that I hope can be rewarding for a highly invested artist or a curator who is looking for research materials and also a casual arts viewer in Oregon (or any spot on the globe, honestly).”