Steven Dietz is one of the most famous American playwrights Broadway’s never heard of. Last year’s This Random World is his 34th produced play, and that’s not even counting his 11 adaptations – an astonishing number, approaching the total of that fellow from Stratford. Many of them have been hits on the regional theater circuit, from the Humana Festival of New Plays at Actors Theatre of Louisville (where This Random World got its start) to major companies coast to coast. Except New York, where his Fiction, to make a long story short, made it to Off-Broadway’s Roundabout in 2004.
There’s little explaining a situation like this. Dietz’s plays are smart, well-shaped, actor-friendly, and on interesting topics, although they tend not to include things like falling chandeliers or singing cats. No matter. Regional audiences like them. A lot. Many of his plays have helped shape the contemporary American theater, and they move from city to city with ease: More Fun Than Bowling, Foolin’ Around with Infinity, Ten November, God’s Country, Lonely Planet, Becky’s New Car, Rancho Mirage, and more.
This weekend, This Random Life gets its West Coast premiere at Portland Actors Conservatory, and there’s reason to believe it’ll be worth a visit. This year’s class at the professional acting school has some very good talent, and it’s coming off a knockout production of Suzan-Lori Parks’ In the Blood. PAC’s talented Beth Harper is directing, and the fine veteran actor Kathleen Worley is a guest artist. Plus, it’s a secret you can keep from the Great White Way while it’s busy reliving Groundhog Day.