For centuries, orchestras have been expensive vehicles for presenting sophisticated symphonic sounds. But as non-classical shows have added visual elements from projections to smoke to colorful lighting, even classical music audiences increasingly expect to see something onstage besides tuxedoed musicians staring at music stands and sawing away on their strings. This weekend’s Oregon Symphony program shows the orchestra committing to appealing to its audience’s eyes as well as ears.
The orchestra’s performance of 20th-century French composer Olivier Messiaen’s massive Turangalila symphony features video art by Rose Bond, an animator and media artist at Pacific Northwest College of Art. The concert is the second in this season’s new SoundSight series, part of Oregon Symphony President Scott Showalter’s effort to venture beyond standard repertory.
“It’s not enough anymore to have cookie-cutter programs with an overture, concerto with guest artist, then a symphony on the second half,” Showalter says. He aims to both broaden (with the recent upsurge in concerts featuring pop stars from various generations to live performances with video game and film soundtracks) and deepen (with seldom performed classical works) the symphony’s programming.
With the SoundSight series, “we asked, ‘How can we reimagine core symphonic works in a way that advances the composer’s vision,” using visual arts. Showalter says. “It’s not just a gimmick.”