DeAnn Welker

 

Not so elementary, my dear Watson

CoHo's triple play about a trio of Watsons and the difficulties of communication and artificial intelligence rings some unusual bells

Let’s get one thing out of the way up front: The (curious case of the) Watson Intelligence, at CoHo Theatre, is not about Sherlock Holmes. His sidekick, Dr. Watson, makes an appearance, but Mr. Holmes himself is absent. And the play, which is sometimes confusing but also swiftly entertaining, is somewhat of a mystery: Will our protagonists get what they need? Will they know they need it?

So, then, you talk into this part? Eric Martin Reid and Sarah Ellis Smith contemplate Bell’s talking machine. Photo: Owen Carey

Directed by CoHo Artistic Director Philip Cuomo, Madeleine George’s Watson Intelligence comprises three stories, each set in a different time period and with a different set of characters, who nevertheless are named the same and played by the same three actors in each era. The stories are connected loosely to each other, at best, even when characters from one period wind up in another. The thread that connects them is the name “Watson” – the man on the other end of the phone when Alexander Graham Bell makes his first phone call; Holmes’s sidekick; and the name of the artificial-intelligence computer that won Jeopardy in 2011.

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