COAST

School’s out, but art classes are in on the Coast

From children making masks to adults learning about the Japanese art of fish-printing, the Coast offers a multitude of artful happy happenings this summer

School’s out, but here on the Coast, classes are just beginning, and they’re not just for kids.

Mary Ann Gantenbein will teach a class for adults on collage during the Cannon Beach Summer Art Camp.
Mary Ann Gantenbein will teach a class for adults on collage during the Cannon Beach Summer Art Camp.

The Cannon Beach Arts Association has opened registration for its 17th Annual Art Camp, July 8-12. Five-day classes for the younger set include yoga (ages 4-12), 3D mask-making (8-12) and for the really wee ones — ages 3-5 — “Mini Makers.” The brochure describes the class as a “happy happening” for young and aspiring artists, who will draw, paint, create collages, and just plain play. 

Adult Art Camp offers three classes including “Watercolor by the Sea,” an introductory class in which artists will create a watercolor inspired by Cannon Beach and learn tips and tricks about painting with watercolors. It’s open to all levels, but designed for beginners.

Among classes at Sitka Center for the Arts is an  August workshop on the “Art of the Letter. " Besides creating illustrated envelopes, the class will explore how letter-writing can survive in the digital age.
Among classes at Sitka Center for the Arts is an August workshop on the “Art of the Letter. ” Besides creating illustrated envelopes, the class will explore how letter-writing can survive in the digital age.

THE SITKA CENTER FOR THE ARTS is also gearing up for summer workshops — many are already full, but wait lists are available. Those still open include “Color Confidence for Artists,” a class for anyone working in any medium. Instructor Cynthia Herron will demonstrate mixing and matching paint, discuss color schemes for a variety of media, and talk about color as it is found in nature around the Sitka campus near Otis. In “Photography and Place,” students will examine the “potential of photographic practice to address contemporary issues of land use and environmental concepts.” And in “Mining Your Life for Laughs,” teacher Robert Balmer will take a look at “how humor writers turn the painful, the absurd, the odd, the embarrassing, the memorable,” into something to laugh about. Who couldn’t use that?

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Fermenting on South Coast: Live Culture

The 10-day celebration this fall is seeking proposals to build a "culture stand" that will be visitor center, merchandise table and gathering spot all in one

A press release recently landed on my desk seeking proposals to build a “Culture Stand” for the upcoming “Live Culture Coast” to be held on the southern Oregon coast in October. I confess I was duly – and dually – baffled. A Culture Stand? Live Culture Coast? I had no idea, so I put in a call to Amber Peoples, the creative director behind the event. We began with the obvious.  

What exactly is Live Culture Coast?

Peoples: It’s a 10-day celebration of food, art, and place that will travel the entire South Coast from Reedsport to Brookings, over 135 miles, Oct. 18-27. This is the first. We’re calling it the pilot.

And a Culture Stand?

The Culture Stand itself will be on a 5-by-10 trailer. We’ll put it on the back of a truck and haul it. It’s a traveling visitor center; it’s a merchandise table, a gathering spot. Its location will designate where the celebration is, where the Live Culture Coast is focused that day. We’re also creating a map.

Fermentation Fest in Sauk Country, Wis., bills itself as a “celebration of live culture in all its forms, from dance to yogurt, poetry to sauerkraut,” as well as home-grown sausage. The October event is the inspiration for “Live Culture Coast” to be held along 135 miles of the South Oregon Coast this fall. Photo by: Amber Peoples
Fermentation Fest in Sauk Country, Wis., bills itself as a “celebration of live culture in all its forms, from dance to yogurt, poetry to sauerkraut,” as well as home-grown sausage. The October event is the inspiration for “Live Culture Coast” to be held along 135 miles of the South Oregon Coast this fall. Photo by: Amber Peoples

Let’s say the Culture Stand is parked in Coos Bay on Saturday, October 19. The event happening that day could be a brewery demonstration. It could be an art class, or a coffee roasting. We’re hoping people will sign up for one of these experiences, and that will encourage people to travel and explore the South Coast.

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Aquarium creates a fishy fantasy with “Seapunk”

The new exhibit uses elements of steampunk to showcase sea life. Across the bridge, the arts center welcomes Evan Peterson back to Newport

If there was any doubt the new exhibit at the Oregon Coast Aquarium was a success, one only had to listen last weekend as visitors discovered Seapunk: Powered by Imagination.

“This is awesome,” said one.

“This is so cool,” said another.

 And from a third: “I’ve got to come back tomorrow. I forgot to charge my phone.”

 And those were the adults.

A moray eel makes itself comfortable in the “Helmet Memorial” in the “Seapunk” exhibit.

“Seapunk” is a punning nod to steampunk, a genre of science fiction, art, technology, and fashion inspired by 19th-century steam-powered machinery. The exhibit’s story concerns Phineas K. Brinker, “a retro-futuristic and intrepid inventor” who is stranded in his submarine at the bottom of the sea and must find a way to survive. To do so, according to the aquarium website, Brinker “rebuilds the crippled submarine into a modern marvel of engineering by constructing imaginative variations on contraptions one may be familiar with today.”

The underwater fantasy plays out in a series of galleries with exhibits that are at times poignant, at others, humorous, each built around art, antiques, and sea life.

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‘God’ lends a hand to Newport theater drive

Ed Asner stars in "God Help Us!," a fundraising political comedy scheduled for August

What started out as a plea for cash has turned into what likely will be the biggest draw at the Newport Performing Arts Center this summer.

It’s a play called God Help Us!,  and playing the title role is the actor with more Emmys — seven — than any other male performer. You may know him best as Lou Grant, the ornery TV news director with a soft spot for Mary. Yep, that would be Ed Asner.

Here’s how it happened.

For the past seven years, the Oregon Coast Council for the Arts has been raising money for its seven-phase capital campaign to expand and improve the Newport Performing Arts Center. That campaign is in the final stage, with efforts to transform the former Black Box Theater. The Black Box originally was designed as rehearsal space, morphed into a small theater, and recently was renamed for the late David Ogden Stiers. Improvements totaling $1.6 million will make it a fully functioning theater.

Ed Asner as God judges a debate in purgatory between a former couple — one liberal, one conservative — in the political comedy “God Help Us!”

Charged with figuring out how to raise the money, Andrea Spirtos, capital campaign consultant for the council, got her hands on an extensive resume of Stiers’ work. Stiers was a Newport resident and actor best known for his role as Major Charles Emerson Winchester III in the TV series M*A*S*H.

“It included all the shows he was on,” Spirtos said. “And then I researched each of those shows to find out which episode he was on and which actors would have been filmed with him, including what lines he may have said surrounding his appearance.”

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Coast calendar: Studio tours, exhibits closing, steampunk ahead

Art events this week include a documentary film about art and madness, which may put you in the mood for the upcoming exhibition at the Oregon Coast Aquarium

It’s not happening on the Coast, but you could say it is of the Coast. That’s the opening of an exhibit of poetry and photography by Oregon State University faculty member Joseph Ohmann Krause in The Little Gallery on the OSU campus in Corvallis. Inspired by Danish painter Vilhelm Hammershøi (1854-1916), Drawing in the Northern Light combines eight poems with photos, most of them taken on the Oregon Coast.

Oregon State University professor Joseph Ohmann Krause combines his photographs of the Oregon Coast with his poetry in “Drawing in the Northern Light” in The Little Gallery on the OSU campus.
Oregon State University professor Joseph Ohmann Krause combines photographs of the Oregon Coast with poetry in “Drawing in the Northern Light,” a show on the OSU campus.

The idea came to Krause, a French professor, after he happened upon a catalog of Hammershøi’s, said Helen Wilhelm, curator of The Little Gallery.  

“In Hammershøi’s work, a lot of the paintings have to do with an empty room, or you can see beyond into a farther room,” Wilhelm said. “You get the feeling that, yes there are people who live in these rooms, but they just left. There is a sense of mystery, calm. Even a bit of isolation. 

“In Dr. Krause’s photos, there is never a person in them,” she continued. “There may be an empty beach scene, but you get the sense that someone was there earlier. The word ‘absence’ is the major word that comes to mind. The opposite of chaos.”

The opening is 11:30 a.m. to 12:30 p.m. Tuesday, June 4, in 210 Kidder Hall. Someone will be on hand to read the poems, and Wilhelm is hoping to find musicians to play compositions by Danish composer Dieterich Buxtehude, who has also inspired Krause.  “It’s going to be really elegant and lovely,” Wilhelm said.

The show is on view from 8 a.m. to 5 p.m. weekdays (closed during lunch) May 28 through Sept. 30.

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Studio tour spotlights creatives along the coast

Artists at more than 20 studios along the Central Coast will open their studios during Art on the Edge

Lovers of local art and the Oregon Coast can combine their passions May 17-19 during the Art on the Edge Studio Tour along the Central Coast. More than two dozen artists will open their studios to visitors.

Maria Esther Sund incorporates old and new elements in her collage and mixed media work.

Maria Esther Sund incorporates old and new elements in her collage and mixed media work.

The Lincoln City Cultural Center will host the opening reception from 5 to 7 p.m. Friday, May 10. Guests will meet some of the artists on the tour, see their artwork, and save 50 percent — one night only — on the button that provides entrance to the tour, which is regularly $10.

We talked with Krista Eddy, director of visual arts at the center about the tour.

Mosaic artist Joanne Daschel works in glass and stone tiles to create art on themes including garden, food, landscape, and nature, such as this western meadowlark.

Mosaic artist Joanne Daschel works in glass and stone tiles to create art on themes including garden, food, landscape, and nature, such as this western meadowlark.

What is the Art on the Edge Studio Tour?

Eddy: It is a self-guided tour from Depoe Bay to Neskowin of local, well-known visual artists. You get a map that is kind of like an arts treasure map, you purchase a wood laser-cut button made by our high school kids, and you take the button and the map and go around to the artists’ studios. There are 21 stops. But there are more artists than that, because we have three group studios and each has more than 10 artists. People can choose to go to as many as they want.

How long has it been going on?

This is the third year. We’re still pretty young, but we’re going strong.

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To market, to market, jiggety jig

Up and down the Oregon Coast, outdoor food and craft markets are gearing up for the crowds. A quick trip to Canada whets the appetite.

I confess I couldn’t tell you the last time I visited our local farmer’s market on the Oregon Coast. I did make it to a handful out of town for a story last year, but in terms of visiting just for the pleasure of wandering from vendor to vendor to enjoy the food, sample the wine and admire the art, I’ve been completely negligent. Yet, the first place on my itinerary after landing in Vancouver, British Columbia, last week (True confession #2: In the 19 years I’ve been here on the Coast, this was my first visit) was the Granville Island Market. It was Easter Monday, pouring rain — and yes, I did feel right at home — but friends told me I had to go to the market and I boarded the water taxi intent on spending time in this touted place of local art and food.

The chocolate submarine that got away at Granville Island Market. Photo: Lori Tobias

It did not disappoint. I agonized over the decision to purchase of a pair of earrings made from Woolly Mammoth tusks, but well aware of the dent the trip was putting in my bank account, I passed, opting instead for a little box of handcrafted chocolates, almost too beautiful to eat. Almost. Outside the market, I dipped in and out of boutiques, where I found a stained glass crow I couldn’t resist. We’ve had bald eagles behind our house, and it’s the crows that signal us to get our small dogs to safety. I returned to my hotel room, patting myself on the back for my spending restraint – then days later, returned to the Island to buy a gorgeous wallet with art by First Nations artist Maxine Noel, and a gift for a friend.

Totems in Stanley Park, the great urban park in Vancouver, B.C. Photo: Lori Tobias

Another day, after hours strolling Stanley Park, I jumped on the sea bus for the Lonsdale Quay Market, and, because I’d been so well-behaved spending-wise, set out to find that one something I couldn’t resist. That something turned out to be phone cases with the most adorable renderings by a local artist of nature and animals. After much hemming and hawing – the pink swan? the blue-nosed rabbit? itty bitty mouse? – I decided it had to be the big-eyed owl, more owlet than owlish.

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