COAST

Manzanita’s Dave Dillon curates Northwest film series

The former Hollywood liaison for the Navy screens regional films and leads monthly post-show discussions

Nosferatu, a 1922 classic horror film based on Bram Stoker’s Dracula, might seem an unlikely start for a film series that prides itself on being all Pacific Northwest, all the time. The silent movie was the first offering, eight years ago, in the monthly Manzanita Film Series led by a local resident who has ties to another unlikely horror classic. More on that later.

Dave Dillon finds many of the films shown at the Hoffman Center for the Arts by searching the NW Film Center and paying attention to what other film festivals around the state are showing. “If it’s of, by and/or about the Pacific Northwest, we’re all for it,” he said. When he finds a film he likes, he pays the $100 screening fee and puts the film on the schedule.

Dave Dillon leads the film series at Manzanita’s Hoffman Center for the Arts. Photo courtesy: Hoffman Center for the Arts

“It’s just another little artistic cultural thing,” he said. “We get a good variety of locals, a bunch of steady customers. Twenty is a good crowd.”

The most popular evenings among local film fans are nights that showcase six or eight short films, Dillon said.

“They can be one minute, eight minutes, two. They can be features, documentaries, animated,” he said, adding that the biggest hits come from the Northwest Filmmakers’ Festival in Portland. “From that they put together a DVD of eight to 12 shorts. When they bring that out, everybody loves it. It’s fascinating to see what filmmakers come up with showing off their passion.”

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Coast calendar: Second-look photos, author art, and a hootenanny

Calendar highlights include photos of subjects "entitled to reverence," Rick Bartow's sketches of famous writers, and a night of music and merriment

As a journalist, I’ve had the privilege of working with some amazing photographers, pros who could take what I saw as a simple, even uninspiring, scene and render it into a work of pure art — often in the most fleeting of moments, or brutal circumstances. Those are the photos that make you want to take a second and third look, the photos that keep you returning over and over again.

That’s what juror and world-renowned artist Robert Adams looked for in selecting pictures for a new show, The Sacred, at the LightBox Photographic Gallery in Astoria. A total of 165 camera buffs submitted their work; 52 made the cut. Here’s how Adams described his choices:

“Clouds,” by Dennis Witner is one of 52 photos in “The Sacred” show at Astoria’s LightBox Photographic Gallery.

“The photographer Dorothea Lange said that she wanted to make pictures that are ‘second-lookers’ – pictures that reward repeated viewings. It has been my privilege to assemble an exhibition made up of such photographs. The pictures record what is ‘entitled to reverence,’ as the dictionary defines the word ‘sacred’ – times and places and people that point beyond themselves. We stand today in particular need of such testaments. I was asked to select a few of the photographs for ‘honorable mention,’ but this seems unnecessary. As is apparent, the photographers brought honor to themselves by first selflessly honoring their subjects.”

The show opens with a reception from 5 to 8 p.m. Saturday, Aug. 11, and runs through Sept. 5.

The Coaster Theatre is promising a night of music and merriment at its Cannon Beach Hootenanny on Aug. 25. The evening of folk, blues and rock ‘n’ roll showcases local musicians: Adams & Costello, The Floating Glass Balls, Maggie & the Katz, and Thistle & Rose. Tickets for the 7:30 p.m. show are $15 and can be purchased online, at the box office or by calling 503-436-1242.

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Connecting artists and visitors along 363 miles of coastline

So far, the inventory for the Oregon Coast Public Art Trail includes 125 works, including sculptures, murals and functional art, in 27 communities.

The Oregon Coast is a natural draw for artists, some of whom return the favor by creating a piece of public art. If you live nearby, it’s easy to find these public works, but vistors might never see them. Plans are afoot to change that, with the coast-wide, self-guided Oregon Coast Public Art Trail.

Marcus Hinz, executive director of the Oregon Coast Visitors Association, came up with the idea while traveling the 363-mile coast.

“I would see public art in random places and wondered how anyone would ever find them,” Hinz said. “After a while, it dawned on me that one, there is a lot of public art on the Oregon Coast, and two, that our agency has never done a great job partnering with the coastal-art-culture community. The goal of this project is to help residents and visitors connect with artists, gain a deeper sense of place, and improve artists’ livelihoods.”

Georgia Gerber’s pair of Tufted Puffins roost near City Hall in Cannon Beach. Photo: Oregon Coast Visitors Association

He hopes it will also serve as a marketing tool, attracting tourists at times of the year when they wouldn’t normally visit.

What art will be featured on the trail hasn’t been decided. Kevan Ridgway, founding partner of tourism marketers Minds Aligned Group and a resident of Cannon Beach, has been charged with finding the pieces.

So far, he’s reached out to 27 communities along the coast and put together an inventory totaling about 125 works, including sculptures, murals and functional art, such as benches or trash cans. To be included on the trail, the art must be accessible by the public 24/7. But beyond that, the criteria are still being worked out. Ridgway is encouraging people with information about a
public art piece to email him at oregoncoastarttrail@gmail.com.

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Newport honors favorite sons David Ogden Stiers, Ernest Bloch

Upcoming on the Coast: a screening of Benedict Cumberbatch in "Hamlet" and an open house at an historic Coast Guart boathouse

The central Coast pays homage to two of its famous former citizens this month. As part of the Oregon Coast Council for the Arts’ capital campaign program, plans are under way to change the name of the Performing Arts Center’s Black Box Theatre to the David Ogden Stiers Theatre.

A campaign is under way to rename a Newport theater after former resident David Ogden Stiers. Photo courtesy Newport Symphony Orchestra

In a press release, the arts council’s Executive Director Catherine Rickbone called the actor, known for his role as the pompous Maj. Charles Emerson Winchester III in the 1970s TV show M*A*S*H, “an inspiration to several generations over his many years of involvement with OCCA and the PAC.” Stiers, 75, died March 3 of bladder cancer at his home in Newport.

Rickbone’s release continued to note that Stiers often said of the Performing Arts Center, “it so delights me to see the theater camps and dance recitals involving kids. They think they own this place, and of course they do!”

The renaming comes with $1.6 million in renovations that will include a new seating system, enhanced sound, lighting, and acoustics, and improved HVAC for the theater. It will be home to experimental theater, premiering original plays, literary readings, storytelling, piano performances, dance recitals, cabaret-style jazz ensembles, international musical events, and a broader youth theater. It will also enable simultaneous programming with the adjacent Alice Silverman Theatre. For more information, call Bonnie Prater at the OCCA office, 541-574-2655.

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Singing composer Ernest Bloch’s praises in Newport

A wayside dedication will recall the artist -- known during his lifetime as the fourth B -- with "Bloch Talks" and a musical performance

NEWPORT — He’s one of Newport’s most famous former residents, but unless you’re a classical music buff, odds are you haven’t heard of him.

Composer Ernest Bloch spent the last 18 years of his life living in Newport’s Agate Beach neighborhood. Photo courtesy Frank Geltner

That would be Ernest Bloch, the composer known in his day as the fourth B, after Bach, Beethoven and Brahms, and who composed one-third of his world-renowned compositions in an oceanfront home in Newport’s Agate Beach neighborhood.

Thanks to the efforts of Frank Geltner and a group of volunteers, Bloch’s legacy will shine more brightly. The new Ernest Bloch Memorial Wayside, located next to the street where Bloch lived from 1941 to his death in 1959 at age 79, will be dedicated Wednesday, July 18, with events continuing through the weekend.

Bloch discovered Newport while traveling from his son’s home in Portland to the University of California-Berkeley, where he was delivering a series of lectures.

“He arrived at the height of his career,” said Geltner, who is the “flamekeeper” of the Ernest Bloch Legacy Project. “All metrics which can be mustered give testimony to the impact this composer has had on his profession. Perhaps the number of recordings give the scope: about 850 CDs and 400 LPs. Perhaps the number of major awards. Perhaps when you search the name Ernest Bloch online to discover nearly 600,000 hits.”

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Coast through summer: theater, music, visual art along the beach

Entertainment along the Oregon Coast includes old-time melodramas, jazz performances and art celebrating birds.

Hot, sunny days make it prime viewing season for the art and entertainment nature offers along the Oregon Coast. But when the sand, wind and occasional rain get to be too much, beachgoers can find plenty of manmade amusements. Summer on the coast brings theater performances, gallery shows and music.

Not every stage welcomes cheers, boos and popcorn-throwing, but that’s how The Astor Street Opry Company defines audience participation during their performances of Shanghaied in Astoria. Given this is their 34th season presenting the play, they must be doing something right. In their words, it’s live, award-winning, family friendly, historical and hysterical; part vaudeville, part soap opera and an entertaining look at cultural folklore on the Columbia River. The story, directed this year by Ashley Mundel, centers on the “shanghaiing” of the play’s hero and his daring rescue in melodramatic style. It runs at 7 p.m. Thursdays, Fridays and Saturdays, and 2 p.m. Sundays, July 12 through Sept. 1. Tickets range from $10 to $20. Get the details here.

The Astor Street Opry Company is presenting its 34th season of “Shanghaied in Astoria.”

“Saxophonist to the stars” Patrick Lamb takes the stage at the Coaster Theatre Playhouse in Cannon Beach at 7:30 p.m. Sunday, July 15, as part of the Tom Drumheller Summer Series. Lamb’s last three singles have made the national Billboard Charts, and he was recently inducted into the Oregon Music Hall of Fame. He’s toured with Smokey Robinson, Esperanza Spalding, Gino Vannelli, Bobby Caldwell, Jeff Lorber Fusion, among others, and is now touring solo.

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Henk Pander brings Vanport to Newport

In his first show in Newport, the celebrated Portland painter reflects not only on the devastating 1948 flood, but also on his childhood, racism and war.

NEWPORT — When celebrated Portland artist Henk Pander opens his show here Friday, July 6, it will mark not only his first exhibit in this coastal town, but also the first time nearly all of the watercolors have been out of his studio.

Times of Our Lives: Selected Watercolors by Henk Pander will run from July 6 through Sept. 2 in the Runyan Gallery at the Newport Visual Arts Center. The show, presented by the Oregon Coast Council for the Arts, will feature large-scale watercolors and works from Pander’s recent series, War Memories, Liberty Ships and the Climate Refugees of Vanport.

“Buildings Are Floating” is among Henk Pander’s large scale watercolors on the theme of the Vanport flood.

Pander said he painted the watercolors for the Vanport Mosaic project, which commemorates the city north of Portland that was wiped out on Memorial Day 1948, when a dike broke, flooding the town in less than an hour and displacing 40,000 people. Many of the residents worked in the shipyards and included African Americans who were not welcome in Portland.

The Vanport watercolors were shown briefly this spring as part of the Vanport Mosaic Festival in Portland, Pander noted, but never in a gallery. His previous work on Vanport felt dated, he said.

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