It’s an historic week for so many reasons, some happy, some frustrating, but here, we will focus on the happy and far less frustrating dance events in Portland.
Opening last night at Reed College’s Diver Studio is Tahni Holt’s Sensation/Disorientation, a White Bird commission that looks at femaleness and its layers in modern-day culture, will be performed in the round, by six multigenerational performers from 15 to 60 years old.
Sensation/Disorientation will be performed by Tracy Broyles, Muffie Connelly, Carla Mann, Eliza Larson, Suzanne Chi and Aidan Hutapea, with music by Luke Wyland, costumes by Alenka Loesch and dramaturgy by Kate Bredeson. Holt, within her choreography, investigates concepts of ritual, duration, exhaustion, vitality, and organic versus in organic, rupturing familiar cultural narratives around the female body specifically addressing age and weight.
For further insight into Holt’s process you can read Hannah Krafcik’s article, Reading into Tahni Holt’s ‘Sensation/Disorientation.’ Krafcik co-facilitates an ongoing movement practice with Holt at FLOCK Dance Center in North Portland and possibly offers a more intimate knowledge of Holt’s thinking and doing. You can also listen to OPB’s State of Wonder by Aaron Scott where he talks with dramaturge Kate Bredeson, musician Luke Wyland, Tahni Holt and White Bird directors Paul King and Walter Jaffe on the different aspects of the production.
Sensation/Disorientation was not intended to bookend the 2017 inauguration but works perfectly in that space anyway. Holt suggested in Krafcik’s article that we attend the Women’s March downtown and then head to her concert later in the evening. Sounds like a good plan to me.