DANCE

NW Dance Project: Jazz puns, modern dance brawls and Ravel

NW Dance Project's "Bolero + Billie" adds a bit of humor to the usual holiday spices

By ELIZABETH WHELAN

Kicking off the holiday season with a good ol’ jazz-centric pun, NW Dance Project presented Bolero + Billie at Lincoln Hall this weekend… you know, Billie Holiday? The evening was a two-part show: the first act, Billie, premiering a brand new work created in collaboration by six of NWDP’s own dancers, was followed by a return to resident choreographer Ihsan Rustem’s contemporary, humor-ridden take on Ravel’s classic, Bolero.

Andrea Parson gets a lift in “Billie”/Photo by Blaine Truitt Covert

Artistic director Sarah Slipper played a key role in this new piece, though perhaps not in the way you’d expect. Slipper’s ability to step back and see the potential in her dancers as blooming choreographers themselves is both a golden opportunity for the group of ten that call NWDP their home, but also a refreshing tale in the dance world that oftentimes fails to recognize that the full potential of professional dancers can extend beyond the task of performing someone else’s work.

Continues…

Candace Bouchard: After one last Dewdrop, the world awaits

Oregon Ballet Theatre ballerina Candace Bouchard signs off with one last "Nutcracker"

By HEATHER WISNER

Candace Bouchard’s last waltz with Oregon Ballet Theatre will be an actual waltz—specifically, the “Waltz of the Flowers” in The Nutcracker, which opens December 9 at the Keller Auditorium. After that, the 34-year-old soloist will retire from the only company she has ever called home—and from professional dance for the foreseeable future.

Bouchard will spend some of her last month onstage in one of her favorite roles, Dewdrop, the nimble solo central to “Waltz of the Flowers”; it comes with a dizzying turn sequence, plus consecutive jumps and pointe work that barely allow the dancer’s feet to touch down before popping up again. It’s a challenge, and Bouchard likes challenges, particularly when they involve athleticism and musicality, qualities viewers have come to enjoy in her dancing.

Walking away from a passion she has pursued since childhood, however, may be her biggest challenge yet.

Candace Bouchard in the company premiere of August Bournonville’s “Napoli”, 2015/Photo by James McGrew

“It’s going to feel really weird to not say I’m a dancer,” Bouchard admits, “but I have a pretty robust life. I feel as ready now as I ever will.”

One recent night after Nutcracker rehearsals, Bouchard took a moment to reflect on where she’s been, where she’s headed next, and what it’s been like to dance for a living.

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DanceWatch Weekly: Dancing magic, wonderment and joy

Oregon Ballet Theatre's 'Nutcracker' opens this week alongside NW Dance Project's 'Bolero + Billie'

I don’t know about you, but I’m ready for some magic, wonderment, and joy in my life right now, and thankfully this weekend’s dance performances deliver just that.

BodyVox’s 20th anniversary celebration continues with Lexicon, a new collection of dances that marries technology and dance and also includes audience participation.

Jamuna Chiarini

NW Dance Project gets into the spirit with a double bill of Bolero and Billie. Bolero, choreographed by NW Dance Project resident choreographer Ihsan Rustem in 2016, is a reimagined, contemporary version of Ravel’s Bolero that ArtsWatcher Bob Hicks called a “bright and witty new Boléro, which he’s rescued from the graveyard of pop-culture banality and restored affectionately to its pedestal of seductively oddball expressionism.” If you’re interested in reading about Rustem’s artistic process, you can read my 2016 interview with him here. Billie, choreographed by the company dancers to the music of American jazz musician and singer-songwriter Billie Holiday, is a series of 13 vignettes that highlight love and interpersonal relationships.

George Balanchine’s The Nutcracker also opens this week at Oregon Ballet Theatre, along with a variety of other Nutcrackers that offer variations in ticket price and length of production; something for everyone’s budget and attention span. Longtime Oregon Ballet Theatre soloist Candace Bouchard will retire at the end of the run and will perform her favorite role Dewdrop on closing night. Don’t miss her final performance, and keep a look out for Heather Wisner’s interview with her for ArtsWatch.

At Reed College this weekend, dance majors and community dancers will perform new works by dance faculty members Carla Mann, Oluyinka Akinjiola, and Victoria Fortuna in Reed College’s annual winter concert.

Enjoy!

Performances this week

Photo by Steve Cherry, Polara Studio courtesy of BodyVox.

Lexicon
BodyVox
December 7-16
BodyVox Dance Center, 1201 NW 17th Ave.
BodyVox celebrates its 20th anniversary with the premiere of Lexicon, a new work by BodyVox directors Jamey Hampton and Ashley Roland in collaboration with Italian avant-garde composer Ludovico Einaudi. Lexicon creates a new performance experience by marrying dance and technology and by having the dancers interact with infrared sensors, live video graphic generation, motion capture, virtual reality, and more, live on stage.

NW Dance Project in Bolero by Ihsan Rustem. Photo by Chris Peddecord.

Bolero + Billie
NW Dance Project
December 7-9
Portland State University, Lincoln Performance Hall, 1620 SW Park Ave.
See above.

Photo courtesy of Rainbow Dance Theatre.

The Nutcracker with Chamber Ballet of Corvallis
Choreography by Shelly Svobody with guest artists from Rainbow Dance Theatre
December 8-9
Corvallis High School, 1400 NW Buchanan Ave., Corvallis
This full-scale Nutcracker production under the artistic guidance of Shelly Svoboda will feature guest artists from Rainbow Dance Theatre, a dance company directed by former Pilobolus dancer Darryl Thomas and former Merce Cunningham dancer Valerie Bergman based in Monmouth, Oregon, at Western Oregon University. Rainbow Dance Theatre explores dance on multi-levels incorporating virtuosic concert dance, world-dance forms, aerial choreography, and technology creating interactive sets that use fiber optics and electro-luminescent technology.

Reed College dance students. Photo by Gordon Wilson.

Winter Dance Concert
Reed College Performing Arts
7 pm December 9
Greenwood Theatre, Reed College, 3202 SE Woodstock Blvd.
See above.

Candace Bouchard as “The Sugarplum Fairy” and Peter Franc as her “Cavalier” in Oregon Ballet Theatre’s 2015 production of George Balanchine’s The Nutcracker,  Photo by Blaine Truitt Covert.

George Balanchine’s The Nutcracker
Oregon Ballet Theatre
December 9-24
Keller Auditorium, 222 SW Clay St.
To Tchaikovsky’s Nutcracker Suite, little Marie parties hard, fights with her brother because he broke her new toy, sees a tree grow to the size of a building, fights off rats and travels to the Land of Sweets where she meets the Sugar Plum Fairy, witnesses dancing delicacies from around the world, and takes off in the end to places unknown with the Nutcracker Prince.

Photo courtesy of NorthWest Dance Theatre.

A Nutcracker Tea
NorthWest Dance Theatre
Artistic Directors June Taylor-Dixon
December 9-17
PCC Sylvania Performing Arts Center, 12000 SW 49th Ave
Complimentary tea will be served
An abridged Nutcracker, this version follows Clara and her prince through the Snow Kingdom and the Land of Sweets, showcasing beautifully crafted sets and costumes with choreography by June Taylor-Dixon.

NWDT is a youth ballet company in its twenty-seventh season.

Upcoming Performances

December
December 7-December 16, Lexicon (world premiere), BodyVox
December 9-24, George Balanchine’s The Nutcracker, Oregon Ballet Theatre
December 13-17, a world, a world (work-in-progress), Linda Austin Dance, PWNW
December 15-17, New Expressive Works Residency Performance, Crystal Jiko, Tere Mathern, Madison Page, Wolfbird Dance
December 17, The Nutcracker, Bolshoi Ballet in Cinema Live from Moscow
December 17, Fiesta Navideña, Hosted by Espacio Flamenco Portland
December 22-24, The Nutcracker with Orchestra Next, Eugene Ballet Company, Eugene

January

January 12, Love Heals All Wounds, Lil’ Buck and Jon Boogz, Presented by Portland’5 Center for the Arts
January 18-28, Fertile Ground Festival of New Work/Groovin’ Greenhouse
January 25-27, Rennie Harris Puremovement, presented by White Bird
January 28, Garden of Earthly Delights with Salem Concert Band (World premiere), Rainbow Dance Theatre, Independence

February
February 1-10, The skinner|kirk DANCE ENSEMBLE, presented by BodyVox
February 4, The Lady Of The Camellias, Bolshoi Ballet in Cinema Live from Moscow
February 17-18, Pink Martini, Eugene Ballet Company, Eugene
February 21, Mark Morris Dance Group, presented by White Bird
February 23-25, Configure, PDX Contemporary Ballet
February 24-March 4, Alice (in wonderland), choreography by Septime Webre, performed by Oregon Ballet Theatre

March
March 1-3, Urban Bush Women, presented by White Bird
March 4, The Flames Of Paris, Bolshoi Ballet in Cinema Live from Moscow
March 8-10, Jessica Lang Dance, presented by White Bird
March 14, Compañia Jesús Carmona, presented by White Bird
March 15-17, World Premiere’s by Sarah Slipper and Cayetano Soto, NW Dance Project
March 22-24, To Have It All, choreography by Katie Scherman, presented by BodyVox

April
April 4, iLumiDance, Rainbow Dance Theatre, Corvallis
April 5, Earth Angel and other repertory works, Rainbow Dance Theatre, Corvallis
April 5-7, Stephen Petronio Company, presented by White Bird
April 8, Giselle, Bolshoi Ballet in Cinema Live from Moscow
April 12-14, Contact Dance Film Festival, presented by BodyVox and Northwest Film Center
Apr 14-25, Peer Gynt with Orchestra Next, Eugene Ballet Company, Eugene
April 12-21, Man/Woman, choreography by Mikhail Fokine, Darrell Grand Moultrie, Nicolo Fonte, James Canfield, Jiří Kylián, performed by Oregon Ballet Theatre
April 19-28, Early, push/FOLD, choreographed and directed by Samuel Hobbs
April 20-29, X-Posed, Polaris Dance Theatre, Robert Guitron
April 24-25, Alvin Ailey American Dance Theater, presented by White Bird
April 24-25, The Wind and the Wild, BodyVox and Chamber Music Northwest

May
May 4-5, Current/Classic, The Portland Ballet
May 10-12, New work premiere, Rainbow Dance Theatre, Western Oregon University, Monmouth
May 10-19, Rain & Roses (world premiere), BodyVox
May 11-13, Compose, PDX Contemporary Ballet
May 16, Ballet Hispȧnico, presented by White Bird
May 17-20, CRANE, a dance for film by The Holding Project
May 23-June 3, Closer, original works by the dancers of Oregon Ballet Theatre

June
June 8-10, Up Close, The Portland Ballet
June 10, Coppelia, Bolshoi Ballet in Cinema Live from Moscow
June 14-16, World Premiere – Ihsan Rustem, MemoryHouse – Sarah Slipper, NW Dance Project
June 15-17, New Expressive Works Residency Performance
June 24, Salem World Beat, Rainbow Dance Theatre, Salem

 

BodyVox’s ‘Lexicon’: New expression through tech

BodyVox launched its 20th anniversary season with 'Lexicon," a deep marriage of movement and tech

By HEATHER WISNER

Tech has partnered with dance for years, often to thrilling effect, from the otherworldly motion-capture images generated in Merce Cunningham’s Biped to the wireless heart monitor attached to a bare-chested Baryshnikov in Heartbeat: mb. So it follows that BodyVox—which has a long history of multimedia performance, particularly with collaborator/filmmaker Mitchell Rose—would eventually build a show around a tech theme.

That show is Lexicon, which opened the company’s 20th anniversary season last night in the company’s Northwest Portland dance studio. Lexicon is a suite of dances infused with a variety of tech, from green screen and animation to cell phones and video gaming. BodyVox’s high-level collaborators in this endeavor include Boxtrolls animator Mike Smith and FoxTrax programmer Wade Olsen. (The production as a whole makes Deere John, company co-founder Jamey Hampton’s lovesick duet with a tractor, which was part of the entry that won the American Choreography Award for Outstanding Achievement in Short Film in 2002, seem positively archaic from a mechanical standpoint.)

BodyVox kicked off its 20th anniversary season with “Lexicon,” a multi-media extravaganza./Photo by Blaine Truitt Covert

Hampton and co-founder Ashley Roland don’t appear onstage in this show; their focus has been creating its choreography—and additionally for Roland, its costumes—but various combinations of the company’s eight dancers carry out their vision. (Roland and Hampton do make an appearance in Icons, a short film Rose shot of them dressed as the black cutout figures on public signage for restrooms and the like. Though not as tech-y as some of the program, it’s an entertaining vision of what could happen if those figures came to life.)

Continues…

DanceWatch Weekly: BodyVox celebrates a milestone

The company that Jamey Hampton and Ashley Roland started turns 20, plus Physical Education stages a festival and Wobbly presents a new film

This week in Portland dance, BodyVox Dance Company celebrates its 20th anniversary with the opening of Lexicon, an electronically infused collection of dances and films; Physical Education hosts a three-day performance festival called Say When that includes performances by local and international artists working in performance, sound, sculpture, video, and virtual reality; and Wobbly Dance and cinematographer Ian Lucero unveil their new film Tidal, an exploration of the relationship between the rhythm of mechanized breath and the rhythm of the oceans in a fantastical underwater world.

BodyVox’s Carmina Burana. Photos by Blaine Truitt Covert.

Twenty years ago BodyVox artistic directors Jamey Hampton and Ashley Roland landed on the name BodyVox (a combination of body and voice) for their Portland-based dance company after trying out such alternatives as CODA (Contemporary Oregon Dance) and Hamroll, a combination of Hampton and Roland that “rolled right off the tongue and into the compost,” Roland said, laughing, when I interviewed her and Hampton several weeks ago.

This playful, collaborative nature between the two seems to be the secret to their success as artistic partners, their longevity in the business, and the general mood and mission of the company and the work it produces. For Roland and Hampton it has always been important that the work be driven by beauty and collaboration, not ego. “That is why I believe we’ve been able to make close to 20 shows in 20 years” Hampton said, “… because we don’t get hung up on the show being about us. It’s us being about the work.”

BodyVox co-artistic director Ashley Roland in Carmina Burana. Photo by Blaine Truitt Covert.

Lexicon is highly collaborative. The collaborators include lighting designer James Mapes; long-time BodyVox filmmaker Mitchell Rose; Italian avant-garde composer Ludovico Einaudi, known for his scores for the films Doctor Zhivago (2002) and Sotto Falso Nome (2004); The Boxtrolls animator Mike Smith; and programmer Wade Olsen, known for the FoxTrax, a hockey puck tracking software that is used during televised games. Lexicon is about re-examining and expanding what is possible in live performance by marrying dance and technology. The dancers use infrared sensors, live video graphic generation, motion capture, and virtual reality.

Roland and Hampton originally met at a Pilobolus workshop in 1983. Hampton danced with Pilobolus for five years after college, and later they performed together in MOMIX where Roland and Hampton were both founding members. The pair later co-founded ISO Dance, which stands for “I’m so optimistic,” with Daniel Ezralow and Morleigh Steinberg. Around 1994 Hampton quit dancing and moved home to Portland to work for his family’s lumber company with Roland joining him later.

Alicia Cutaia and Brent Luebbert in the new BodyVox film Night Shine./ Photo by Blaine Truitt Covert.

“I moved back here (Portland) because my body was broken from all those years of touring, and I needed to rest and recover,” Hampton said. “I started working for our family lumber business because I felt like eventually I would have to know what was going on with that. So I stopped dancing for almost two years and just did yoga and rock climbing and working out.”

Twenty years is a long time, and in that 20 years BodyVox, Roland and Hampton have been written about too many times to count, which is a good thing. So instead of going over that ground myself, I thought I would share with you a couple of my favorite interviews/reviews by other writers, and a list of interesting things that jumped out at me in our interview together. If you have the time and love reading about dance, which I hope you do, you can peruse the collection of writing on the company’s press page on their website.

Photo by Steve Cherry, Polara Studio courtesy of BodyVox.

In describing BodyVox’s movement and choreographic style in a review of Fifteen, a two-part celebration of the company’s 15th anniversary in 2013 that included 22 pieces, ArtsWatch’s senior editor Bob Hicks describes the company as “something of an anomaly in the dance world, quirky and contemporary but outside the mainstream of both the traditional and experimental wings.” He continued: “With a deep affection for circus, mime, vaudeville, and silent film in addition to training in ballet and contemporary-dance techniques, it’s really movement theater–less dancerly than many companies but usually more dancerly than Momix, Pilobolus, and ISO Dance, the companies that artistic directors Ashley Roland and Jamey Hampton worked in before creating BodyVox.” You can read the full review here.

In 2013 Roland and Hampton were interviewed by Portland Interview Magazine in an intimate reflection on BodyVox’s first 15 years and the couple’s 30 year collaborative history together. You can read that interview here.

In 2014 Hampton was interviewed by Emmaly Wiederhold and photographed by Gregory Bartning for their book Beauty Is Experience, Dancing 50 And Beyond, a beautiful and moving collection of stories and photos of dancers still dancing past the age of 50. In his interview with Wiederhold Hampton talks about finding dance at Dartmouth College with dance teacher Alison Chase, dancing for Pilobolus, burning out at age 40, rebuilding himself, measuring success, and considering the “end.” You can read that full interview here.

Interesting bits from my interview with Roland and Hampton

1. Hampton grew up in Portland. Roland grew up in Connecticut.
2. BodyVox was the first Portland dance company to be commissioned and produced by White Bird, The Big Room in 1998.
3. Jamey was 43 when he and Ashley started BodyVox. He is now 63, and he and Ashley continue to perform with the company.
4. The company’s first home was at the old home of PCVA, Portland Center for the Visual Arts, 117 NW Fifth Avenue, which featured so many notable visual artists (Agnes Martin, Robert Rauschenberg, James Rosenquist, Lynda Benglis, Sol LeWitt and Andy Warhol), site-specific installations (Donald Judd, Christo and Robert Irwin), and performance (Allan Kaprow, Trisha Brown and Yvonne Rainer).
5. Ashley gave birth to her first baby in the second year of the company. That baby is graduating from high school this year. Their second child is in 6th grade. Both kids have made appearances in several of the companies dances and films and have gone everywhere with the company.
7. At one point all the women dancers in the company had babies, and Ashley hired someone to watch the kids during rehearsals.
8. The original company members were Eric Skinner, Daniel Kirk, Robert Guitron, Cristina Patricelli-Betts, Eric Oglesby, Jamey Hampton, and Ashley Roland.
9. The company’s second home was over the Bridgeport Brewery where they were for ten years.
10. The company moved into the BodyVox Dance Center, 1201 NW 17th Ave., in 2008.

At the end of our interview Roland said, “Our mission is to enlighten people, to inspire people of all ages. With that in mind WE have to be inspired. So we’re are always looking for those things that give us inspiration. I love the root of the word inspiration: it’s having the spirit within.”

Performances this week

Lexicon (world premiere)
BodyVox
November 30-December 16
BodyVox Dance Center, 1201 NW 17th Ave.
See above.

TRANSCENDENTAEROBICOURAGE with Allie Hankins. Photo courtesy of Physical Education.

SAY WHEN -a mini festival
Hosted by Physical Education; keyon gaskin, Allie Hankins, Lu Yim and Takahiro Yamamoto.
December 1-3
All events FREE and ADA accessible
See below for the full schedule.
“PE’s vision is to offer audiences, artists of all mediums, and curious individuals immersive modes through which to engage with multi-disciplinary art practices and performance. PE acknowledges and scrutinizes the perceived illegibility and messiness of the performing body. PE organizes and hosts READING GROUPS, ARTIST SHARES, curated PERFORMANCES, AEROBICS classes, and straight-up sweat-it-out DANCE PARTIES.”

SAY WHEN-Day 1-TRANSCENDENTAEROBICOURAGE
Allie Hankins and DJ Allan Wilson
5-6pm December 1
Flock Dance Center, 8371 N Interstate Ave. Studio 4
“Traditionally, TRANSCENDENTAEROBICOURAGE is a movement/embodiment event. We breathe, vocalize, bounce, sweat, push, rest, DANCE, and work as individuals & as a group in actions that help us access the pleasure of effort. This special Say When edition of TRANSCENDENTAEROBICOURAGE will focus on sensation and perception.”

SAY WHEN-Day 2-Performances + VR + Dancing
Performances by sidony o’neal, Seanna Musgrave, coast 2c,
and Nadia Granados (Mexico City)
9 pm December 2
S1, 7320 NE Sandy Blvd.

SAY WHEN-Day 3-Performances + SPA
Performances by Hannah Piper Burns, Linda Austin, and Jin Camou
5pm December 3
High + Low Gallery, 936 SE 34th Ave.

Tidal by Wobbly Dance. Photo courtesy of Wobbly.

Tidal-the first cut
Wobbly Dance
Collaborators; cinematographer Ian Lucero, costume designer Jenny Ampersand and musicians Sweetmeat. Additional animation was created by Kurtis Hough. Make-up by Sumi Wu and Jenny Ampersand. Photography by Kamala Kingsley.
2 pm and 7:30 pm December 2
Q&A following the 2pm showing
The Headwaters Theatre, 55 NE Farragut #9
Both screenings will be Audio Described and ASL Interpreted.

In collaboration with cinematographer Ian Lucero, costume designer Jenny Ampersand and musicians Sweetmeat, this one day showing of Tidal-work in progress, will screen next to Wobbily Dance’s “Waking the Green Sound: a dance film for the trees” and a short film by Cheryl Green called “In My Home.”

Tidal is “a fantastical film, where breathing masks transform into diving masks, ventilator tubing morphs into costumes, and an ancient diver who calls the ocean home, draws us into his world. We fall, we dream, we dive. We transform from human to jellyfish and everything in between. This film is a continuation of the exploration of Wobbly’s dark, dream-like and sometimes absurd aesthetic. Starring Yulia Arakelyan and Erik Ferguson as the Dreamers, Nathan H.G. as the Diver, and Grant Miller as the Forager.”

Upcoming Performances

December
December 7-9, Bolero + Billie, Ihsan Rustem, NW Dance Project
December 8-9, The Nutcracker with Chamber Ballet of Corvallis, Rainbow Dance Theatre, Corvallis
December 9, Winter Dance Concert, Reed College Performing Arts
December 9-24, George Balanchine’s The Nutcracker, Oregon Ballet Theatre
December 13-17, a world, a world (work-in-progress), Linda Austin Dance, PWNW
December 15-17, New Expressive Works Residency Performance, Crystal Jiko, Tere Mathern, Madison Page, Wolfbird Dance
December 17, The Nutcracker, Bolshoi Ballet in Cinema Live from Moscow
December 17, Fiesta Navideña, Hosted by Espacio Flamenco Portland
December 22-24, The Nutcracker with Orchestra Next, Eugene Ballet Company, Eugene

January

January 12, Love Heals All Wounds, Lil’ Buck and Jon Boogz, Presented by Portland’5 Center for the Arts
January 18-28, Fertile Ground Festival of New Work/Groovin’ Greenhouse
January 25-27, Rennie Harris Puremovement, presented by White Bird
January 28, Garden of Earthly Delights with Salem Concert Band (World premiere), Rainbow Dance Theatre, Independence

February
February 1-10, The skinner|kirk DANCE ENSEMBLE, presented by BodyVox
February 4, The Lady Of The Camellias, Bolshoi Ballet in Cinema Live from Moscow
February 17-18, Pink Martini, Eugene Ballet Company, Eugene
February 21, Mark Morris Dance Group, presented by White Bird
February 23-25, Configure, PDX Contemporary Ballet
February 24-March 4, Alice (in wonderland), choreography by Septime Webre, performed by Oregon Ballet Theatre

March
March 1-3, Urban Bush Women, presented by White Bird
March 4, The Flames Of Paris, Bolshoi Ballet in Cinema Live from Moscow
March 8-10, Jessica Lang Dance, presented by White Bird
March 14, Compañia Jesús Carmona, presented by White Bird
March 15-17, World Premiere’s by Sarah Slipper and Cayetano Soto, NW Dance Project
March 22-24, To Have It All, choreography by Katie Scherman, presented by BodyVox

April
April 4, iLumiDance, Rainbow Dance Theatre, Corvallis
April 5, Earth Angel and other repertory works, Rainbow Dance Theatre, Corvallis
April 5-7, Stephen Petronio Company, presented by White Bird
April 8, Giselle, Bolshoi Ballet in Cinema Live from Moscow
April 12-14, Contact Dance Film Festival, presented by BodyVox and Northwest Film Center
Apr 14-25, Peer Gynt with Orchestra Next, Eugene Ballet Company, Eugene
April 12-21, Man/Woman, choreography by Mikhail Fokine, Darrell Grand Moultrie, Nicolo Fonte, James Canfield, Jiří Kylián, performed by Oregon Ballet Theatre
April 19-28, Early, push/FOLD, choreographed and directed by Samuel Hobbs
April 20-29, X-Posed, Polaris Dance Theatre, Robert Guitron
April 24-25, Alvin Ailey American Dance Theater, presented by White Bird
April 24-25, The Wind and the Wild, BodyVox and Chamber Music Northwest

May
May 4-5, Current/Classic, The Portland Ballet
May 10-12, New work premiere, Rainbow Dance Theatre, Western Oregon University, Monmouth
May 10-19, Rain & Roses (world premiere), BodyVox
May 11-13, Compose, PDX Contemporary Ballet
May 16, Ballet Hispȧnico, presented by White Bird
May 17-20, CRANE, a dance for film by The Holding Project
May 23-June 3, Closer, original works by the dancers of Oregon Ballet Theatre

June
June 8-10, Up Close, The Portland Ballet
June 10, Coppelia, Bolshoi Ballet in Cinema Live from Moscow
June 14-16, World Premiere – Ihsan Rustem, MemoryHouse – Sarah Slipper, NW Dance Project
June 15-17, New Expressive Works Residency Performance
June 24, Salem World Beat, Rainbow Dance Theatre, Salem

 

DanceWatch Weekly: Giving thanks through dance

The "Enchanted Toyshop" returns for another Thanksgiving, and you could make it a Butoh celebration with Mushimaru Fujieda

On this Thanksgiving week there are just two performance offerings, but they are mighty. The first is a double bill performed by the students of The Portland Ballet (TPB) of The Enchanted Toyshop, choreographed by John Clifford (restaged by founder and TPB artistic director Nancy Davis), and the world premiere of Tourbillon by TPB artistic director Anne Mueller. Both works will be performed to live music by The Portland State University Orchestra, under the direction of Ken Selden, and open Friday, November 24, at Lincoln Performance Hall. The second concert features Butoh artist Mushimaru Fujieda and his solo Natural Physical Poetry, at The Headwaters Theatre for one night only, also on the 24th.

Quickly becoming a Portland Thanksgiving holiday tradition, much as The Nutcracker is for Christmas, The Enchanted Toyshop – originally titled La Boutique Fantasque – was choreographed by Leonide Massine for Diaghilev’s Ballets Russes in 1919. Clifford has adapted the story ballet for The Portland Ballet, cutting out much of the original libretto but keeping the original sets and costumes and making room for many new characters. Clifford, a protégé of George Balanchine, is an artistic advisor to TPB and provides a link for the company to one of America’s most influential ballet choreographers.

The Portland Ballet in The Enchanted Toyshop. Photo by Blaine Truitt Covert.

Dance writer Martha Ullman West, in her ArtsWatch review of the show last year, said the ballet “offers comedy and pathos, fantasy and romance, a thoroughly satisfactory happily-ever-after-ending…”

The Enchanted Toyshop, featuring a cast of 75 dancers and 38 musicians, taps into the childhood fantasy of accidentally getting locked in a toy shop overnight. Adventure ensues when toys come to life, and so does lots of dancing by fairies, dolls, children, and Pinocchio, who serves as the master of ceremonies.

Tourbillon, by Mueller, is a new ballet for 27 advanced dancers, set to the music of Joseph Lanner, an Austrian dance composer from the early 1800s who helped popularize the waltz. The ballet features two waltzes, a galop, and a polka danced in colorful 1950s cotillion-inspired dresses, white gloves, and jeweled crowns.

Butoh artist Mushimaru Fujieda. Photo courtesy of Mizu Desierto and Water in the Desert.

Natural Physical Poetry, by Japanese Butoh artist Fujieda, is a solo performance that expresses emotional moments in life poetically, utilizing the body’s movement in relation to its own breath and rhythm, producing a combination of tension and lyricism.

Originally from Handa city, in the Aichi Prefecture of Japan, Fujieda has worked as an actor, scriptwriter, director, producer, writer, and dancer, performing internationally since 1972.

This week’s DanceWatch is brought to you from the beautiful, tropical island of Maui, in Hawaii. I’m here with my family hiding out, but having lots of fun, trying to subvert the traditional Thanksgiving celebration, which wasn’t even a real event, anyway. We are vegetarians (for religious reasons), and we don’t really like the post-holiday shopping mania in celebration of this fictitious, whitewashed holiday.

But I do enjoy the underlying sentiment of Thanksgiving, which is not meat-based, and is about being thankful and generous, and I think traditional Hawaiian culture embodies those sentiments wholeheartedly.

In Hawaii, “Aloha” isn’t just a generous feel-good greeting but also an embodied way of life. Aloha is a way of living and treating each other with love and respect. The lei, which can be made of flowers, feathers, or nuts, is a symbol of family and unity, and the beautiful dancing that Hawaii is so famous for is actually the entire history of the culture told through movement.

So in the spirit of Aloha, Happy Thanksgiving.

Coming up next week: BodyVox celebrates its 20th anniversary with the premiere of Lexicon, a new work by BodyVox directors Jamey Hampton and Ashley Roland in collaboration with Italian avant-garde composer Ludovico Einaudi. Lexicon creates a new performance experience by marrying dance and technology and by having the dancers interact with infrared sensors, live video graphic generation, motion capture, virtual reality, and more, live on stage.

Performances this week

Mushimaru Fujieda: Natural Physical Poetry Performance
hosted by Water in the Desert
8 pm November 24
The Headwaters Theatre, 55 NE Farragut St. # 4

The Enchanted Toyshop by John Clifford, Tourbillon by Anne Mueller
Performed by the PSU Orchestra and The Portland Ballet
November 24-26
Portland State University, Lincoln Performance Hall, 1620 SW Park Ave.

Upcoming Performances

November/December
November 30-December 16, Lexicon (world premiere), BodyVox
December 1-3, SAY WHEN -a mini festival, Hosted by Physical Education
December 2, Tidal-the first cut, Wobbly Dance

December
December 7-9, Bolero + Billie, Ihsan Rustem, NW Dance Project
December 8-9, The Nutcracker with Chamber Ballet of Corvallis, Rainbow Dance Theatre, Corvallis
December 9, Winter Dance Concert, Reed College Performing Arts
December 9-24, George Balanchine’s The Nutcracker, Oregon Ballet Theatre
December 13-17, a world, a world (work-in-progress), Linda Austin Dance, PWNW
December 15-17, New Expressive Works Residency Performance, Crystal Jiko, Tere Mathern, Madison Page, Wolfbird Dance
December 17, The Nutcracker, Bolshoi Ballet in Cinema Live from Moscow
December 17, Fiesta Navideña, Hosted by Espacio Flamenco Portland
December 22-24, The Nutcracker with Orchestra Next, Eugene Ballet Company, Eugene

January

January 12, Love Heals All Wounds, Lil’ Buck and Jon Boogz, Presented by Portland’5 Center for the Arts
January 18-28, Fertile Ground Festival of New Work/Groovin’ Greenhouse
January 25-27, Rennie Harris Puremovement, presented by White Bird
January 28, Garden of Earthly Delights with Salem Concert Band (World premiere), Rainbow Dance Theatre, Independence

February
February 1-10, The skinner|kirk DANCE ENSEMBLE, presented by BodyVox
February 4, The Lady Of The Camellias, Bolshoi Ballet in Cinema Live from Moscow
February 17-18, Pink Martini, Eugene Ballet Company, Eugene
February 21, Mark Morris Dance Group, presented by White Bird
February 23-25, Configure, PDX Contemporary Ballet
February 24-March 4, Alice (in wonderland), choreography by Septime Webre, performed by Oregon Ballet Theatre

March
March 1-3, Urban Bush Women, presented by White Bird
March 4, The Flames Of Paris, Bolshoi Ballet in Cinema Live from Moscow
March 8-10, Jessica Lang Dance, presented by White Bird
March 14, Compañia Jesús Carmona, presented by White Bird
March 15-17, World Premiere’s by Sarah Slipper and Cayetano Soto, NW Dance Project
March 22-24, To Have It All, choreography by Katie Scherman, presented by BodyVox

April
April 4, iLumiDance, Rainbow Dance Theatre, Corvallis
April 5, Earth Angel and other repertory works, Rainbow Dance Theatre, Corvallis
April 5-7, Stephen Petronio Company, presented by White Bird
April 8, Giselle, Bolshoi Ballet in Cinema Live from Moscow
April 12-14, Contact Dance Film Festival, presented by BodyVox and Northwest Film Center
Apr 14-25, Peer Gynt with Orchestra Next, Eugene Ballet Company, Eugene
April 12-21, Man/Woman, choreography by Mikhail Fokine, Darrell Grand Moultrie, Nicolo Fonte, James Canfield, Jiří Kylián, performed by Oregon Ballet Theatre
April 19-28, Early, push/FOLD, choreographed and directed by Samuel Hobbs
April 20-29, X-Posed, Polaris Dance Theatre, Robert Guitron
April 24-25, Alvin Ailey American Dance Theater, presented by White Bird
April 24-25, The Wind and the Wild, BodyVox and Chamber Music Northwest

May
May 4-5, Current/Classic, The Portland Ballet
May 10-12, New work premiere, Rainbow Dance Theatre, Western Oregon University, Monmouth
May 10-19, Rain & Roses (world premiere), BodyVox
May 11-13, Compose, PDX Contemporary Ballet
May 16, Ballet Hispȧnico, presented by White Bird
May 17-20, CRANE, a dance for film by The Holding Project
May 23-June 3, Closer, original works by the dancers of Oregon Ballet Theatre

June
June 8-10, Up Close, The Portland Ballet
June 10, Coppelia, Bolshoi Ballet in Cinema Live from Moscow
June 14-16, World Premiere – Ihsan Rustem, MemoryHouse – Sarah Slipper, NW Dance Project
June 15-17, New Expressive Works Residency Performance
June 24, Salem World Beat, Rainbow Dance Theatre, Salem

 

White Bird Dance: Love, L-E-V-style

The Israeli dance company returns to Portland with a tense dance about Obsessive-Compulsive Disorder

By HEATHER WISNER

Obsessive-Compulsive Disorder—heartrendingly described in Neil Hilborn’s OCD: A Love Poem—provides the framework for Israeli dance company L-E-V’s hourlong piece OCD Love, which opened last night as part of the White Bird Uncaged series. The dance looks and sounds like Hilborn’s poem, which inspired co-artistic director Sharon Eyal, reads: a series of repeated phrases suggesting a longing for connection and normalcy, and the agony of watching both slowly elude your grasp, despite your best efforts.

L-E-V co-artistic directors Eyal and Gai Behar have built their choreography around movement tics: jittery legs, shuddery torsos, ritualistic gestures. There’s a tick-tick-ticking sound as the curtain rises on a lone dancer, her musculature accented by a stark contrast between light and shadow. (The piece is shrouded in what’s described as “water-based haze,” similar to a smoke-machine effect.) She moves in slow motion, contorting her limbs in ways that look impressive but probably aren’t comfortable. Eventually a second dancer her joins her, sort of: they dance near each other, but not with each other. These sorts of close-but-not-quite encounters recur within the various configurations of the company’s six dancers, who bring sharpness and clarity to choreography that could have gotten muddy quickly.

Continues…