FAMILY

Have an old-fashioned Dia de Muertos — with Aztec dancing

In Newberg, the Mexican holiday is greeted with dance and a memorial offering. Meanwhile, Linfield College welcomes two authors and "Dr. Jekyll and Mr. Hyde"

When Jose Carlos came to Oregon in the mid-1990s, he didn’t see much of his own Mexican culture in the community. Other Latinos attended his Woodburn high school, but public displays of culture from south of the border? No. “I didn’t see those things here,” Carlos told me recently. “I didn’t see celebrations of Day of the Dead, I didn’t see marches or Mexican celebrations, and now I see a lot. A lot of people are learning, sharing, teaching, and doing.”

Carlos and his wife, Kelly, are doing all four of those things with their Woodburn-based Aztec dance group, which increasingly finds itself in demand around Mexican holidays, particularly the annual Day of the Dead celebration. They’ve been regulars for the Chehalem Cultural Center’s Dia de Muertos celebration in Newberg the past few years, although they missed 2017 because they were in The Dalles with their company of more than a dozen dancers, helping with that community’s first public celebration.

Jose and Kelly Carlos of Woodburn will bring Aztec dancing to the Chehalem Cultural Center in Newberg for a free performance at 5:30 p.m. Friday, Nov. 2.

They return Friday, Nov. 2, for a 5:30 p.m. performance that’s free and open to the public.

Jose started the group and is lead dance captain, while Kelly is executive director for Ritual Azteca Huitzilopochtli (pronounced wee-chee-zo-polsh-tlee), which does educational outreach and performances around the Willamette Valley and Southwest Washington. Jose credits Rigoberto Hernandez, a Chemeketa Community College teacher whom he met when Jose was a Woodburn High School junior yearning both for his own culture and fellowship. He and Hernandez started doing Chicano theater and Aztec dancing.

“In the beginning, I was shy,” he said. “I was like, ‘I don’t want to wear those kinds of clothes, I don’t want people to see my stomach.’” Today, Jose is the teacher. While you probably wouldn’t have found Aztec dancing in Oregon when he started learning it in the 1990s, now, at pow-wows, he’s accustomed to seeing nearly a hundred participants, including his group of about 17.

“Every dance we do has a meaning for the time,” he said. “We have dances that are only for the Day of the Dead, and we have dances for other holidays. These dances have been passed on to us from teachers who learned from their families.” Who, he added, have been passing dances and other traditions down through hundreds of years.

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Hispanic Heritage Month, Russian theater and music, and more

Upcoming Yamhill County events range from Aztec dancers and Day of the Dead celebrations to Gogol and the Hermitage Piano Trio

Hispanic Heritage Month, Sept. 15 to Oct. 15, is designated as a time to celebrate the contributions — not just in arts and culture, but in all human endeavors — of Hispanic and Latino Americans. It started as Hispanic Heritage Week in 1968 under President Johnson and, thanks to legislation by U.S. Rep. Esteban Edward Torres, a California Democrat, was expanded by President Reagan to a month-long observance in 1988.

Perhaps due to the proximity of Día de Muertos (Day of the Dead) celebrations as October turns into November, public events fill out the calendar during this month. That, at least, is true in Yamhill County, where — no surprise here — the Chehalem Cultural Center in Newberg has packed October full of Hispanic theater, music, and dance. Linfield College in McMinnville and George Fox University in Newberg are also getting into the act, so let’s take them in chronological order.

Curtis Acosta speaks Oct. 15 in Newberg on defending the rights and education of Chicanx/Latinx youth.

Oct. 15: PROFESSOR CURTIS ACOSTA is a teacher with a story to tell, one that has made the pages of Yes! magazine and was the subject of the documentary Precious Knowledge. He was among those who developed a Mexican Studies program serving 1,500 high school students in Tucson, Arizona, in 1998. Although it was successful by a number of measures, it generated a politically motivated backlash in 2010, culminating in a law that banned the class. Long story short: Teachers, parents, and students got mad, got organized, and filed a legal challenge that was ultimately successful, with the curriculum being reinstated three years later.

Acosta, who is on the University of Arizona faculty, will speak Oct. 15 in the Canyon Commons of George Fox University in a presentation titled Victory in Arizona: Defending the Rights and Education of Chicanx/Latinx Youth in an Era of Hate and Anti-Intellectualism. Seems like a timely topic. The talk is scheduled for 7 to 8 p.m. and is free and open to the public.

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Astoria show features trash-talking artists

Winners of the Coastal Oregon Artist Residency received a stipend, studio space and access to materials to create recycled works of art

On Saturday, when artists Cara Mico, Stephen Shumaker and Wenda Vorce welcome guests to their art gallery opening, they’ll be sharing their interpretations of what it means to truly turn one man’s trash into another’s treasure.

Winners of the Coastal Oregon Artist Residency — Wenda Vorce (left), Cara Mico, and Stephen Shumaker — will exhibit their work made from trash in a show that opens Saturday in Astoria. The residency is co-sponsored by Astoria Visual Arts (AVA) and Recology Western Oregon. Photo by: Agnes Field

The three are this year’s winners of the third annual Coastal Oregon Artist Residency, a collaboration between Recology Western Oregon and nonprofit Astoria Visual Arts to raise awareness of recycling and the creation of art through the use of repurposed and discarded materials.

The artists, who began their work July 2, received a monthly stipend, access to materials and dedicated studio space at Recology’s Astoria Recycling Depot and Transfer Station over three months.

Here, they talk about their passion for making the Earth a better place, one piece of trash at a time.

Cara Mico

Mico is the program director for the Cannon Beach Arts Association. Her show is called Broken Records, a reference, she said, “to all of the changes that have taken place in my lifetime.” It includes nine paintings, four sculptures, an installation piece, and “a bunch of Christmas ornaments.” All will be for sale.

Mico, who lives in Nehalem, describes herself as a “kind of a magpie.”

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Art Harvest Studio Tour of Yamhill County reaps as it sows

The art, in many media, is for sale, but the real bounty lies in the dialogue between artists and visitors about the creative process

Given the confluence of autumn colors and great art, it’s tempting to employ hyperbole when talking about Yamhill County’s Art Harvest Studio Tour, but I’ll spare you a Thesaurus Drop and just lay out the facts.

The 26th annual event includes 40 artists, working in virtually every medium imaginable: watercolor, oil, acrylic, bronze, copper, steel, glass, stone, pastels, charcoal, silver, wood, paper, clay, fiber, tiles, beeswax, digital, and mixed media. It kicks off Friday and runs six days over two weekends. You can visit one, a dozen or all 40 artists if you have time. They’re concentrated in Yamhill County’s two largest cities, McMinnville and Newberg, but you’ll also find artists in Amity, Dundee, Carlton, Yamhill, Sheridan, and Willamina.

The cost to jump into this self-guided tour of local color and creativity? Eight bucks.

Sure, on any weekend, you can spend a day visiting galleries and exhibitions, but this is the one time of year when local artists invite the public into their studios (which often are also their homes), where they answer questions, educate, do demonstrations. Yes, you can buy stuff, but that’s not ultimately the point.

Last week I reached out to a handful of participating artists, both new and returning, to get their take. Of those, none illustrated the point quite so well as paper carver Doug Roy. He’s been working his magic with paper for more than a quarter-century and has participated in Art Harvest for two decades.

Paper carver Doug Roy cuts colored paper into impossibly tiny pieces and turns them into intricate pictures such as this one, titled “Reefers.”

He told me this story.

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Shoring up Toledo’s Centennial Celebration Mural

Nature has taken its toll on the 13-year-old public artwork commemorating 100 years of the city's history

This seems to be the season for kids and art — a topic that naturally came up earlier this month when the Newport Performing Arts Center celebrated its 30th anniversary. Talk of old times (and new) called to mind for many all the students of dance, music and theater who benefited from the PAC. I’m no expert, but it seems obvious that art opens doors, expands horizons and stretches imaginations. Art, like kids themselves, is about possibility — for everyone.

Thirteen years ago, then Toledo Mayor Sharon Brandstiter saw the possibility for honoring Toledo’s 100 years of history by creating a public work of art. Lawrence Adrian, the artistic director and founder of the Oregon Coast Children’s Theatre and Oregon Coast Children’s Center for the Arts, designed the project and lead the charge to build it. Local residents and companies pitched in, raising something over $10,000 for the project, Adrian said. Students from every school in Toledo had the opportunity to share their creative spirit in what would become the largest mosaic mural in the state.

The Centennial Celebration Mural stretches 96 feet long and stands more than 15 feet high on a stepped retaining wall at the Toledo City Hall parking lot. The design was inspired by more than 100 photos from a century-plus of Toledo history.

The mosaics of the Toledo Centennial Celebration Mural record memorable events of the city’s past 100 years, such as the 1970 filming of scenes for “Sometimes a Great Notion,” based on Ken Kesey’s novel. Photo courtesy: Oregon Coast Children’s Theater and Oregon Coast Children’s Center for the Arts

“One great aspect of the project was meeting many of the people pictured on the mural, or the children or grandchildren of those same individuals,” Adrian said. The mural and the community support it garnered were among reasons Adrian moved the OCCT/OCCCA from Lincoln City to Toledo, he said.

But the years have taken their toll on the mosaic mural. Mud, rocks and debris fall from above, chipping and otherwise damaging tiles. There’s been some vandalism, too, Adrian said. But mostly the problems come from nature — albeit exacerbated by folks climbing on the structure.

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Connecting art to activism

Besides Whitney Jayne's mixed-media show, Yamhill County eases toward fall with poetry readings, Footloose, and a film about minority winemakers

Something about autumn makes the arts seem an integral part of the season. I’m not sure how or why that happened, but I do know my calendar through November is packed with opportunities — theater, concerts, readings, shows, films. In coming weeks, we’ll get to author Reese Kwon in McMinnville; Metropolis at the Elsinore Theater in Salem; not one, but two, Yamhill County art harvest tours; and a live theater scene that includes Miss Julie, It’s a Wonderful Life, and Night of the Living Dead. Let’s go.

This week, I want to spotlight a young artist who caught the attention of McMinnville’s Dan and Nancy Morrow of The Gallery at Ten Oaks a while back and who has her first show there. Whitney Jayne’s mixed media is on display in the gallery on Oregon 99W across from Linfield College. A reception will be from 3 to 7 p.m. Saturday, Sept. 8, with the exhibit continuing through Nov. 4.

Whitney Jayne

I had coffee with Jayne last month, but before her story, a quick entry from my Department of Full Disclosure (the third in as many weeks): I’ve known the Morrows for many years, and I wrote weekly film reviews for them when they owned and operated a terrific video store, the closest thing to Movie Madness a small town can have. After closing the store in April 2016, they remodeled the 110-year-old, two-story house at 801 S.W. Baker St., and within two months transformed the video store into an art gallery, showcasing both locally produced art and wine.

Jayne’s roots are in the Pacific Northwest. She was born in Seattle, but spent most of her life from age 9 in Utah, where she considered several areas of study that had little to do with art before finally embracing what she loved. She received her Bachelor’s in Fine Art in 2010 with a minor in Women and Gender studies and Psychology from Utah State University, where she had one of those incredible discoveries that artists make when something goes wrong.

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Walnut City Music Festival closes out summer on a high note

Six years ago, a newspaper editor decided his hometown of McMinnville needed an indie, folk, rock festival to call its own. Now bands are calling him.

It’s probably not accurate to say that Yamhill County is in the midst of a “renaissance” of live entertainment, because definitions of the word (beyond the obvious historical reference to Europe in the 1300-1600s) typically rely on synonyms like “renewal,” “rebirth,” “revival” — implying a thriving cultural scene that vanished.

But it’s surely a healthy measure of the area’s cultural growth that in the past eight years, three successful summer music festivals have been launched and appear fixed to stay. Opera-centric Aquilon roared to life this summer (and has already held some encore performances) and Wildwood MusicFest in Willamina has been going since 2011.

That leaves the Walnut City Music Festival, a two-day late-summer blast of indie, folk and pop rock, to close out Oregon’s smoky August in the heart of wine country. The sixth annual family-friendly party begins Friday in McMinnville’s Lower City Park, at the west end of the restaurant-packed downtown district just beyond the library.

Ossie Bladine, founder and organizer of the Walnut City
Music Festival, says the event fits into a plan to develop a larger music venue in McMinnville. Photo courtesy: Walnut City Music Festival.

The festival was founded in 2013 by Ossie Bladine, and here we must pause for a moment of disclosure: My orbit intersected with Ossie’s when he was in high school in the late 1990s. I’d come to work at the local newspaper owned by his family, and he was in the office regularly along with his sister, Chelsey. In 2014, 29-year-old Ossie became editor of the News-Register, taking over from his father, Jeb, and representing the fourth generation of the Bladine family to run McMinnville’s locally owned newspaper.

Given that I freelance for the News-Register, this article puts me in the unusual position of writing about someone who signs my paycheck. Rest assured, it’s not an effort to curry favor with my editor by featuring his festival at the top of the column this week; on the final weekend of summer vacation, it’s unquestionably the hottest ticket in town.

The festival started with a literal bang six years ago. Many bangs, in fact. The Hill Dogs were playing in the Granary District when it happened: A thunderstorm worthy of an over-produced King Lear landed right on top of the stage. Bladine explained:

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