Four years ago, Pioneer Place Mall did a very groovy “Portland” thing by beginning to provide and subsidize some of the empty spaces on the third floor of its Atrium Building to people and organizations wishing to open art galleries. Last month, the owners of the mall, General Growth Properties (GGP) rescinded that agreement with, Place, the first gallery that took them up on their offer way back when. Seems there was bad blood.
Oregon ArtsWatch’s Barry Johnson wrote about the closing shortly after Place Director, Gabe Flores, made it public on the gallery’s website. Since then, other arts writers have weighed in on this abrupt end to the gallery’s lease agreement, including our own AL Adams writing for The Mercury, Richard Speer for Willamette Week, and Jeff Jahn on his site, portlandart.net. There was also a short segment on the local FOX affiliate, KPTV.
I won’t go into all of the details of the dispute between the building’s management and Flores (that’s what the links are for) ), but it seems to stem from the content of the art from the final show in the White Gallery portion of Place’s two spaces, and then Flores’ response to the objections by the powers-that-be. It’s worth a read. (link) Flores adds that the reason given for his eviction was that GPP had found a tenant to pay full rent for the space (Place was only responsible for paying utilities), yet he remains convinced that this was nothing less than a bum’s rush. The only response from GPP that I know of (GPP evidently did not respond to requests for a statement for any of the above listed articles) is a rather cursory and noncommittal written statement given to KPTV: “We do not publicly discuss tenant lease agreements, but please know Pioneer Place is very much a fan and in support of the arts,” GGP General Manager Bob Buchanan’s statement read. “Our goal is to create a unique and enjoyable shopping experience for all our customers.”
Before I get too deep into this opinion piece, I should disclose that I had an exhibit of my own work at Place last year. I have also written about the gallery on a couple of occasions, for both Portlandart.net and Oregon ArtsWatch. (One review was less than glowing.) I have had many conversations with Flores over the years and have grown to admire his fertile mind and enthusiasm for the local art community, even though sometimes both can get the better of him. Sometimes it is hard to keep up with his torrent of ideas, and his desire for inclusiveness has resulted in more than a few half-baked exhibitions (more often than not due to the presenting artist). The first couple of years of programming did not give me much hope for his ambitious little start-up, yet Flores and the gallery persevered, and the programming gradually improved.