By HANNAH KRAFCIK
Sequential art has a magical quality that is difficult to describe. The most beloved American comics seem to pique the imagination in particular way, with a perfect mix of narrative and imagery that keeps the comic book reader coming back and the graphic novella lover hungry for more. But for Melanie Stevens, one of the founders of the Miss Anthology project, there is far more potency to sequential art-making than meets the eye.
Stevens is originally from Atlanta, and she’s currently finishing her MFA in Visual Studies at the Pacific Northwest College of Art. This winter, she and her collaborators Emily Lewis and Mack Carlisle were awarded a grant via Portland Institute for Contemporary Art’s Precipice Fund to kick off Miss Anthology, a project that will enable racially and economically diverse female and genderqueer youth, ages 13-18, to create their own stories through sequential art (aka comics). Miss Anthology will offer a series of comic-making workshops, followed by the publication of an anthology of graphic work this fall.
I sat down with Stevens in early March to discuss Miss Anthology. She has a background in graphic novels and comics, a field she turned to when she could not afford art supplies and did not have access to an art studio space. The DIY nature of comics offered her a way to make narrative work and share it online, avoiding a slew of gatekeepers.