Building the Wall, Robert Schenkkan’s quick-out-of-the-gate stage response to the American political and cultural shift of the past year, is a well-timed last-minute addition to the current season at Triangle Productions. A protest play that questions whose America this will be in the wake of the Trumpian political revolution, it runs for a brief engagement through April 29 at The Sanctuary.
On the surface Building the Wall, which is directed at Triangle by company leader Donald Horn, is a conversation between two people who seem like polar opposites. One man sits in an orange prison jumpsuit. Opposite him is a history professor, who is also a black woman. The prisoner dropped out of school, got a GED and entered the military. The professor is a liberal. The prisoner is a modern-day Republican.
But the conversation isn’t just between this unlikely pair. It’s the conversations we’ve been having at the dinner table with family, on the bus with strangers, in our social media feeds, in an explosive era of journalism, overflowing town halls, and packed activist meetings. The conversation between Rick and Gloria is also with us.