Winter, as Portlanders have recently been reminded, can be home to strange and powerful forces, to elements as seductive as they are potentially deadly. So to find yourself, caked in blood yet with no clear memory of what’s happened, dumped in a burlap sack in a woodland clearing, in the middle of a hard winter, you might only imagine the kind of fears that would visit you, the creatures of myth and psyche that could stalk such vulnerable moments.
Such is the predicament of Lorraine, the protagonist of “Carnivora,” writer/director Matthew B. Zrebski’s new play for Theatre Vertigo, opening Friday night at the Shoebox Theatre. Beset by fantastical beasts, haunting illusions, and fragmentary memories, Lorraine undergoes a harrowing adventure to rediscover her past and her own terrible secret.
Swathed in lurid atmosphere, flecked with colorfully profane language, almost writhing with a twisting narrative structure that reflects Lorraine’s confused and conflicted state, it’s what Zrebski calls “a psychological horror-tragedy.” However, he’s quick to point out that “this isn’t a creaky old slasher play.”
“From a marketing perspective, I suspect it’s great to call it a horror play — I’ve been calling it my 21st-century ‘Scream.’ But I did not set out to write a horror play….Horrific elements have been used forever. But because of too much cheap cinema we’ve devalued the genre.”
Indeed, as Zrebski points out, his script draws as much from surrealism, magical realism and mythology as it does from the tension-ratcheting tropes of contemporary American horror. The story is set in the Ozarks, which allowed Zrebski to draw on family cultural roots in Northern Arkansas for what he calls the play’s “mountain gothic” style. At the same time, he’s no stranger to the genre. “You can’t really have a conversation with him that doesn’t touch on ‘The Exorcist’ or ‘American Horror Story,’” says Vertigo company member Nathan Dunkin.