Things clip along pretty quickly in Grand Concourse, the new play at Artists Repertory Theatre, which takes place in a church soup kitchen in the Bronx and performs a bravura juggling act between comedy and psychological drama. Played out on a meticulous commercial kitchen set by Kristeen Willis Crosser (the show features lots of chopping of carrots, potatoes, and the occasional finger), it’s a four-hander that features an unlikely showdown between an activist nun (Ayanna Berkshire) and a volatile 19-year-old volunteer (Jahnavi Alyssa), with excellent support from veterans John San Nicholas as the soup kitchen jack-of-all-trades and Allen Nause as a shambling, slightly addled perpetual client. As directed by JoAnn Johnson, it’s an expertly careening race of two locomotives heading toward each other on the same track, speeding somewhere between possibility and inevitability.
And it audaciously introduces Portland audiences to the work of Heidi Schreck, a New York actor and rising playwright who grew up in the Pacific Northwest.
Grand Concourse opened Saturday night, and I saw it Sunday afternoon after chatting with Schreck on Friday afternoon. She showed up for our interview at Artists Rep trailing a rolling suitcase behind her, a woman on the move: she’d flown in the day before and was staying only through the weekend. Still, this was a homecoming of sorts, and she was upbeat, insightful, and obviously very smart.