They were, in a manner of speaking, the original Tea Partiers. A bunch of stridently anti-tax, small-government extremists, they were hell-bent on disrupting the political status quo, wresting control from the capital and expanding local authority. The prevailing powers likely saw them as kooks, cranks and malcontents.
Yet, under that sainted sobriquet “the Founding Fathers,” they are remembered and revered as some of history’s greatest men — passionate, courageous, resourceful, visionary — and among the most influential political thinkers, writers and activist the world has known.
And if we’re to believe the way they’re being portrayed currently at Lakewood Theatre Company, they could sing a little, too.
1776, the high-spirited musical by composer/lyricist Sherman Edwards and librettist Peter Stone, dramatizes their finest hour. Well, actually, their finest two months, that crucial period from early May to early July in which the Second Continental Congress, against internal odds and long division (or maybe the reverse), approved a resolution to declare the 13 colonies independent of Great Britain, and so launched a new nation upon the tide of history.