Stowell heads south as Oregon Ballet Theatre nabs a new ED

Christopher Stowell has a promising new job at the San Francisco Ballet, and his old company has a new executive director

Christopher Stowell, Oregon Ballet Theatre’s artistic director from July of 2003 to December 2012, is returning to San Francisco Ballet as ballet master and assistant to Helgi Tomasson, company artistic director and principal choreographer, effective August 25.

“I’m so happy to officially announce that I’m returning to SFB! I’ll be working alongside Helgi both in the studio and as his liaison to the administrative staff,” Stowell said on his Facebook page on Friday, adding that he “can’t wait to get back to the city and company I love.”

Christopher Stowell rehearses "Rite of Spring" at OBT/Photo by Blaine Truitt Cover

Christopher Stowell rehearses “The Rite of Spring” at OBT/Photo by Blaine Truitt Cover

In his role as ballet master, Stowell will teach SFB Company class and rehearse ballets for the repertory season, as ballet masters do in every company, working once again with former OBT dancers Julia Rowe and Grace Shibley, However, as assistant to Tomasson, to whom he will report directly, Stowell will have his fingers in just about every aspect of the company pie on both the artistic and administrative (read financial) sides.

“Many may remember Christopher from his long and successful career in the Company,” Tomasson said in a company press release. “[He] joined San francisco Ballet in 1985 and was promoted to principal dancer in 1990. I look forward to working closely with both him and our current Ballet Master and Assistant to the Artistic Director in these complementary roles,” he said.

Since leaving OBT at the end of 2012, Stowell has been exceedingly busy teaching internationally, choreographing, and staging work by other choreographers, most recently Christopher Wheeldon’s “Rush” (which is in OBT’s repertoire) at the Beijing Dance Academy in China and Balanchine’s “Liebesleider Waltzes” (with Francia Russell) for SFB.

In an interview I had with Stowell last month,slated down the road for publication in Ballet Review, I asked him what his ideal company would be. His answer? “One in a city which has a history of supporting ballet,” citing San Francisco as one which gives just as much support to the arts as it does its sports teams. San Francisco Ballet is well established; it is the oldest professional ballet company in the United States and one of the largest. Looks like Stowell has struck gold.

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While Stowell was heading south, Oregon Ballet Theatre was making some news itself, today announcing that its current artistic director, Kevin Irving, has signed a three-year contract to lead the company’s artistic side. At the same time, OBT announced that after an 18-month search, it had chosen a new executive director, too. He’s Dennis Buehler, and comes to Portland after leaving as executive director of the Milwaukee Ballet in February of this year.

Petrouchka sees himself and everything changes in Nicolo Fonte's "Petrouchka"/Photo: Blaine Truitt Covert

Petrouchka sees himself and everything changes in Nicolo Fonte’s “Petrouchka”/Photo: Blaine Truitt Covert

“I quickly felt a strong connection with Oregon Ballet Theatre and could not be more delighted to be joining Kevin and the entire OBT team at this time,” Buehler said in the press release announcing his appointment. “They have positioned themselves very well and I am confident we can continue to develop this company into one of this country’s premier dance organizations. Portland is a region that makes access to the arts a high priority and Oregon Ballet Theatre is building a foundation to sustain that for generations to come.”

The budget of the Milwaukee Ballet is very close to that of Oregon Ballet Theatre (around $5 million according to its most recent 990 report), its programming is similar, and it also has a ballet school, which received national accreditation during Buehler’s tenure.

Buehler will start at OBT in September. The company begins its 25th season October 11-18 in Keller Auditorium with a world premiere by Nicolo Fonte, three duets by James Canfield, Stowell, and Trey McIntyre, respectively, and Balanchine’s “Agon.”

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