Editor’s note: this is the second in ArtsWatch’s spring look at contemporary choral music. See Jeff Winslow’s analysis of today’s choral compositions here.
by BRUCE BROWNE
“There is nothing Nature loves so well as to change existing forms and make new ones like them.” – Marcus Aureluis ‘Meditations’
A happy insight came to me indirectly last spring, from an event where hundreds of choral musicians appeared together, representing eight choirs. All Saints Catholic Church was the venue for an outpouring of spiritual and financial support for one of our own, Brian Tierney. Reflecting afterward on the variety of sounds that we had heard, I became aware of the several changes that had come about in six years my family had been gone from Portland. And in that time, Portland had cultivated a new choral landscape. Significant. Dramatic.
There are new faces in front of two of Portland’s heirloom choirs. Oregon Repertory Singers and Choral Arts Ensemble have new directors, Ethan Sperry and David DeLeyser. And these two join a cadre of new, smaller choirs conducted by energetic new talents who have blossomed on the scene: Katherine Fitzgibbon, Resonance Ensemble; Anna Song, In Mulieribus; Patrick McDonough, The Ensemble; and Ryan Heller, Portland Vocal Consort.
These new, downsized groups are what I would call “boutique choirs,” not at all a pejorative insinuation. I think it’s a good word that meshes with Portland’s boutique-y wine, beer and visual arts scene and general quirkiness, as seen on say, “Portlandia.” With these newbies comes the infusion of new ideas and styles. And they share similarities.