Cedar Lake Contemporary Ballet breezed into Arlene Schnitzer Concert Hall Wednesday night for a couple of hours and danced the living daylights out of three demanding and fascinating pieces. Presumably, the company is winging its way to some new locale today where it will do the same. If they were performing here tonight again, I’d change my plans and make sure I saw them, even if they were just repeating the same program, just to see the way the three contemporary choreographers employed those superbly trained bodies one more time. We have reached a new age of virtuosity on our dance stages, and choreographers who have grown up with it, know how to use to create effects and moods that weren’t possible before, in quite the same way.
I remember when Twyla Tharp pushed her dancers to the very limit in the ’70s, and I still love those dances and dancers. But this level of athleticism and technique, that’s another story completely. I won’t go into last night’s program at length, because, well, it’s gone. And if you saw it, you saw this apex dance company dancing the new international style brilliantly and compellingly. This isn’t the only way to dance, of course, but it’s what the major touring companies are doing, and though I may have some reservations still, I have to say I was delighted and moved by last night’s show, which included Hofesh Shechter Violet Kid, Alexander Ekman’s Tuplet, and Crystal Pite’s Grace Engine.
But we have so much more on the docket today!