by JEFF WINSLOW
Portland’s choral music fans got a serious double treat a week ago last Sunday afternoon. First, Cappella Romana took on Alfred Schnittke’s huge, demanding Verses of Repentance (often translated Penitential Psalms), composed for the thousand-year anniversary of the Christianization of Russia in 1988, at Trinity Episcopal Cathedral. A few hours later, the Portland State University Chamber Choir presented David Lang’s magnum opus The Little Match Girl Passion at St. Stephen Catholic Church across the Willamette. Both works challenged these top groups to give their absolute best; both performances did full justice to the composers’ visions.
As if this weren’t enough, both choirs filled out – maybe overfilled — their programs with several other works. Cappella Romana’s program went well over two hours, including a long intermission, and with great regret I had to leave before the second half in order to be on time for the PSU group. Thus I missed an early Sergei Rachmaninov Choral Concerto, and recently composed works by Galina Grigorjeva and renowned guest director Ivan Moody. I’m sure the singers had recovered sufficiently from Schnittke to give them beautiful performances, but I wasn’t sure I was ready for them. The drive across town helped bring me back to the world, temporarily.