Knoxville Tennessee, June 1977. The Eagles are seven grueling months into an 11-month non-stop tour. They finish the concert and prepare for the encores. It’s bass player Randy Meisner’s turn to thrill the crowd with his massive hit “Take it to the Limit” from the Eagles fourth album, One of these Nights (1975). Meisner is miserable, suffering from stomach ulcers that are acting up, nervous about hitting the famously high notes in that song. He’s been lobbying to retire this song for awhile. This evening he stands up to Glenn Frey, co-founder of the Eagles (along with Don Henley). He’s not going to sing the encore.
Frey, who has dealt with ulcerative colitis most of his life, wheels around to the shyest, most anxiety ridden beta-male in the Eagles and spits
[T]here’s thousands of people waiting for you to sing that song. You just can’t say “Fuck ’em, I don’t feel like it.” Do you think I like singing “Take It Easy” and “Peaceful Easy Feeling” every night? I’m tired of those songs. But there’s people in the audience who’ve been waiting YEARS to see us do those songs. (from Alison Ellison and Alex Gibney’s documentary “History of the Eagles, part one)
An asshole, no doubt. But he’s The People’s Asshole! Fighting for the right of the audience to get its hard earned money’s worth. Fighting to make their evening memorable.
This Monday, May 9, the Oregon Symphony honors Glenn Frey, who died last January, with a show of Eagles tunes. Like many pops concerts, this one will boost the bottom line for an orchestra that probably can’t survive without them. But Frey’s legacy has so much more to offer classical music than just one of those nights.