by JANA GRIFFIN
Denis Kozhukhin makes his debut in Portland Sunday and Monday, January 25-26, as part of Portland Piano International’s 2014-2015 season. He talked with ArtsWatch about how he searches for good sounds, how Prokofiev relates to Haydn, and how pianists enter into the struggle of Prokofiev’s war sonatas.
OAW: What are you reading? Who are your favorite visual artists? And where else do you draw inspiration from?
DK: Right now I’m reading Kafka’s works, and one of my favorite painters is Van Gogh because of his incredible expression and intensity. That’s what I appreciate when I go to the concert hall or listen to a recording: the intensity of music making, the intensity of the mind creating music. The mind is like a big pot where everything’s cooking, and the mind makes connections you yourself wouldn’t normally think about. Sometimes, years after, you see something or you talk to someone and one sentence, one phrase, one picture suddenly comes up.
In the world of music, symphony orchestra is probably my favorite. When I listen to music I listen to more chamber and orchestra music than piano music.
What is extremely helpful and what I love about being a pianist is being a chamber musician. Pianists have a tendency more so than other instrumentalists to do everything alone. We practice alone; we perform alone. It’s a very rich experience playing with others. For example, when I started working with singers, I discovered the physical feeling of how music breathes.