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In Oregon this week, the arts go marching two by two (and sometimes to the beat of a different drummer).
At the Museum of the Oregon Territory, a "gutsy art of overcoming" creates an art show and an auction.
The CALYX editor says "men would benefit a lot from reading female-centered narratives."
For almost four decades the leaders of PassinArt have forged a strong path for Black theater in Portland.
As her career soars, a Eugene playwright says "access is the foundation for a vibrant arts scene."
A leading Oregon theater artist says extending equity to all groups is a way forward for everyone.
In which we bid adieu to Neil Peart and comfort ourselves with winey classical marimba, saturnalian psalms, and an operatic sistah.
Rogue Valley Symphony leader: music education in the schools is the key to getting people into concert halls.
Dancemaker Linda Austin concludes her four-year experiment with the way we remember, forget, re-imagine and recreate art.
Wobbly duo see a dangerous world: "Hate based crime directed against people with disabilities has gone up."
A promising curator makes her mark. Her job disappears. She rolls up her sleeves and makes her mark again.
A student show at The Gallery at Ten Oaks provides an encouraging view of arts education in Yamhill County.
The most critical element in gyotaku, says instructor Bruce Koike, is getting the eyes right.
Leaders of Newberg's Chehalem Cultural Center look forward to more performing arts and a new culinary center.
The Southern Oregon artist and activist creates art “rooted in Indigenous aesthetics and abstract formalism.”
Book author John Dodge will speak in Cannon Beach about the 1962 Columbus Day Storm.
