Bag & Baggage Danny and the Deep Blue Sea The Vault Theatre Hillsboro Oregon

$10 million for the Portland Art Museum

Longtime patron Arlene Schnitzer makes a major donation to help fund the Rothko Pavilion.

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For weeks the Portland Art Museum has been teasing a “Historic Announcement” that will “mark a historic moment” on January 21st at 11 a.m.. The news is in: Arlene Schnitzer has donated 10 million dollars to the the Museum’s fund for the Rothko Pavilion and gallery redesign, the Connections Campaign. Though billed as an announcement, this morning’s event was more accurately a celebration of Schnitzer and included speeches about her many contributions to the Museum and arts community from her son Jordan Schnitzer, Museum Director Brian Ferriso, and Governor Kate Brown. The Lincoln High School Chamber Choir performed and Jordan Schnitzer provided lunch for the crowd of nearly 250 people. 

Though the dollar amount doesn’t approach the same heights, U.S. Rep. Suzanne Bonamici announced a second major donation to the Museum’s Connections Campaign, $750,000 from the National Endowment for the Humanities. This is an especially large grant from the NEH.

There was no mention this morning of how much money the Connections Campaign needed to raise in order to fund the construction of the Rothko Pavilion and planned renovations. A note on the Museum’s website from January 2018 indicates that the museum had raised $30.3 million of an intended $50 million but that figure was not mentioned and several comments in this morning’s remarks indicated that fundraising for the project is ongoing.

Laurel Reed Pavic is an art historian. Her academic research dealt with painting in 15th and 16th century Dalmatia. After finishing her PhD, she quickly realized that this niche, while fascinating, was rather small and expanded her interests so that she could engage with a wider audience. In addition to topics traditionally associated with art history, she enjoys considering the manipulation and presentation of cultural patrimony and how art and art history entangle with identity. She teaches a variety of courses at Pacific Northwest College of Art including courses on the multiple, the history of printed matter, modernism, and protest art.

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