April 2018

‘Israel in Egypt’ review: full-blooded Handel

by BRUCE BROWNE It’s a plague, it’s a pestilence, it’s a flood, a conflagration. Is it a Camus play, a new video game or first run science fiction flick? No, it’s the dramatic unfolding of the Old Testament of the Bible and

Diversity dances: Rejoice! Diaspora Dance Theater

In what place in America could it be more necessary to express the black and brown perspective than right here in our organic-kale-kombucha-Subaru-loving, second-generation hippie town of Portland, also known as the city with the fifth highest percentage of white residents in

Growing up, up, and away

This is probably not the first time you have heard of Peter Pan, the boy who refused to grow up. It might not be the first time you will see his tale on stage. In fact, it might not be the first

Dance Week Diary, Part Five: Punjabi folk dance

Editor’s Note: With a last Punjabi folk dance class at Viscount Dance Studio, Heather Wisner completes her five-day, five-dance class sashay through Portland dance studios. We’re hoping her celebration of National Dance Week will inspire you to make it National Dance Year.

‘Albert Herring’ review: keeping it fresh

by ANGELA ALLEN British composer Benjamin Britten’s Albert Herring is a challenging opera for both performers and audiences accustomed to the usual Romantic classics. Though funny, it proved a serious undertaking for the Portland State University Opera this week at Lincoln Performance

Dance Week Diary, Part Four: Vogue femme

Editor’s note: We’ve reached Day Four of Heather Wisner’s five-day course through Portland dance classes in honor of National Dance Week, and, of course, that means Vogue Femme! Previously in the series, we’ve encountered Laura Haney’s BeMoved class, Latya Wilkins’ hip-hop class and

DanceWatch Weekly: Erik Kaiel comes home

Choreographer Erik Kaiel and his dance company Arch8, now based in the Netherlands, will be performing in his hometown of Portland for the first time since Kaiel graduated from Jefferson High School’s dance program in 1990. After leaving Jeff, he spent a

MusicWatch Weekly: musical collisions

While some want to keep cultures/races/music “pure” and keep others out, history shows that the greatest accomplishment emerges from the collision of diverse influences, often originating where cultures cohabit. Cappella Romana’s performances of Renaissance music from the Greek islands Saturday night at

A ‘Major’ deal with the Devil

We’ve seen her type before: the Iron Matron. Imperious, but so impeccably mannered that you almost wouldn’t notice. So cunning that she’d never admit to her own cleverness. Intent on everyone doing things her way because, by god, that’s the way good

DramaWatch Weekly: ‘Are you ready?’

“Are you ready?” As showtime approached for the Portland Center Stage production of Major Barbara on opening night, artistic director Chris Coleman left his aisle seat in row L and strode to the lip of the stage. Even to fairly casual followers

Dance Week Diary, Part Three: Jazz hands

I wake up sore from the previous day, so I’d like to think I was doing something right. [Editor’s note: In yesterday’s installment of Dance Week Diary, hip-hop instructor Katya Wilkins had said that if you aren’t a little sore after class,

Surviving the Baby Wars

There is a moment in CoHo’s astounding new production of Rebecca Gilman’s Luna Gale when a mother learns a stomach-churning secret about her daughter. Yet she doesn’t scream, shake her first or exclaim that it can’t be true. She simply freezes as

Dance Week Diary, Part Two: Hip-hop class at Vega Dance Lab

You can dance, even if you think you can’t. You don’t have to have experience. You don’t have to be young and pliable. You don’t even need to buy special clothes or shoes (most of the time). To prove it—and to alert

push/FOLD: The many faces of Adam

As the audience entered the dimly lit AWOL Warehouse for push/FOLD’s world premiere of Samuel Hobbs’s Early, our first exposure was Hobbs himself, standing completely nude and still in the space. He remained in his stillness until the audience’s bustle of picking

Dance Week Diary, Part One: Be moved

You can dance if you want to. No, seriously: I’m not just singing Men Without Hats lyrics here. You can dance, even if you think you can’t. You don’t have to have experience. You don’t have to be young and pliable. You

Out & About: ACMA Elevated

PHOTOGRAPHS BY JOE CANTRELL One of the happier open secrets in the Oregon cultural world is the high-quality incubator of talent that is ACMA, the Arts & Communication Magnet Academy. Part of the Beaverton School District, it’s a rigorous public school for

Friday Night Flute Fight

By MARIA CHOBAN I went to the Friday night fights and a flute recital broke out. Julien Beaudiment, on the left, wielding tone and dynamics with roundhouse and rabbit punches. As light on his feet as Muhammad Ali, the renowned French flutist

Grownup stories; Mercury rising

By ANGELA ALLEN Something poignant resonated from the one-woman musicals Don’t Stop Me Now and Drama of the Gifted Grownup that appeared recently in Portland. The shows’ stars—Courtney Freed in Don’t Stop Me Now and Rosalinde Block of Drama of the Gifted

Out & About: voices rising

In 2016 I was commissioned by the North Coast Chorale to create piece-specific art to be projected in the concert hall during their performance of Karl Jenkin’s The Armed Man – A Mass for Peace – 13 montages in total, one for each movement.

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