Wine country’s art cup overflows with studio tours
Besides Art Harvest, shows explore fiber art, and prints about the political/cultural moment.
Besides Art Harvest, shows explore fiber art, and prints about the political/cultural moment.
The company kicks off its 16th season with works by a trio of European choreographers.
This is what we fear…Nothing to think withNothing to love or link with From “Aubade” by Philip Larkin, excerpted in Shadow & Light. When Eugene Concert Choir and Vocal Arts director Diane Retallack approached Joan Szymko in 2014 to write a new
“The Wolves” highlights a theater week that also includes the Mueller Report on stage and a Vertigo dark comedy.
Composer Oscar Bettison talks about making cool music and helping the Oregon Symphony kick off its season.
The mirror crack’d: Art ripped from the anxieties and tensions of an unruly world at large.
“The David Lynch of Portland theater” strikes up its 22nd season with a broodingly funny world premiere.
A few friends drop by to tell tales at the Waterstone Gallery artist’s show “Things That Don’t Float.”
Monica Setziol-Phillips’ art is installed at Salishan, within steps of work by her famous woodcarver father.
In Seattle, Yussef El-Guindi sets off an uncivil war in his new play “People of the Book.”
The Portland2019 Biennial at Disjecta offers a survey of socially and politically engaged local art.
Union PDX – Festival:19 is a new dance festival, started by Samuel Hobbs, that attempts to address some of the problems in the city’s dance community.
K.B. Dixon begins a new series of artist portraits, starting with the writers.
Author JB Fisher discusses the 61-year-old mystery of what happened to the Martin family of Portland.
Corrib looks at a “medieval” Irish scandal; Triangle makes a Darcelle musical; a pirate for the kids.
Julia Bradshaw’s “Survey” at the Truckenbrod Pop-Up Gallery in Corvallis investigates imaginary planets through a pinhole camera.
Autumn settles in swiftly across Oregon, and with it the rhythms of a new cultural season.
A FearNoMusic concert features new music composed in response to a Supreme Court confirmation battle.
Two landscape painters have a friendly smackdown at Cannon Beach’s Earth & Ocean Arts Festival.
Matthew Neil Andrews tells all: Your guide to choosing a balanced musical diet.
Portland Center Stage delivers a grand, energetic production of
Lin-Manuel Miranda’s “In the Heights.”
In her new book, Susan Banyas takes a kaleidoscopic look back at a landmark school desegregation case.
PICA’s TBA Festival of contemporary performance is gone. But its memories linger on.
Yamhill County kicks into fall with gallery shows, a Greek theater fest, an unsolved mystery, and more.
The Zombies and Brian Wilson, voices from the fraught days of 1968, bring their sounds to Portland 2019.
Portland’s theater week: the dystopia of “1984,” Fake Radio recreating the ’40s, Shakespeare in the house.
“Classical”? “Popular”? The week’s music ducks and dodges around a blurry line.
From Eastern Oregon to a paint-out on the coast to queer opera and TBA in Portland to the New York streets, art is where you look.
“Queens Girl” draws us in and charms us, then brings us on a journey of surprising scope, depth and, yes, universality.
Ella Ray considers obfuscation and illegibility in Lewis’s “Water Will (In Melody)”
Collections in Pendleton, La Grande and Baker City range from rocks to Lee Marvin’s yellow-striped pants.
A few questions and answers with Queer Opera singers and stage director Rebecca Herman.
The power of codes in the art of black women: an adventurous show talks smartly with art on the streets.
A festival of environmental art, dancing in the woods, and lots of music light up the Coast.
The fall theater season kicks into gear with musical panache at PCS, dystopia at Artists Rep, and much more.
As the contemporary arts festival surges onto an already bulging calendar, that is the question.
Monster surf, homebrewed string quartets, double drumming, and the tyranny of evil men.
Ním Wunnan’s top picks for PICA’s TBA festival, the 2019 Biennial at Disjecta, and a mile of coastline.
Conkle’s art seems bleak, but he offers a few rays of sunshine for those who “don’t know why we are here.”
An architectural enclave for the uber-wealthy rises in Manhattan, with a hollow folly in the middle.
By BRUCE BROWNE and DARYL BROWNE At a recent social gathering, I overheard a person asking, in reference to Portland’s upcoming William Byrd Festival, “who wants to hear that old stuff, anyway?” To which I replied, eruditely, “it’s part of our musical
Jessica Holder captures images of her co-workers, while Liz Obert’s photos explore the Portuguese city.
This year’s Time-Based Art Festival is loaded with dance events. The rest of September’s leaping with dance, too.
The Creative Music Guild’s Extradition Series summer concert confronts the sounds of silence.
It’s a busy month of music in Oregon, from classical to hip-hop to experimental and more.
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