Covideo
Brett Campbell
March 31, 2020
Is it real, or is it covideo? Forced to shut down concerts, music groups turn to livestreaming.
Is it real, or is it covideo? Forced to shut down concerts, music groups turn to livestreaming.
Voices from the front: Anton Belov brings a community of singers together through Facebook Karaoke.
As theaters go dim, playwright Rachael Carnes tries video-conference plays – and leaves a light on for good luck.
Yamhill and Polk county residents will have clearer listening to the classical radio station beginning Thursday.
COVID-19 and Portland dance: spaces close, shows are delayed, classes shift online, financial crises loom.
As other subjects retreat into solitude, K.B. Dixon shifts his camera gaze to the beauty of domestic things.
Martha Daghlian’s April picks highlight local arts organizations’ strategies for engaging homebound viewers.
Curator Lucy Cotter’s show at CCAC was poignant before the pandemic. Now it is even more urgent.
The rest of its season canceled by the health crisis, the venerable dance presenter faces acute money woes.
Starting Over is a new column about arts and culture in the time of the pandemic. This is its first issue.
ArtsWatch Weekly: As the pandemic crisis grows, Oregon artists and arts groups feel the financial squeeze.
First of all, how are you? Eating enough? Staying inside and entertained? Called your friends and/or family lately? Good. Let’s start by collectively admitting that we’re Not Doing Alright. It’s been a busy two weeks since last we spoke, dear reader: schools
The longtime owner of a Cannon Beach art gallery predicts her business will survive with help from the community.
Sebastian Zinn reviews March exhibitions of works by Carola Penn and Alexis E. Mabry
As the Oregon Symphony faces a stark financial crisis, musicians create mini-concerts from their homes.
Unit Souzou live-streams with “The Constant State of Otherness.” Plus: what isn’t happening in theater.
We know. It’s tough. But some Portlanders have been practicing it a long time. A look at states of solitude.
ArtsWatch Weekly: a rescue fund for artists thrown out of work, arts move online, Oregon’s animation magic.
Patrick Collier considers the appeal of the everyday still life scenes captured in Leslie Hickey’s photographs on view at Holding Contemporary
The Portland filmmaker, a Sitka Center resident, calls animation a “fascinating combination of art and science.”
Fertile Ground, the final look back: scratching an “Itch,” diving into one-acts and other rabbit holes.
Things are changing daily, but most local art and cultural events have been closed or postponed because of COVID-19.
Marlon Mullen’s bright paintings are inspired by book and magazine covers but in a category all their own
Dispatch from the social distance: The great shutdown begins. What’s next?
Photo First: A Little Street Music (or, remembering Portland as it so recently was).
The museums and library system join a cascade of cultural groups shutting down or canceling events.
ArtsWatch Weekly: In Oregon arts & culture, COVID-19 changes the game. Everything’s shifting and uncertain.
Opening receptions March 14 at the Visual Arts Center include art ranging from landscapes to whalers to crows.
“The show must go on…unless it shouldn’t.” What’s up and what’s off in theater amid COVID-19.
A shipwreck brought musician Emily Lau to Portland. It didn’t happen in Oregon but off the Italian coast, where in 2012 the cruise ship Costa Concordia ran aground, capsized and killed 32 people. Lau was on her honeymoon, and though she and
The retrospective at the Hallie Ford Museum of Art doesn’t broadcast political intent but the implications of the artists prints are anything but subtle.
From “Hair” to “Hedwig,” a broad range of stories populates Portland Center Stage’s 2020-’21 season.
Bad news, everyone! No, it’s not quite the end of the world. But, yes, shows are being canceled.
Martha Daghlian gets the inside scoop on Rose Bond’s latest project with the Oregon Symphony on view this weekend.
The disability-arts champion’s death shocks the community. But the organization she built vows to keep on.
At this month’s First Thursday gallery walk, art fans found shelter from the frantic times outside the galleries.
A very fertile festival: How to Really, Really? Really! Love a Woman, and other vulvagyric herstories.
As a new season begins, the Oregon Shakespeare Festival’s new leader talks about expanding a legacy of inclusion.
Ashland opens its 85th anniversary season; new shows across Portland, the dark side of “West Side Story.”
ArtsWatch Weekly: Big crowds & small artists at the big boom, new art & dance, a fresh film fest.
Matthew Neil Andrews on a trio of Portland orchestras keeping the American symphony alive.
New Northwest Film Center Director Amy Dotson brings a new emphasis and a new energy to Portland’s premiere cinematic event.
Defining “American”: Caroline Shaw, nyckelharpa and hardanger fiddle, Carnatic voice & violin, harps & drums, American gothick.
A Yardbird opera, “Onegin” and Portland jazz festival stir up the Northwest.
Jess Evans and Lyra Butler-Denman’s “Delicate Fish/BARDO” takes a tender look at grief, pain, and death.
Two Mississippi chefs will bring a taste of the Deep South to Astoria as part of Chef Outta Water.
From Baldessari to Bearden to Carola Penn and more, Martha Daghlian picks events & shows to see in March.
“He doesn’t belong anywhere”: At Portland Playhouse, a tale of Black identity comes to searing life.
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