
The eggs and I: a love story
Art of the stovetop, art of the camera: a daily gift of fried eggs becomes a portfolio of variations on a theme.
Art of the stovetop, art of the camera: a daily gift of fried eggs becomes a portfolio of variations on a theme.
Diana Burbano’s audio play “The Vertical City” is a tragic (and triumphant) vision of a futuristic PDX.
The new executive director of the Oregon Coast Council for the Arts is excited by his new job and his new home.
ArtsWatch Weekly: A festival to remember, theater heats up, All Classical leaps forward, Chachalu steps up.
Suzanne Lindon’s “Spring Blossom” is a surprise in many ways; Disney’s “Cruella” rings in the summer season.
Steph Littlebird’s series “Indigenous Resilience in Oregon” continues with a feature on the Chachalu Museum and Cultural Center.
The Portland Art Museum has had a European collection since its founding. What does it mean to exhibit European art in Portland in 2021?
The McMinnville theater reopens with Lance Nuttman in a one-man show about the nature of inspiration.
Portland’s All Classical Radio moves to bring more diverse music to more diverse audiences.
As the scaled-back Rose Fest readies its Porch Parade, a tribute to the canceled Rose City Classic Dog Show.
ArtsWatch Weekly: We’re emerging, but into what? The culture, and the arts world, consider the possibilities.
Lizzy Ellison moved to L.A. and then came home to Portland. Now, with Cardioid, she’s making her mark again.
Jovencio de la Paz’s new exhibition at Holding Contemporary probes the space between the digital and the analog. Lindsay Costello reviews.
Crystal Meneses brings art, words, and music together in an effort to put death back in the community’s hands.
As audiences emerge tentatively from Covid, Portland Opera roars out of seclusion with big changes.
What’s the most revolutionary “new” movie in town? A Melvin Van Peebles filmed-in-France flick from 1968.
Stage & Studio: A gay Taiwanese-American filmmaker documents LGBTQ+ climbers’ quest to climb Mt. Hood.
Artists emerge from the shutdown with work created in isolation, and live theater returns to the Yamhill County stage.
Photographer Rich Bergeman talks with Blake Andrews about abandoned places and the pull of the past.
On an April evening in 1944, a young dancer from Portland made history in Jerome Robbins’ first ballet.