MYS Oregon to Iberia

A journey into Hanford, then and now

A trip into the toxic center of the Northwest's nuclear legacy, and to the museum that tells part of its story, reveals still-potent fissures over power, safety, and rights.



WE LIVE IN AN ERA when the necessity to decarbonize the world’s energy has become quite clear, even if the oil- and gas-based industries fight tooth and nail against abandoning fossil fuels. To mitigate a climate catastrophe, we need to turn to other, sustainable modes for generating the energy that we need. Renewable energy, solar and wind sources, might be our best alternative, but they are facing enormous obstacles, political resistance by the fossil fuel monopoly being one of them. But they also are linked to very high installation costs, and a lack of infrastructure, particularly adequately sized power storage systems. Electricity generation from natural sources does not necessarily happen during the peak electricity demand hours, and given the volatility in generation as well as load, storage is a huge and expensive component. Lack of policies, incentives and regulations have not exactly encouraged investment into these alternative sources, either.

No surprise then, that we hear renewed calls for nuclear power as a reliable, “clean” source for energy, often accompanied by the promise that the old days of large, risky plants and unsolved storage problems of radioactive waste are gone.


PCS Clyde’s

As if.

I attended this year’s Hanford Journey, a day focused on environmental cleanup. Hanford was an integral part of the Manhattan Project, which produced plutonium for the first atomic bombs dropped in Nagasaki and released massive toxins into the ground and Columbia River where it operated. The Hanford Journey event, sponsored by Columbia Riverkeeper and Yakama Nation Environmental Restoration Waste Management (ERWM,) made abundantly clear that nuclear waste still presents a clear and present danger to our environment and the people who live near the rivers and polluted land. We don’t even have a handle on the current dangers, and yet people are advocating for increased use of nuclear power. Some are even claiming it is our ethical obligation to promote it as the only way to combat a climate catastrophe, and promising that everything will be fine with the arrival – coming soon, if you invest in us! – of small modular reactors.

I was visiting as part of a film crew exploring the possibility of making a documentary film about the current state of nuclear power development. The interest in the topic had evolved straight out of our last films, Necessity (Oil, Water and Climate Resistance//Climate Justice and the Thin Green Line) which revealed the particular vulnerability of tribal nations to environmental pollutants. (An ArtsWatch review of the films by Marc Mohan can be found here.)

Both Hanford Journey sponsors were quite helpful in providing an opportunity for all of us to learn about the history of the cleanup efforts, view the site from boat, and talk to and hear from people who are involved in the struggle. The Yakama Nation ERWM program engages in oversight of this process and issues affecting Hanford Site natural resources. Their involvement includes participation in technical, project management, policy meetings on response and natural resource damage actions, as well as oversight of cultural resource compliance. The Columbia Riverkeepers’ mission is “to protect and restore the water quality of the Columbia River and all life connected to it, from the headwaters to the Pacific Ocean.” The organization uses legal advocacy and community organizing in numerous conservation efforts.

IT WAS A BEAUTIFUL DAY, with a sense of purpose and hope delivered by multiple speakers, honoring the legacy of tribal environmental leader Russell Jim and promising to continue his mission of Hanford clean up to ensure the safety of future generations. Davis Washines, government relations liaison, Yakama Nation and DNR Fisheries Resource Program for Superfund Section, talked about the history of the people indigenous to the region and their relationship with the river, the price they paid from the exposure to life-threatening pollutants, and the governmental hesitancy to fully keep cleanup commitments.

Davis Washines, government relations liaison, Yakama Nation and DNR Fisheries Resource Program for Superfund Section.

Laura Watson, Director of the Washington Department of Ecology, evaluated how few resources are spent and how many more are needed. “The Hanford site is and remains one of the most contaminated sites in the world, and is probably the most complicated cleanup that’s ever been undertaken in human history,” she said. Many more talked about what the situation meant for them and their families, past and present.

Kids were playing in the water, families and friends gathered for group pictures, lunch was served.


PCS Clyde’s

Puyallup canoe family.

I met Ellia-Lee Jim, who had been selected to be Miss ’22-’23 Yakama Nation, and chatted with Denise Reed, Puyallup and Quileute cultural coordinator, who wore beautiful items she made with cedar weaving, which she also teaches.

Ellia-Lee Jim.
Denise Reed and her cedar woven hat and belt.

Multiple nonprofit groups, including The Hanford Challenge and Heart of America Northwest, were on-site to educate and encourage us to become involved with ongoing advocacy efforts. A major issue right now, for example, is the Department of Energy’s attempt to reclassify high-level waste at the Hanford site as low-level waste, which will allow cleanup shortcuts and unsafe disposal.

Brett VandenHeuvel, the soon-to-be-former Executive Director of the Riverkeepers (Lauren Goldberg will be his successor on August 1,) drove us from the Mattawa event site to the river, where boats, run by Tri-City Guide Service, took us out onto the Columbia and to the B reactor — one of nine plutonium reactors built at Hanford.  (There was also a hike out to White Bluffs and the Hanford Reach National Monument to view the H, DR, D and F plutonium reactors, which I had to miss.)

Archaeologist and ERWM advocate Rose Ferri was our guide on the boat, helping to understand the history of the Hanford Reach, one of the few remaining stretches of river where chinook salmon spawn in significant numbers – a stretch of 51 miles, to be precise, the last remaining free-flowing portion of the 1,212 miles of the Columbia.

Rose Ferri.

The National Monument contains an insane number of species overall – details can be found here – all of whom depend on being protected from toxic and radioactive pollution from the Hanford site. Because Hanford is off limits to visitors, the land has been undisturbed for years, a buffer zone between ecological disaster and agricultural industries, beautiful in its sparsity.

THE HANFORD NUCLEAR SITE has been operating since 1943, after the forced removal of the people who lived on the 580 square miles on which nine reactors were built. Treaty rights from 1855 to use the land for fishing, hunting and gathering, signed by the Yakama Nation, the Confederated Tribes of the Umatilla Indian Reservation (CTUIR), the Nez Perce Tribe, and the Wanapum, were often not honored. During the 40 years of plutonium production, cesium and iodine were generated, and chromium, nitrate, tritium, strontium-90, trichloroethene and uranium, among others, leaked into the soil and seeped into the groundwater.

There were some single-shell underground storage tanks for the most dangerous liquids, but the rest flowed freely. The last reactor was shut down in 1987. Cleanup began – theoretically – in 1989, when the U.S. Department of Energy, the Environmental Protection Agency, and Washington State signed a Tri-Party Agreement. Only in the year 2000 were 2,535 tons of irradiated nuclear fuel in the K Basin along the Columbia River transferred into dry storage. In the following years treatment and immobilization plants were constructed, but will only be fully operative in 2023, from last I heard. Weapons grade plutonium was transferred to South Carolina.


All Classical Radio James Depreist

In 2013 we learned that the single-shell tanks leak, and four years later one of the PUREX tunnels containing highly radioactive waste partially collapsed. Ignoring these warning signs of potential catastrophe, in 2019 the U.S.Department of Energy decided on a new interpretation of which kind of waste requires most stringent storage requirements.

“…. “high-level nuclear waste” (HLW) under the Nuclear Waste Policy Act (NWPA) that would exclude some dangerous waste traditionally considered HLW from stringent storage requirements. For over 50 years, the term HLW, as defined in the Atomic Energy Act of 1954 (AEA) and the NWPA, required the disposal of this most toxic and radioactive waste in deep geologic formations to protect public health. Energy’s new interpretation opens the door for less robust cleanup and the possibility of more waste remaining at Hanford.” (Ref.)

The Tribes and their allies continue to fight for a comprehensive, fully funded, thorough cleanup. Events like Hanford Journey are one way of getting information out into the public, and familiarizing those of us who are able to attend and experience the landscape with the history and the scientific consequences of delayed or compromised action. I wish that information could be even more widely spread.


I DROVE BACK TO RICHLAND, Washington, across the Vernita bridge, and passed by a long stretched mountain, Lalíík, or Rattlesnake Mountain, that I had just seen from a very different perspective. I had been told it was the tallest treeless mountain in the world, sacred to Tribes in the region.

It is designated a Traditional Cultural Property (TCP), a property that “is eligible for inclusion in the National Register of Historic Places (NRHP) based on its associations with the cultural practices, traditions, beliefs, lifeways, arts, crafts, or social institutions of a living community.“(Ref.) At least that sacred mountain had been cleaned up with funds from a 2010 Recovery Act.



WESTAF Shoebox Arts

THE REACH MUSEUM in Richland, Washington, is a beautiful new structure with a mission statement that asserts inclusivity. Open since 2014, it offers various exhibits, with a permanent one on the Manhattan Project and the Hanford enterprise among them.

The staff is super-helpful and friendly; the grounds are gorgeous and represent the beauty of the region. You are greeted outside with lots of affirmative information about the “clean” source of power that is nuclear energy.

You are also immediately made aware by historic photographs of trailer parks (and a real trailer) during the peak employment years of Hanford, that the region benefited economically during times of hardship due to work opportunities. Some 50.000 people arrived at this remote region, families included. Not a mention, though, of whether these opportunities of housing and work were available to the Indigenous inhabitants who were driven from their land by the Manhattan Project.

The website for the museum is richly informative and emphasizes a desire to tell stories from differential perspectives, and acknowledges their Native American partners “who historically used this region—a gathering place of the Confederated Tribes and Bands of the Yakama Nation, the Confederated Tribes of the Umatilla, the Wanapum people, and the Nez Perce Tribe who cared for this land since time immemorial.

As far as I could see, one statement poster, in a gallery that, overall, lays out the developments, successes and trials of the Manhattan Project (Gallery 2), speaks to tribal presence. Acknowledging expulsion, but not going into anything further.

The focus is on the war effort,

the feats of engineering,


WESTAF Shoebox Arts

and the impact on Cold War developments.

Overall, it’s a well-designed, informative exhibition with a combination of local and (inter)national historical information.

To their credit, some safety considerations are mentioned – mostly, however, regarding the workers in an environment that was experimental in its newness, with less attention to continuing concerns. The printed and easily accessible materials in this room were quiet about the continuing poisonous legacy and unsolved problem of long-term nuclear waste storage, unless I missed something, which was of course entirely possible after a long, intense day.

What would Albert do?

If you check out the educational resources on the museum website, the topics of Shrub – Steppe and Geologic Past are fabulously covered. In detail, comprehensive, engaging. The topics of the Hanford Legacy and Columbia River Resources are announced to be coming soon. Given the centrality of those topics as well as the controversy attached to them, in some ways, I wondered why they have not yet been designed.

I have no intention to diss a museum I rather liked. I am fully aware how hard it is, particularly during this pandemic, to keep small institutions alive, much less current. But my question remains about how information on the continual danger of toxic environments, long-term storage of radioactive waste ,and un-remediated injustice of treaty betrayals reaches the mainstream. This is particularly important now that calls for renewed efforts and investments into nuclear energy are getting louder. It might, or might not, be a solution to our energy woes: decisions have to be based on knowledge of all the facts, though. Columbia Riverkeeper and tribal ambassadors work hard and, undoubtedly, effectively in many regards, to spread the word. It is time that the rest of us follow suit.



MYS Oregon to Iberia

Be part of our
growing success

Join our Stronger Together Campaign and help ensure a thriving creative community. Your support powers our mission to enhance accessibility, expand content, and unify arts groups across the region.

Together we can make a difference. Give today, knowing a donation that supports our work also benefits countless other organizations. When we are stronger, our entire cultural community is stronger.

Donate Today

Photo Joe Cantrell

Friderike Heuer is a photographer and photomontage artist. Trained as an experimental psychologist at the New School for Social Research, she taught at Lewis & Clark College until she retired to pursue art full time. Her cultural blog explores art and politics on a daily basis through photography and commentary. She has exhibited most recently at the Oregon Jewish Museum and Center for Holocaust Education and Camerawork Gallery, on issues concerning migrants and refugees. She frequently volunteers as a photographer for small, local arts non-profits. For more information, visit


One Response

  1. Rich information and beautiful photos. Thank you. Perhaps the next generation will clean up the messes from our collective past. I have hope.

    The people profiled = hope personified.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Triangle Productions FLO
PCS Clyde’s
MYS Oregon to Iberia
Profile Theatre Orange Sky
OCCA Monthly
NW Dance Project
Maryhill Museum of Art
PAM 12 Month
Pacific Maritime HC Prosperity
PSU College of the Arts
Oregon Cultural Trust
We do this work for you.

Give to our GROW FUND.