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A new curator of Native American Art named by the Portland Art Museum

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The Portland Art Museum has just announced the hiring of a new curator of Native American Art, Kathleen Ash-Milby. Ash-Milby comes to Portland from New York where she has been an associate curator at the Smithsonian National Museum of the American Indian (NMAI) for nearly 20 years. She is a member of the Navajo Nation and replaces previous curator Deana Darrt, who stepped down in 2016.

At NMAI, Ash-Milby organized, curated, and co-curated many important exhibitions including: Transformer: Native Art in Light and Sound (2017), Kay WalkingStick: An American Artist (2015), C. Maxx Stevens: House of Memory (2012), HIDE: Skin as Material and Metaphor (2010), and Off the Map: Landscape in the Native Imagination (2007). In addition to her work at NMAI, Ash-Milby has curated projects internationally and served on the boards of the Aboriginal Curatorial Collective (2007-2012) and the American Indian Community House (2005-2007).

Kathleen Ash-Milby, the new curator of Native American Art at the Portland Art Museum

Ash-Milby was born in Albuquerque, New Mexico, and received her M.A. in Native American art history from the University of New Mexico. However, she does have connections to the Northwest as her undergraduate degree is from the University of Washington. She says she is “thrilled to be returning to the Northwest and joining the Portland Art Museum at such an important time in its growth. Portland has such a vibrant community of Native artists and community members, and I’m looking forward to being part of it.”

The Portland community is equally thrilled. Portland artist Lillian Pitt and member of the Native Advisory Board says, “I have known Kathleen since she started working at the National Museum of the American Indian…while the hiring process was lengthy, I am so pleased that Kathleen accepted the job. She will make us all proud.”

The position of curator for Native American Art has been vacant since Deana Dartt left the position in 2016, but the department has remained active. It has received several important grants from, among others, the Mellon Foundation and the National Endowment for the Humanities, and has continued to add new works to its collection. And it recently opened CCNA: Not Fragile, a show of glass art by contemporary Native artists.

Ash-Milby will start at the Portland Art Museum in July 2019.

Laurel Reed Pavic is an art historian. Her academic research dealt with painting in 15th and 16th century Dalmatia. After finishing her PhD, she quickly realized that this niche, while fascinating, was rather small and expanded her interests so that she could engage with a wider audience. In addition to topics traditionally associated with art history, she enjoys considering the manipulation and presentation of cultural patrimony and how art and art history entangle with identity. She teaches a variety of courses at Pacific Northwest College of Art including courses on the multiple, the history of printed matter, modernism, and protest art.

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