Catherine Rickbone had grown accustomed to people asking when she was going to retire and enjoy life. Rickbone, executive director of the Oregon Coast Council for the Arts, frequently responded, “I enjoy myself now.” She planned to see to the end the final phase of the Newport Performing Arts Center’s $4.3 million capital campaign, to be completed in 2020.

Then came COVID-19. The deadline for the “Entertain the Future” campaign was pushed out to at least 2021. Rickbone, 74, knew it was time to go. She retired July 2 after 13 years at the helm of the council, where she oversaw management of the Newport Performing Arts Center and Newport Visual Arts Center. The council is also the local arts council for Lincoln County and the regional arts council for Clatsop, Tillamook, Coos, and Curry counties, as well as coastal towns in Lane and Douglas counties.

“Catherine will be really missed,” said Akia Woods, president of the council’s board of directors. “We’ll especially miss her earnestness and her love of the arts and her ready smile. Catherine was a tremendous advocate for the arts. Her advocacy hasn’t just been local, she’s been a great advocate at the state level.”

A search for a new executive director has begun, Woods said.

With a life rooted in the arts, Rickbone seemed destined for the leadership role.

She was raised by her grandmother in Emporia, Kansas, in a three-story home that also served as a rooming house. Rickbone was hooked on the arts from the day she found a book on her grandmother’s bookshelf titled Picture Studies. Dedicated to children and lovers of art, it was a study guide from 1928 with details of each piece pictured, followed by questions. The book fueled a hunger in the young girl for more.

“As I got a little older, I did chores for my grandmother,” Rickbone recalled. “Instead of money, I parlayed for magazine subscriptions, such as Saturday Review. Also, the Metropolitan Museum of Art put out 12 books. Inside were color plates of artwork. The books talked about great works of art. I cut my teeth on that when I did summer reading on the hanging swing or glider on my grandmother’s big Midwestern-style porch.”

Sponsor

Her grandmother’s home was half a block from what was then known as the Kansas State Teachers’ College.  “There was always summer theater — it was one of the longest running in the nation,” she said. “My grandmother and I would walk across the street and get on the campus and we’d go to plays.”

Rickbone also took advantage of the William Allen White Library across the street from her home, named for the founder of the Emporia Gazette and featuring a huge room of children’s books, where the girl would hang out for hours. Within walking distance was a Carnegie library. “I’d go to that library and read and look at things, so I had a lot of nurturing.”  

Rickbone, a poet and singer, eventually completed two bachelor’s and two master’s degrees. She married a Navy lieutenant, following him during their nearly 10-year marriage to towns along the East Coast.

She taught English, started her own mail-order business, and held positions in public relations and marketing. Eventually, the road led to Ashland, where she was an independent art consultant. The self-described “prairie woman … used to wind, wide open spaces, lightning and hail, storms and tornados,” found the town nice enough, but with mountains on both sides, a bit claustrophobic.

“There was no room to breathe, to stretch out, to vision,” she said. “Not that mountains aren’t inspiring, from a distance, just not up close and hovering.”

Searching for a new opportunity, Rickbone learned of a job opening in Newport, a town she hadn’t even known existed. Driving to the coastal town for her first interview, she recalls seeing the Performing Arts Center on her left and the glittering ocean before her. “That did it. I could vision again, breathe again, check the weather, and see it coming.”

The weather, however, did take some adjusting to — no four seasons; dreary, dark, damp, and depressing during fall, winter, and spring. She made it through to summer, coming out on the other side with the new knowledge that “drippy weather breeds creativity.”

Sponsor

During her time with the Oregon Coast Council for the Arts, Rickbone was instrumental in establishing the Coastal Oregon Visual Artist Showcase (COVAS) in the Visual Arts Center, which highlights midcareer Oregon visual artists while making a statement on visual arts ecology. She helped save the former Jazz at Newport festival, later renamed the Oregon Coast Jazz Party, and signed the first Metropolitan Opera Live in HD contract for the Performing Arts Center, second in popularity, she notes, only to the Jazz Party. She also helped establish a public arts policy for Newport. She remains a member of that city committee and continues to serve on the board for the Oregon Cultural Advocacy Coalition.

Lincoln County Counsel Wayne Belmont, who worked with Rickbone on numerous projects and committees, recalled the enthusiasm and energy she brought to every task.

“The term I’ve used is boundless energy,” he said. “Exuberance. It can be very contagious. She’s not going to be quietly sitting on the sidelines. I know she will continue to be a super volunteer.”

In announcing her retirement, Rickbone said budget retraints caused by the the COVID-19 shutdown make this an “excellent opportunity and the appropriate time” for her to step down. She added she is “contemplating my next opportunities in life, where I can use my skills of leadership to further other interests and causes important to me.” She said she believes the Oregon Coast Council for the Arts, which has laid off most of its staff because of COVID-19 budget constraints, will survive the pandemic, but it won’t be the same.

“When the time is right, I think our supporters will return,” she said. “Things may look different, but let’s face it, nothing takes the place of a live performance. The synergy and energy between stage and audience is magical. There are a lot of virtual tours and they are great… but there is nothing like an up close and personal look in real time at a work of art.

“I say the same thing about performing, you don’t get the buzz from online streaming … as you do when you are in that seat in the Alice Silverman Theatre. The stage has living people on it and something starts to happen. I’ve experienced it time and time again. I think those times will come back.”

*

Sponsor

This story is supported in part by a grant from the Oregon Cultural Trust, investing in Oregon’s arts, humanities and heritage, and the Lincoln County Cultural Coalition.