This story was originally published at Ashland.news on Feb. 6, 2025, and is republished here with permission.

ASHLAND — It’s the end of a long school day, almost time for dinner, when 11 youngsters, ages 7 to 13, grab a seat in Ashland Public Library’s Gresham Room.

“Instead of winding down, I’m winding up,” a girl with a cascading dark updo says to the blond-haired boy next to her.

“Me too,” he says.

For the next five days, these elementary and middle-schoolers will “make art” in a theater workshop led by Pam Sterling, an emeritus professor from Arizona State University who has inspired young actors across the country for decades.  

Joining Sterling are Shanique Scott — a mesmerizing African American actor, director and choreographer — and former Oregon Shakespeare Festival actor Marc Friedman. Scott, who moved to Ashland in 2016, is the founder of Empowered Arts Ensemble, which trains children in theater. Friedman now works at Southern Oregon University in Ashland.

A local donor, fond of Scott’s multiracial theater work with youth, donated frequent flier miles to bring Sterling to town. Ashland Together pledged support as part of its efforts to rethink equity in Ashland, modeling what this might look like across all ages.

“Hi, my name is Pam,” Sterling says to the students now standing in a semicircle in front of her. “What are your names?’”

“Hi, my name is Rosava,” the tallest and oldest member of the group half whispers.

“Here’s the first rule in our work together,” Sterling jumps in. “Speak up and speak clearly.”

Rosava tries again.

When it comes to 7-year-old Charlotte, half Rosava’s size, she leaves no doubts about her name. “C-h-a-r-l-o-t-t-e.”

“Now tell us why you are here,” Pam says, “and tell something about yourself that we wouldn’t know by looking at you.”

In Ashland, home of the almost 90-year-old Oregon Shakespeare Festival, a love for performing and theater clearly unites this group.

“I’m here because I love every form of theater: acting, musicals, plays,” says Aquila, age 10.

“I’m here because I love being with kids who like to act and I like to write plays,” offers Meghan, also 10.

Something we can’t tell by looking at you? Meghan is passionate about engineering. Alex plays the didgeridoo, Aquila, the violin. Mario likes woodworking. Rosava tends gerbils.

Sterling starts leading these young actors through a series of exercises that target the “secret sauce” in the work the students will be doing together: eye contact — the powerful communication tool that allows actors to establish connections between characters without speaking a word. 

Devised theater

Rumpelstiltskin — you may have gathered — is not on the playbill here. Sterling, along with Scott, is a champion of a creative alternative called “devised theater,” whose roots go back more than a century.

In devised theater, no one knows what the end product will look like — not the performers nor the creative team. There is no preexisting script where roles are established. Instead, the performers start with an idea, a question, a piece of music, a set, and they build something completely new. The work is collaborative and experimental.

As Sterling repeats often as the week unfolds, “There is no right way or wrong way. There are many ways.”

“And I want you to be curious, to wonder about things,” she adds.

Teamwork

When the students enter the education room at the Ashland Food Co-op the second night — the group lacks a permanent practice space — a sentence on the whiteboard asks: “What makes a good team?”

Teamwork is the glue that holds devised theater together, Sterling says. “It requires concentration, cooperation and communication. It has agreements  — that members support each other, no put-downs, listen to each other and wait their turn.”

“What else makes a team good?” Sterling asks.

She invites participants to take out their notebooks, form small groups and share thoughts. Five minutes later, the students shower her with ideas that she adds to the agreements on the whiteboard:

Respect each other. Don’t interrupt. Be kind — and disagree kindly. Support each other. Work together to solve a problem. Don’t blame. Contribute, do your part. Don’t rob another person’s work. Share the credit. Don’t say things behind someone’s back. Respect other people’s privacy and confidentiality. …

Theater games

This Tuesday night, like every night this week, theater games soon take center stage: warm-ups, team-building exercises, activities that develop imagination. To see a video of some of these theater games, click here.

In “Hand to Hand,” participants divide into pairs and, within pairs, decide who is A and who is B. They must work together without speaking. Partner A places their hand about 3 inches from partner B’s head and then guides them to move in various ways, using only their hand and never any type of vocalization. The partners then switch roles.

It is hard not to get dizzy watching the slow, gyrating dance between Alex and Emmet —10 and 11 — as they pair their movements, swooping, turning and soaring.

In “Body Parts,” one player stands in the center while everybody else partners up. The player in the middle calls out commands such as “elbow to elbow,” “back to back,” “shoulder to knee.” Players take these positions accordingly. When the person in the middle calls “partner to partner,” all the players have to find a new partner while the person in the middle scrambles for their own. The person left without a partner becomes the new person in the middle and starts to give commands.

“It is is getting awfully personal,” Carina said as she and Mario maneuvered to touch noses as directed.

Bringing it together

On Friday, Carina, Mario and their peers have a new assignment: developing a scene they can perform for their parents the following day. They play a version of a game called “Story Circle,” in which people sit in a circle. One starts a story, then passes the storytelling to another person, who passes it on again until everyone has had a turn. The result can be wacky. Gorillas in a jungle may end up in a deep sea submarine.

On this day, these blooming thespians, gathered in a circle, throw a ball to one another, taking turns adding to the story after they catch the ball. They end up with a tale about an old man who menaces young children until he is apprehended (successfully or not) by the police. They call the story “Stranger Danger.”

The next morning, the day of the performance, they divide into teams, make a frozen “picture” of three moments in the story they have hatched (interpreting those moments however they wish), and add a few words of dialogue. They weave the moments into a short scene, with their bodies and expressions communicating as much as their words. In one group, we see the old man poisoning two policeman who have been summoned by a distraught child. In another, the old man tries to lure a young brother and sister into his car, and then pays off the policeman who has allegedly come to the rescue.

As the parents take their seats at Ashland’s Unitarian Universalist church, Sterling coaches them on what to expect. Their children will not be delivering lines from a famous play, she tells them, but scenes infused with their own creativity.

“I can’t believe that’s my daughter,” the woman next to me says as her child’s group finishes its turn.

Growing

When Shanique Scott moved to Ashland nine years ago, she imagined starting an arts ensemble for diverse local youths that would foster creativity and collaboration, nourishing theater invention and inclusion alike. In 2023, the Empowered Arts Ensemble came to life.  

Last spring, the ensemble — a multiracial group of children ages 7 through 12 — performed their first devised theater project, A Rose That Grew from Concrete, to standing-room only crowds at Grizzly Peak Winery and SOU’s Black Box Theater. This May, they will present a new work, growing from the extraordinary training Sterling provided this January.

“Talented youth creating theater together, celebrating what makes one another special,” says Scott, “It’s a dream come true.”

Ashland Together’s Hillary Larson couldn’t agree more: “Watching Shanique and her young acting troupe exercise their creativity, with a mix of collaboration and mutual respect … It’s impossible not to smile.”

At the end of their performance before parents and friends, Sterling demonstrated how to bow with feeling. On cue, the young actors joined hands, raised their arms to the sky and bent their bodies toward the floor.

“Bravo!” their parents cheered.

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For more information, contact Shanique Scott, Empowered Arts Ensemble, shash1975@yahoo.com.