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Astoria Arts and Movement Center secures $90,000 in grants to restore ballroom in historic Odd Fellows building

The ballroom in the 1923 building suffered water damage when the roof was lost during a series of storms in 2007.
A dance fitness class takes place in the 4,000-square-foot ballroom. One Movement Center instructor calls the space "a castle in the clouds." Photo courtesy: Astoria Arts and Movement Center
A dance fitness class takes place in the 4,000-square-foot ballroom of the Odd Fellows Building. Three grants will help the Astoria Arts and Movement Center restore the space. Photo courtesy: Astoria Arts and Movement Center

ASTORIA — Astoria’s iconic Odd Fellows Building will be undergoing much needed restoration work on its 4,000-square-foot ballroom, thanks to a trio of grants totaling $90,000. Jessamyn Grace West, co-owner of the building and executive director of the Astoria Arts and Movement Center housed there, announced the grants this week.

Money from the Kinsman Foundation’s Historic Preservation Grant, the Oregon Cultural Trust’s Cultural Development Grant and Oregon Community Foundation’s Community Grant will pay to repair original trim and tilework and paint the Grecian Deco-inspired ballroom. The dance space takes up the entire second floor of the 9,000-square-foot building. It was the first building rebuilt after a fire in 1922 destroyed much of the town.

“It was really the Kinsman Foundation preservation grant that got this ball rolling,” said West. “They were the first, over a year ago, to say, ‘Here is money for your project,’ which I couldn’t believe. Foundations rarely like to be the only contributor to a project; Kinsman took a risk.” The $25,000 grant required West to secure a matching grant, which came from the Oregon Cultural Trust with a third, for $40,000, following from the Oregon Community Foundation.

“We really needed all three of those pieces to make this project happen in a way that would honor the ballroom’s historic integrity,” West said. “The fact that these foundations supported our project tells me that they care about small towns in rural areas — the art we produce in Astoria is hugely important to our community and it means a lot to me that they recognized that.”

The 1923 Odd Fellows building sustained severe damage when it lost a portion of its roof in the Great Coastal Gale of 2007, a series of three powerful storms. The ballroom “suffered considerable water damage, which is still visible today,” West said.

The 1923 Astoria Odd Fellows building is the home of the Astoria Arts and Movement Center, where nearly 40 instructors offer classes and workshops for as little as $5 each. “We really wanted to reach everybody in the community,” says founder Jessamyn West, explaining the decision to run the center as a nonprofit. “We didn't want to put up any kind of financial barriers.’’ Photo by Leah Nash for Preservation Magazine; courtesy of Astoria Arts and Movement Center
The ballroom takes up the entire second floor of the 1923 Astoria Odd Fellows Building, home of the Astoria Arts and Movement Center. Contractor Simo Ranta, who painted the building exterior in 2020, will paint the interior of the ballroom. Photo by Leah Nash for Preservation Magazine; courtesy of Astoria Arts and Movement Center

Work on the ballroom is expected to begin in February and continue through March with local contractors Simo Ranta and Scott Stills. Ranta, who will paint the ballroom interior, also painted the building exterior in 2020, a project made possible by funding from the National Trust for Historic Preservation. Stills, a historic preservation contractor, recently restored the original double oak doors on the Odd Fellows building’s 10th Street archway. Stills will do the trim restoration, including trim on the Grecian arches and windows.

“The fact that these two agreed to do this project is huge,” West said. “It’s just another piece of the puzzle that fell into place that is extraordinary. These are professionals that are booked out indefinitely, and grant timelines are not flexible, but they love this building. When we sat in the ballroom together and they agreed to take on the project, I cried. I can’t imagine anybody else doing the ballroom interior.”

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The new interior colors will be similar to the existing palette of earth tones but lighter, and “all work will follow the Secretary of the Interior’s Standards for the Treatment of Historic Preservation.”

The recent grants bring the funds West has secured to restore the old building to a total of $300,000. She said one of the reasons organizations are willing to help with the restoration is not only in support of historic structures, but also the center’s grassroots and community-centered history of offering dance classes at all levels and to all ages.

In a May 2024 Oregon ArtsWatch story, dance student and massage therapist Cameron Wagner said, “I see the Movement Center as being a place of inclusivity where it is welcoming to everyone and that includes all ages and identities and physicalities. It’s a place where we can all go to express ourselves. And it’s affordable … accessible to all incomes.”  

Lori Tobias is a journalist of many years, and was a staff writer for The Oregonian for more than a decade, and a columnist and features writer for the Rocky Mountain News. Her memoir “Storm Beat – A Journalist Reports from the Oregon Coast” was published in 2020 by Oregon State University press. She is also the author of the novel Wander, winner of the 2017 Nancy Pearl Book Award for literary fiction and a finalist for the 2017 International Book Awards for new fiction. She lives on the Oregon Coast with her husband Chan and Rescue pups Gus and Lily.

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