

From exhilaration to exhaustion to final victory: David Schiff’s summer premieres
The retired Reed College composition professor’s “Prefontaine” and “Vineyard Rhythms” come to Eugene and Portland.
The retired Reed College composition professor’s “Prefontaine” and “Vineyard Rhythms” come to Eugene and Portland.
FNM performs music by Asian and Asian-American composers at The Old Church.
The restless wind quintet’s blissful concert featured new music co-commissioned by CMNW, OBF, and Anima Mundi.
Portland Chamber Orchestra premieres the dynamic spoken-word and music collaboration “My Words Are My Sword.”
Music for clarinet and strings by Benny Goodman, Schiff, Schickele, and Mozart in Chamber Music Northwest concert.
PO’s dramatic, harrowing staging of the Pulitzer-winning opera.
PCO commission ‘My Words Are My Sword’ pulls together poetry and music.
Ten days and nights of live music with Diane Schuur, Domo Branch, Mel Brown B-3 Organ Group, Brandee Younger, and more.
Virtuoso pianist performs the complete J.S. Bach ‘Well-Tempered Clavier’ for CMNW at The Old Church.
Young, talented and the future of jazz, they were mentored by Portland music royalty. They learned to bang out “Back at the Chicken Shack,” “Green Dolphin Street” and “Autumn Leaves,” to listen carefully to the jazz greats, to practice diligently and often,
When Jimmy Mak’s disappeared, NoPo’s 1905 arrived – and it’s still Portland’s only all-jazz spot.
Queer-themed Canadian opera makes U.S. premiere at Hampton Opera Center.
A stunning staging with top-notch design and choreography brings Gluck’s 1762 music into a thoroughly contemporary Underworld.
Rock star clarinetist and PCO celebrate Hanukkah with klezmer improvisations and a Wlad Marhulets concerto
CMNW artists-in-residence perform the composer’s chamber works with complementary music by Cage, Machaut, Gesualdo, Verdi, and Beethoven
Vlatkovic, performing with CMNW co-directors Gloria Chien and Soovin Kim, gets a five-minute standing ovation.
The singing’s terrific and the crowd shouted “Bravo!” But the story in Puccini’s 1900 hit can’t keep up with 21st century times.
The opera opens with a new artistic director, a new interim music director, a fresh slate of forward-looking priorities – and an old standby in “Tosca.”
Vanessa Severo’s virtuoso turn onstage joins a rush of Kahlo from the opera to a coming museum show.