Portland Playhouse Amelie
Picture of Barry Johnson
Picture of Barry Johnson
Barry Johnson
Barry Johnson has written about and edited arts and culture stories of various sorts since 1978, when he started writing about dance for the Seattle Sun. He edited the arts section of Willamette Week and wrote a general culture column in the  early 1980s and started at The Oregonian as arts editor in 1983, moving between editing and writing (visual arts, movies, theater, dance) until leaving in 2009. Since then, he's been thinking about new ideas to help make arts and culture journalism ever more useful and engaged. Oregon ArtsWatch is one of those ideas.

On revolt in the streets, circa 1971

“Mayday 1971” by Lawrence Roberts gives us a window on a massive protest of the past. That’s useful in our own protest-drenched time.

Friday coronavirus arts news roundup

Relief efforts for artists affected by income loss from the coronavirus pandemic and the resulting crash of the economy continue. More is needed.

Starting Over: Enter the Dragon

Combine a pandemic and an economic crisis and you get the dragon. How do you fight it? With songs and strategies, poems and music. You wait the dragon out.

“The Breath of Life”: Boomer regrets

If I were going to guess (and I suppose I am), I’d suggest that the moment Boomers in the audience will react to most immediately, probably with a snort, comes near the start of the first scene after intermission in David Hare’s

Remembering Lyndee Mah

Every culture needs at least one Lyndee Mah—an indomitably positive source of energy, compassion and commitment to art, a connector and facilitator, an advisor and advocate, someone to console us when that is necessary. Fortunately for Portland, we had Lyndee Mah herself.

Oregon Shakespeare Festival: The road continues

Earlier this month I landed in Ashland to see the first five plays of the 2018-19 Oregon Shakespeare Festival season, Bill Rauch’s last as artistic director. The plays under inspection here include: the vastly popular stage version of the John Waters film

Theater news: Artists Rep prepares for another leap

Artists Repertory Theatre hired J.S. May to be its executive director less than six months ago, and he and his board are already about to make a big move—a $10 million-plus capital campaign that will redesign and renovate its building on Southwest

Commentary: How dead is OCAC?

What happens when you try to close the debate before the debate ever gets started? At this point the Oregon College of Art and Craft board is starting to find that out. During the week since my last commentary on the OCAC

Commentary: Democracy and the arts

Let’s say someone said, “Tell me, Mr Bones, what should happen next, now that Oregon College of Art and Craft has decided to close the college and sell the campus?” I’d probably sputter, make a few false starts, and then I’d say

Oregon College of Art and Craft terminates its degree program

The Oregon College of Art and Craft board of trustees has announced it will “terminate all degree programs” at the college at the end of this academic term. “May 19, 2019, will mark the commencement ceremony for the final graduating at OCAC,”

PNCA: Sticking to the path

Two big questions remain from the failed merger talks between Pacific Northwest College of Art and Oregon College of Art and Craft back in the fall. The first: What are the details of the financial condition at OCAC that led it to

Portland State will not acquire Oregon College of Art and Craft

After a week of thinking about it—or in the business parlance of our times, after conducting a “feasibility study” or “due diligence”—Portland State University officials informed Oregon College of Art and Craft officials on Thursday (January 24) that the university had decided

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Oregon Cultural Trust
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