MusicWatch Monthly: A vote for diversity
November 2, 2020
Fear No Music’s new series starts with Nokuthula Ngwenyama, Regina Harris Baiocchi, Adolphus Hailstork.
Fear No Music’s new series starts with Nokuthula Ngwenyama, Regina Harris Baiocchi, Adolphus Hailstork.
The last six months have left us starved for live music, with the country kinda-but-not-really shutting down to handle the pandemic. Luckily for us, a cohort of young singers took it upon themselves to stage the first full opera production in Oregon since March.
Damien Geter’s “An African American Requiem”: Part Three of a three-part interview with the composer.
Damien Geter’s “An African American Requiem”: Part Two of a three-part interview with the composer.
Damien Geter’s “An African American Requiem”: Part One of a three-part interview with the composer.
Mourning the passing of Polish composer Krzysztof Penderecki, whose music processes trauma.
Portland Percussion Group bangs the drums every which way. Is this the bridge the music world needs?
The Creative Music Guild’s Extradition Series summer concert confronts the sounds of silence.
CMNW performer-composer Boja Kragulj talks technology, creativity, education, and making connections.
Rolston String Quartet performs Mozart, Brahms, and R. Murray Schaeffer at Alberta Rose.
This state is just crawling with composers, though you might not know it if you only go to Oregon Symphony and Third Angle concerts—just to arbitrarily pick on a pair of robust local organizations with rather different ideas of what constitutes classical
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