You cannot call it love … or can you?
August 15, 2022
Theater review: Salt and Sage’s ambitious dual productions of “Romeo and Juliet” and “Hamlet” reckon with deep questions about love and mortality.
Theater review: Salt and Sage’s ambitious dual productions of “Romeo and Juliet” and “Hamlet” reckon with deep questions about love and mortality.
A journey through the Portland Art Museum’s fierce and piercing show of work by photographers of color about the city’s 2020 racial justice protests.
The secret to the Portland Art Museum’s exhibit on Kahlo, Rivera, and Mexican Modernism: Take it your own way, at your own pace.
Joel Coen’s movie adaptation is too timid for the tale it tells.
The “nothing” in Much Ado About Nothing has multiple meanings. In Shakespeare’s time, as in our own, it could be used to refer to something inconsequential, not worth “noting.” This play asks us: What do we notice in our lives? How does
Marisela Treviño Orta’s new play Wolf at the Door at Milagro Theatre is a blend of fairy tale and Aztec myth. Its heroine, Isadora, is in an abusive relationship with Séptimo. Séptimo has kidnapped Yolot, a pregnant Wolf-Spirit-Person, and wants to steal
As I walked through paradisal Southeast Portland last Friday night, I grew afraid. The burgeoning hydrangeas, the laughter of children, the interminable rows of tall trees, scared me. For some reason, I found myself reflecting on the upcoming two-year anniversary of the
Jesus Hopped the ‘A’ Train begins and ends with the same image: a young prisoner, Angel, on his knees, praying in darkness. Angel’s desperate desire for assurance and forgiveness make him, in a weird way, immediately lovable. There is even something endearing
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