

Cinderella story: Once more, with spirit
Broadway Rose’s production of the Rodgers + Hammerstein musical adds a light touch of depth to some scintillating singing and knockout costumes.
Darleen Ortega has been a judge on the Oregon Court of Appeals since 2003 and is the first woman of color and the only Latina to serve in that capacity. She has been writing about theater and films as an “opinionated judge” for many years out of pure love for both.
Broadway Rose’s production of the Rodgers + Hammerstein musical adds a light touch of depth to some scintillating singing and knockout costumes.
“Rent,” “Romeo and Juliet,” “Twelfth Night” and “The Three Musketeers” provide distinctive takes on classical and contemporary theater.
Review: Portland Center Stage’s fresh take on Shakespeare’s comedy is a nimble, playful, genderfluid, and not at all didactic delight.
Portland Center Stage’s deeply moving, don’t-miss production slices through song to the soul of values and life.
Sharon Maroney’s new musical “Audition From Hell” at Broadway Rose takes a breezy but pointed trip into the perils and pitfalls of backstage life.
Center Stage’s premiere of Lauren Yee’s time-tripping “Young Americans” follows three people into the heart and soul of the immigrant experience.
Hip hop and graffiti drive the action in Profile’s production of Kristoffer Diaz’s play about Puerto Rican identity in New York’s gentrifying Lower East Side.
Portland Playhouse’s joyously entertaining production of Pearl Cleage’s play offers a feast of great performances by Black artists.
In a modern twist on Sir Arthur Conan Doyle’s characters, Ashley Song is energetic as Holmes and Kimberly Chatterjee’s Watson embodies many aspects of female experience.
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