From barns to studios, Yamhill artists open their doors
For two weekends, more than 60 wine country artists will open their work spaces to visitors for the 30th annual Art Harvest Studio Tour of Yamhill County.
For two weekends, more than 60 wine country artists will open their work spaces to visitors for the 30th annual Art Harvest Studio Tour of Yamhill County.
This month’s opening of the 250-seat theater makes the Newberg cultural hub one of the largest in the state, as well as an example of the “everything-for-everyone” center that thrives in smaller Oregon cities.
A summer project adds seven works of art to a downtown alley between Davis and Evans streets.
The gallery, in an industrial park, is a sprawling nexus of beautiful, high-end art, savvy entrepreneurship, state-of-the-art technology, and light industry.
Drama, comedy, and music take center stage at Gallery Theater, Linfield University, Struts & Frets Theatre Company, Gather Repertory, and Pentacle Theatre.
August shows also include a family of ceramicists at Linfield University and stories from the forest at the Confederated Tribes of Grand Ronde’s cultural center.
A retrospective of the Seattle artist’s work ranges from artifacts of Fluxus-inspired performance art to encaustic/mixed media pieces that conflate ideas, stories, history, and cosmology.
The Forest Grove artist uses images from old maps and nearly a century’s worth of American magazines to create pieces that range from overstuffed to exuberantly symbolist.
Witte will read May 9 from her collection “A Rupture in the Interiors” during the McMinnville Public Library’s monthly Poetry Night.
The show leads into Linfield’s May 10 Camas Festival, which honors the cultural significance of plants and landscapes important to Northwest Indigenous peoples.
The show of “outsider art” by some 30 creators with no formal training illustrates art in its purest form: Art for the sake of art, art for the artist.
Jazz, string quartet, rock violin and more set the rhythm for the new festival in a music-happy town. Next up, March 20: Peter Eldridge of New York Voices.
The Dutch-born American artist’s retrospective at the Salem museum showcases neon not as a gaudy symbol of advertising but as a key element of art for art’s sake.
Students had a say in picking the artists whose work is featured in the artistically complex and politically engaged exhibition, which runs through March 16 at the McMinnville university.
The 13th annual festival runs Feb. 23-25 with something for everyone — more than 100 films will be screened in 90-minute blocks.
The exhibit, which runs through February, includes both aesthetic and pedagogical components, and has a high “wow” factor. An artists’ reception will be Feb. 16.
The year ends with holiday opportunities to shop local, view art, hear music, or see a play.
The weekly McMinnville gathering, like others around the state, draws participants who say they are both energized and calmed by the practice. “The primitive nature of the drum in the story of humanity,” says one drummer.
The library has weathered budget and staff cuts, an unwieldy inventory, and the pandemic to deliver everything from books to workshops, games, and homeless outreach to the Yamhill County community of 2,200.
The Turkish-born professor populates his politically charged work with images of Donald Trump and Kim Jong Un, Allen Ginsberg and Gollum.
Kulla, part of a team that documented 70 plants around the world, combines her organic-farming and illustrating skills on an international publishing project.
Lemire fell hard for the pipe organ as a child. On Tuesday, he will play his own score to accompany the silent film in McMinnville.
Pieces in a show highlighting the Salem museum’s permanent collection range from a Yangshao ceramic pot and an 18th-century print by Piranesi to work by Oregon artists Arvie Smith, Lucinda Parker, Henk Pander, and George Johanson.
Madeline Sayet’s play, at the festival in Ashland through Oct. 15, strives to reconcile whether an Indigenous person can love the most famous writer produced by a colonial power.
The show, in the McMinnville gallery through Oct. 6, features work by artists from Outside the Frame, a nonprofit that mentors unhoused youth.
From the annual Art Harvest Studio Tour to metal and fiber arts exhibits, a double handful of autumn gallery and studio shows to catch in Yamhill wine country.
Born following a ruckus about “political” symbols in local schools, the professional company — part of Yamhill County’s thriving theater scene — aims to create a safe space for minority communities.
The McMinnville plumber taught himself to paint by watching YouTube tutorials during the pandemic. This fall, he’s teaching classes at Back Door Studio.
Director Katrina Godderz calls Kate Hamill’s adaptation a “wink-wink, nudge-nudge” take on the romantic comedy.
The Portland-based ensemble performs Philip Glass’ science-fiction music drama under the Spruce Goose as the finale to its season exploring the human mind.
After a 3-year pandemic hiatus, the event for writers of all levels returns April 29. Festival participants Emily Grosvenor and Lisa Weidman talk about what to expect.
The Portland artist’s nearly half-century of work is informed by her travels and curiosity about subjects ranging from ecology to Asian art.
The former Oregon resident says the festival, which starts Thursday, is unusual in its focus on celebrating filmmakers and making connections.
The medium is “having a moment in the arts world” due to interest in studio crafts and handmade work, sustainability, and local cultures.
Near Willamina, Joe Robinson has created a haven for ceramicists working with the wood-fired kiln. “When you stand next to a fire,” he says, “you feel like you belong.”
The self-taught McMinnville pyrographer and etcher says creating art is integral to his life. “When it comes to doing what I’m passionate about, it’s close to meditation.”
The Dec. 10 show at the Yamhill Valley Heritage Center features 30 artists who make everything from jewelry to Viking armor.
Theater companies in McMinnville, Salem, and Forest Grove stage holiday plays, including a new “Christmas Carol,” and look ahead to their 2023 seasons.
Judge Henry Hughes calls the work in the 29th collection of poetry and prose “exceptionally high quality,” despite a pandemic hit to the budget and fewer contributions from adults.
Theaters and galleries ramp up for the holidays with a stone-age musical, a new adaptation of Dickens’ classic, art sales, and a Pride Winter Ball.
The 30-year-old event, last held in 2019, takes place on the West Valley Community Campus, an up-and-coming center for art and culture.
More than 100 pieces from the George and Colleen Hoyt collection show that Native art is both contemporary and as much about beauty as utility.
A show at Newberg’s Chehalem Cultural Center focuses on Mexican artisans, many in trades on the cusp of vanishing.
The self-guided tour over two weekends includes 49 painters, sculptors, book and jewelry makers, ceramacists, and fabric artists, among others.
The Portland photographer says she is interested in the “lived history of Black place,” the legacy of Black artists in Oregon who came before.
Coming months also see the return of the Walnut City Music Festival and Art Harvest Studio Tours, as well as Gallery Theater’s season and a Scottish festival.
The Roseburg show of nearly 100 pieces in various media explores the gap between urban and rural Oregon — and strives to bridge it.
The nonprofit offers two-week immersive classes in everything from print-making to Ghanian drumming to performing in a Shakespearean play.
The Scottish painter created images from the Middle East, traveling “at a time when things looked very different,” the exhibition curator says.
Ted Tally’s surreal play about Robert Scott’s ill-fated expedition to the South Pole is seldom staged, but you can see it this month in Salem.
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