

In defense of nonsense: John Vitale at Stephanie Chefas Projects
Entering into the abstract: “I found myself wanting to slide through an imagined gap between several layers as if a door was left ajar. ‘Explore,’ it tempted.”
Entering into the abstract: “I found myself wanting to slide through an imagined gap between several layers as if a door was left ajar. ‘Explore,’ it tempted.”
Art from Tumult: Bev Grant’s Photographic Record
of Radicalized New York, at Reed College’s Cooley Art Gallery.
Like Cézanne’s and Wayne Thiebaud’s, Wolf’s sensory paintings seduce the ordinary by upending our assumptions about reality.
Make our arts journalism possible.