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DeAnn Welker
DeAnn Welker
DeAnn Welker
DeAnn Welker is a writer and editor and a lifelong Oregonian (the sixth generation in her family to be born here). She has three daughters who share her passion for the arts, especially TV and theater. As a journalist, she has written or worked for The Oregonian, Oregon ArtsWatch, Television Without Pity (RIP), TODAY.com, MSNBC.com, and the Anchorage Daily News. She also spent a season working in marketing at the Oregon Shakespeare Festival. Now she spends her days working from home as a proposal manager and most of her evenings and weekends driving her kids somewhere. She also volunteers as a Girl Scout leader for her daughters' troops. She lives in Tualatin with her three daughters, her boyfriend, and their smooth collie, Percy. When she's not at the theater, you'll find her reading, watching documentaries, listening to podcasts, or watching TV (usually a reality show like Big Brother or The Challenge or rewatching Friends).

Dressed for success at Oregon Children’s Theatre

On the surface, the naked mole rat doesn’t seem like a creature with a lot to teach us. But popular children’s author Mo Willems knew better when he wrote the book Naked Mole Rat Gets Dressed, and then adapted it into a

Jane Austen, upended

If you know anything about Jane Austen and/or Sense & Sensibility, you’ll be surprised to arrive at the Armory to find actors mingling on stage in contemporary dress, in what could very well be a modern-day apartment. This continues until the play

Adam Bock tells a true “Life” story

“The truth is so hard to find, and it’s almost impossible to hold onto,” says Nate, the protagonist of A Life, a West Coast premiere at Portland Center Stage. The irony, of course, is that he is absolutely right, and thus has

We are in a play (for as long as it takes)!

Northwest Children’s Theatre’s production of Elephant & Piggie’s We are in a Play! is as silly as you might expect. It is, after all, based on the popular Elephant and Piggie children’s books by Mo Willems, in particular, “We are in a

Order up! “Waitress” hits the spot

It’s amazing that Waitress, the tiny little indie film from 2007 about a pregnant pie-making server in a bad marriage, ever became a Broadway musical. That this story – a rather intimate tale about a simple Southern woman’s life and love –

Theater review: Blood in the snow

“Snow in Midsummer,” at the Oregon Shakespeare Festival, adapts a 13-century Chinese classic to show ageless grief in modern times.

Home, bittersweet home

Opposites repel, and a room in a retirement home becomes contested ground in “Ripcord,” a rip-roaring comedy at Clackamas Rep.

Tomorrow, tomorrow: We love ya

“Never work with animals or children” was the sage actorly advice from legendary actor and comedian W.C. Fields. Luckily for us, Clackamas Repertory Theatre steered far from this piece of advice with its production of Annie at Clackamas Community College’s Osterman Theatre

As You Like It, indoors & out

If the heat of summer has you longing to escape to the cool shade of the forest, you’re not alone: The lovers (both hesitant and willing) in Bag&Baggage’s production of Shakespeare’s comedy, As You Like It, are also escaping to the forest,

‘Romeo and Juliet,’ fresh again

ASHLAND — Romeo and Juliet must be a theater director’s greatest challenge. How does one make what is arguably the best-known play in the English language fresh and new for audiences who have probably seen or read a version or several of

Saving Shakespeare, word by word

ASHLAND — It’s no secret that the Oregon Shakespeare Festival loves Shakespeare’s plays. The company was created 83 years ago to perform his works, and has been doing so ever since. In the past decade, though, it’s also demonstrated a passion for

Love’s Labor’s strikes up the band

ASHLAND – One of the great joys of seeing plays in repertory at the Oregon Shakespeare Festival is seeing the same actors in multiple roles, showcasing the rare abilities of repertory company members. This is on display nowhere more clearly than the

Take a letter, kill a lumberjack

These are not your grandfather’s secretaries. Unless, of course your grandfather was a lumberjack in the fictional town of Big Bone, Oregon, in the 1990s. In that case, the women at the center of this latest Profile Theatre production very well could

A revolution on the stage

Alice Birch’s play Revolt. She said. Revolt again. is impossibly difficult to put into words. And that’s sort of the point. Because words are inadequate to describe, let alone remedy, all of the injustices women face. At least the words we have

Frog & Toad, together again

Oregon Children’s Theatre knows something about what it takes to put on a hit show: the company has been creating magical theater experiences for kids for 30 years. So, no wonder OCT decided to revive its 2013 hit musical A Year with

‘Manahatta’: Twice-told tale

ASHLAND — Manahatta playwright Mary Kathryn Nagle, somewhat surprisingly, is an attorney. She is also a citizen of the Cherokee Nation of Oklahoma. These identities inform her writing, as evidenced in Manahatta, a world premiere at the Oregon Shakespeare Festival, which opened in

Ashland: ‘Oklahoma!’ for today

ASHLAND — Oklahoma! broke new ground when it debuted in 1943: It was the first time Richard Rodgers and Oscar Hammerstein II paired up to create a musical, for starters. If you’re skeptical that it could still break new ground in 2018,

SALT on America’s wounds

Shaking the Tree Theatre, under the artistic direction of the imaginative Samantha Van Der Merwe, incorporates visual art into each of its theatrical performances. With SALT, opening Tuesday for an all-too-brief six-day run, Shaking the Tree is flipping that concept on its