Dmae Roberts

 

Full Circle: a universe of theater

At TCG's national conference in Portland, people of color traded stories on how to build an American theater that includes everyone

I straddle many worlds as a journalist, writer, and media and theater artist. When I interview artists, I often have to pull back from their perspective to gain a more outside view. Yet it’s the inside look that draws me to the work of the artist, and it’s the personal I find fascinating. Crossing lines and boundaries of many worlds is in my DNA. I’m mixed-race. I’m Asian. I’m Chinese or Taiwanese or a person of color, an immigrant, an American. Like all PoCs (People of Color), I switch languages, cultures and sometimes personalities depending on the world I inhabit. I was not prepared to find the worlds presented at Full Circle, the Theatre Communications Group national conference June 8-10 at the Hilton Downtown, so welcoming and meaningful.

Theatre Communications Group’s leaders of color gather for a group shot at TCG’s national conference in Portland. Author Dmae Roberts is near the center in the second row from the top. Photo courtesy Elena Chang / TCG

I don’t generally like conferences, but lately I’ve found ones focusing on racial and cultural issues impact me the most. Last October I forged deep connections with API (Asian/Pacific Islander) theater artists at the National Asian American Theater Conference and Festival (ConFest). I honestly thought TCG would pale compared to ConFest. I was wrong.

I’ve been to enough conference sessions dealing with diversity issues to become skeptical. At one public radio conference, I recall a session on “Unintentional Bias” with great irony when a white executive director of a national radio program barged her way to the head of a line filled with PoCs waiting to comment. She felt defensive and thought nothing of interrupting a Latinx radio producer to tell everyone her network wasn’t biased.

So when I saw the TCG conference had numerous EDI sessions, I was hopeful yet cautious. Equity, diversity, and inclusion, or EDI, has become the phrase of choice when looking at changing the structures limiting the imagination when it comes to hiring practices and the kind of art that’s presented, particularly in theatre. This year’s Full Circle exceeded my expectations.

*

Day 1 – June 8, 2017

On the first day of the TCG conference, I attended TCG’s Commitment to EDI session, which pretty much foreshadowed EDI as the main theme of the conference. I turned to another conference attendee and asked if this was a typical focus for the TCG conferences. The person nodded her head and said it was even more last year.

Continues…