This year’s symposium, in collaboration with the Oregon Bach Festival, features guest artists from Seoul as well as Japanese shakuhachi, Balinese gamelan, and western classical ensemble.
The company’s “Taming of the Shrew” takes a steampunk edge, resurrects the work of a 19th century woman composer, and flirts with the idea that the play was written by a woman.
A major new work from choreographer Suzanne Haag, delayed by the pandemic, arrives at last on the Hult Center stage.
Eugene Ballet’s “Uncommon Woman” brings to the forefront dances by five contemporary woman choreographers.
Biannual event moves online, produces virtual concerts to be released this month.
The project combines condos and a home for Eugene Ballet, plus office space for seven other arts groups.
Anima Mundi’s Ashland-based Heart of Humanity spring concert series stirs up some excitement.
Eugene’s Oregon Composers Forum is taking its Music Today Festival online – with more than 60 new works.
World traveling out of the question? Gary Ferrington’s globe-trotting from home—and sleeping in his own bed.
The Oregon Composers Forum and the arts’ crucial role for individuals and society in troubled times.
Third Angle and Portland artists compose and record free-download “soundwalks” for strolls in the parks.
Experiencing the natural acoustic and visual worlds of Don Latarski.
Eugene Ballet creates the new dance “The Large Rock and The Little Yew” and revives “Alice in Wonderland.”
A new concert series dedicated to bringing world-class musicians and composers to southern Oregon with the purpose of musicially addressing challenging social issues was inaugurated this October when Anima Mundi Productions co-founders, composer Ethan Gans-Morse and poet Tiziana DellaRovere, launched The Heart
There has often been a social and cultural distance between an institution of higher education and the city that surrounds it. This detachment between town and gown dates back to the European Middle Ages when academic and non-academic worlds often eyed each
A new day at Portland’s Lan Su Chinese Garden begins. The morning’s multi-hued sky reflected in a koi filled pond is accompanied by the sounds of birdsong and the gentle trickling of a waterfall hidden in a bamboo alcove. This walled-in botanical
A few years ago, jazz pianist and University of Oregon music professor Toby Koenigsberg approached trumpeter and fellow faculty member Brian McWhorter to help him create a mixed genre concert series he was trying to put together. McWhorter suggested a show in
The University of Oregon School of Music and Dance’s live-streamed Eugene premiere of Ethan Gans-Morse and Tiziana DellaRovere’s chamber opera Tango of the White Gardenia marks a modest milestone in Oregon live music webcasting. (Read Angela Allen’s ArtsWatch review and click here to stream at 7:30 pm tonight,
Although well known for its coastal attractions and the location of one of the world’s shortest rivers, Lincoln City has never been thought of as a destination for opera — let alone a world premiere. That changes this weekend when Cascadia Chamber
The University of Oregon School of Music and Dance, usually empty and quiet during the dog days of summer, is about to become a vibrant soundscape of performers and composers attending the first Beta Percussion International Institute August 4-10 — and you
Give to our GROW FUND.
