Ashland’s Hanson Howard Gallery to close by year’s end
The gallery opened in 1979. Georgina Ruff speaks with owner Élan Chardin about the decision to close and the current state of the Ashland arts community.
The gallery opened in 1979. Georgina Ruff speaks with owner Élan Chardin about the decision to close and the current state of the Ashland arts community.
Access and opportunity are at the heart of the mission of Pendleton Center for the Arts. The mission is especially fitting given that the center’s brick-and-mortar location was originally a Carnegie library.
The biennial features the work of local, national, and international artists at venues across the city. The opening festivities August 24-27 included performances, events, parties, and openings galore. Georgina Ruff reviews.
This cultural hub in Pendleton, Oregon celebrates the past, present, and future of the Confederated Tribes of the Umatilla Indian Reservation. It is also one of the state’s five Oregon Trail Interpretative centers.
The possibilities and dangers of artificial intelligence dominate headlines. Hito Steyerl’s 2019 work, now on view at PAM, probes AI’s capacities in art and narrative.
Joint shows at the Schneider, a solo show of Prest’s work and a group show curated by Prest, offer viewers a meditative moment contemplating abstraction.
The immersive video and sound installation explores mountain tops from a rotating vantage point at varying speeds.
71 porcelain princesses grace Juan Santiago’s exhibition “No Mirrors in this House” at Gambrel Gallery in Ashland. Though cast from a single mold, each figure’s appearance varies due to the mold’s inevitable degradation.
Art Beyond, organized by the Schneider Museum of Art in Ashland, invites viewers to venture out of the gallery and into the beyond.
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