Renewed purpose for people and machines alike
January 25, 2023
Jennifer Rabin finds more than anticipated on a visit to the exhibition “A Call for Light” at the makerspace Past Lives in industrial Southeast Portland.
Jennifer Rabin finds more than anticipated on a visit to the exhibition “A Call for Light” at the makerspace Past Lives in industrial Southeast Portland.
“In My Own Little Corner” immerses viewers in an autobiographical exploration of past and present. Jennifer Rabin reviews.
In her new show, “There is so much I want to tell you,” the artist builds upon her previous explorations with letterpress and hidden text with gossamer layers. The effect is anything but insubstantial.
The unauthorized exhibition debuts in Portland and is slated for a multi-city run. Banksy’s relationship to the art is as murky as the role of the show’s organizers.
In a gallerist’s anti-vaxx crusade and shaming of a Jewish museum, Jennifer Rabin writes, the systems of power reinforce themselves.
What’s behind a major Portland gallery’s decision to pull out of Cascade AIDS Project’s charity auction.
Anya Roberts-Toney’s new show “If She Floats” takes on witches and the art historical canon.
NFTs are typically associated with digital content. What happens when they’re tied to physical objects? Jennifer Rabin explores “New Ownership” at Eutectic Gallery.
1122 Outside may be the perfect post-pandemic panacea. It is a venue for showing art but equally an artist-centered, anti-capitalist community space.
Art institutions have embraced the call for diversity, equity, and inclusion. Jennifer Rabin probes the shortcomings of the approach and offers an alternative.
A group of collectors burned a Banksy print to increase the value of its digital version. Jennifer Rabin sorts it out.
Jennifer Rabin was moved to tears by Sophia Wright Emigh and Jaleesa Johnston’s project “Bodies Apart, Moving Together.” A conversation about the pandemic, art, and finding connection.
Humans are wired to crave attention. We want validation and recognition that our lives matter to other people. But our desire for attention has become bottomless, stretched, and grotesque. I keep reading reports of social media darlings meeting their ends—falling off cliffs
Last week, during the ache and anticipation of the Kavanaugh debacle, the art world had its own to-do. Sotheby’s auctioned off a painting, Girl With Balloon, by the street artist Banksy. A split second after it sold for $1.4 million, its unassuming
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