Jennifer Rabin

Jennifer Rabin is a Portland-based writer, artist, and arts activist who fights for equity and increased funding for the arts. If you want to follow along, please visit https://jenniferrabin.substack.com/.

Renewed purpose for people and machines alike

Jennifer Rabin finds more than anticipated on a visit to the exhibition "A Call for Light" at the makerspace Past Lives in industrial Southeast Portland.

Art Review: Willie Little at Oregon Contemporary

"In My Own Little Corner" immerses viewers in an autobiographical exploration of past and present. Jennifer Rabin reviews.

Alyson Provax at Well Well Projects

In her new show, "There is so much I want to tell you," the artist builds upon her previous explorations with letterpress and hidden text with gossamer layers. The effect is anything but insubstantial.

BANKSYLAND: Where nothing is as it seems

The unauthorized exhibition debuts in Portland and is slated for a multi-city run. Banksy's relationship to the art is as murky as the role of the show's organizers.

Opinion: Froelick controversy spirals downward

In a gallerist's anti-vaxx crusade and shaming of a Jewish museum, Jennifer Rabin writes, the systems of power reinforce themselves.

Froelick, CAP, and the vaccine controversy

What's behind a major Portland gallery's decision to pull out of Cascade AIDS Project's charity auction.

Art review: Anya Roberts-Toney at Nationale

Anya Roberts-Toney's new show "If She Floats" takes on witches and the art historical canon.

Ceramics take on tech

NFTs are typically associated with digital content. What happens when they're tied to physical objects? Jennifer Rabin explores "New Ownership" at Eutectic Gallery.

Art outside: The chickens have left the building

1122 Outside may be the perfect post-pandemic panacea. It is a venue for showing art but equally an artist-centered, anti-capitalist community space.

Diversity and inclusion can’t accomplish what we need

Art institutions have embraced the call for diversity, equity, and inclusion. Jennifer Rabin probes the shortcomings of the approach and offers an alternative.

The value of art: Cats, cryptoart, and morons

A group of collectors burned a Banksy print to increase the value of its digital version. Jennifer Rabin sorts it out.

‘One drop of water in the deep blue sea’

Jennifer Rabin was moved to tears by Sophia Wright Emigh and Jaleesa Johnston's project "Bodies Apart, Moving Together." A conversation about the pandemic, art, and finding connection.

In an attention economy, the critic’s most powerful tool is silence

Humans are wired to crave attention. We want validation and recognition that our lives matter to other people. But our desire for attention has become bottomless, stretched, and grotesque. I…