In this two-part exhibition, curator Merridawn Duckler seeks to tackle the complicated legacy of the historical Land Art movement and consider how artists engage with land in the Pacific Northwest in the 21st century.
The works in Diedrick Brackens and D’Angelo Lovell Williams’ joint show explore Black identity, joy, and liberation.
The paintings in “Emanating” are evocative and lush. They may or may not include representations of Swedish Fish, airplanes, and the hand of God.
Piontek’s photographs explore the intricacies of family, love, and inevitable loss. The title of the exhibition, “Abendlied,” means lullaby or evening song in German, capturing the intimacy of the series.
Elisabeth Jones Art Center reopens as a non-profit focused on social and environmental justice. The inaugural group exhibition centers women’s voices and experiences.
The group exhibition in Stelo’s new space on the Park Blocks features works created during two years of the organization’s papermaking and letterpress residencies.
Mohammed Murshed’s exhibition is a “love letter” to his native Yemen exploring memory, violence, and hope.
Give to our GROW FUND.
