Lindsay Dreyer

Lindsay Dreyer is a dance artist, writer, and administrator from Orange County, CA. She received her Bachelor’s Degree in Dance from the University of Oregon, where she published her thesis, Concurrence: Dance and Music in the Twenty-First Century, regarding the choreomusical relationships seen in Post-Postmodern Dance. Dreyer has been a guest performer with Harmonic Laboratory and Company Movimiento, and performed in collaborations with Eugene Ballet. Since moving to Portland in 2020, she has performed works by numerous Portland-based choreographers including Graham Cole, Carlyn Hudson, Jessica Zoller, Adriana Audoma, and Laura Cannon. She also presented work for the Portland Jazz Composer Ensemble’s Improv Summit in 2022 with cellist Alexis Mahler, and is currently a company dancer with The Holding Project. Dreyer’s artistic practices are founded in a multi-media approach to collaboration.

Dance Review: Oregon Ballet Theatre’s ‘Made in Portland’

Featuring three world premieres by guest choreographers and a special performance by the Jefferson Dancers, this second iteration of 'Made in Portland' demonstrates OBT continues as, under Dani Rowe’s leadership, a creative force in the Portland dance community. 

Dance Review: ‘Beautiful Everything’

BodyVox’s collaboration with Imani Winds is a whimsical and visual spectacle that delighted fans, but missed synergistic opportunities amid the fun.

Dance review: The world premiere of ‘Vespers,’ a collaboration between push/FOLD Dance Company and Portland Symphonic Choir

Choreographer Samuel Hobbs partners with PSC artistic director Dr. Alissa Deeter to create a powerful meditation of voice and movement drawn from ‘All-Night Vigil,’ Sergei Rachmaninoff’s choral masterpiece.

Dance Review: ‘Origami Night’

Graham Cole’s newest production, featuring dramatic lighting design and a joyful solo performance by Elenaluisa Alvarez, struck an incongruent note with the introspective, feminist poetry which was its inspiration.

Dance Review: Ephrat Asherie Dance’s ‘Odeon’ is a joyous, high-energy fusion of movement and music 

The second collaboration between the New York City b-girl and choreographer and her jazz musician brother Ehud Asherie combines street and club dance styles with the vibrant Afro-Brazilian rhythms and sounds of composer Ernesto Nazareth.