TBA Review: Anna Martine Whitehead’s ‘FORCE! an opera in three acts’
Staged as part of the return of PICA’s Time-Based Art festival, Whitehead’s impressive opera explores embodied and emotional experiences around incarceration.
Staged as part of the return of PICA’s Time-Based Art festival, Whitehead’s impressive opera explores embodied and emotional experiences around incarceration.
The paintings and drawings in the artist’s solo exhibition at Adams and Ollman use humor as a vehicle for incisive social reflection. Drawing on social media feeds, they feature everything from human caterpillars to zebra surrogates.
Review: Rawls’ screen-prints at Adams and Ollman Gallery are like a tug-of-war between dance and writing.
Yamamoto’s quietly stunning work of dance at the Portland Art Museum begs to be widely seen.
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