The artist’s glass installation and collages on view at Adams and Ollman explore the ties that bind, both humans to one another and to the environment. Feddersen’s heightened visibility in the art world fits with a larger trend of renaissance for Indigenous art.
The Portland artist and co-founder of the Antler & Talon galleries was a rising star in the arts community. She will be remembered for her unflagging support for artists, her local community, and the environment.
Wolf takes on animals, art history, and textures of all types in eleven new paintings. Shannon M. Lieberman unpacks the many art historical references and visual intrigue.
The collaboratively curated group exhibition “Notes for Tomorrow” tackles complex issues and presents a “network of overlapping solutions.” The art, as well as its curatorial framing, is dense but ultimately rewarding.
The photographs in Blue Sky’s pair of November exhibitions are profoundly different, but Shannon M. Lieberman finds common ground in the artists’ optimism.
Shannon M. Lieberman reviews a pair of shows at Nucleus Portland. One features intimate portraits and the other works in miniature.
Shannon M. Lieberman contemplates the complex and intertwined animal relationships featured in works by April Coppini, Chase, Mullen, and Chris Austin.
The final installment of Shannon M. Lieberman’s series of Oregon-based artists to follow on Instagram
Engaging Instagram accounts by Oregon artists who seek to make the everyday better and more hopeful.
Shannon M. Lieberman’s ongoing series on Oregon artists on Instagram focuses on photographers Saman Haaji, Joseph Blake, and Mariah Harris.
Shannon M. Lieberman talks art and Instagram with Meghan NutMeg, Ernesto Aguilar, and Don Bailey.
Katy Abraham, Stirling Gorsuch, and Aimée Brewer talk about their nature-inspired art and Instagram accounts.
Portland’s Saturday Market helped Aleksandra Apocalisse turn a passion for art into a career
Antler Gallery virtually features works that celebrate quirkiness and whimsy by Tripper Dungan, Lori Damiano, and Kim Slate.
The retrospective at the Hallie Ford Museum of Art doesn’t broadcast political intent but the implications of the artists prints are anything but subtle.
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