CMNW Summer Festival SB FIXED #1, TP, Top
Picture of TJ Acena
Picture of TJ Acena
TJ Acena

Portland: Comics City, U.S.A.

Must be something in the water, or the creative talent pool: We talk with five of this year’s seven Oregon winners of Eisner Awards, the Oscars of the comics industry.

Tales from the traumatic edge

As things fall apart, Keith Rosson’s collection “Folk Tales for Trauma Surgeons” asks readers to hold out hope.

Graphic voices of Guantanamo

Portland writer Sarah Mirk’s new illustrated book tells the tales of lives in limbo at the “War on Terror” prison.

A poet laureate for new times

On Monday, April 27, Governor Kate Brown named Anis Mojgani as Oregon’s 10th Poet Laureate. Mojgani, whose two-year appointment begins May 4, succeeds Kim Stafford, who has held the post since 2018. In a press release Brown praised Mojgani as “the pragmatic

Vision 2020: Joamette Gil

The Power & Magic of an indie comics universe that tells tales of adventure in a nonbinary culture of color.

Boom! Big changes as season ends

The end of a season is always a moment of transition for a company. But for Boom Arts this year the transition will be much bigger than normal. Company founder Ruth Wikler has announced she is stepping down and taking a position

Dreaming about ‘Tomorrow’

The three members of the New York theater ensemble the TEAM don’t call Tomorrow Will Be…, which they’ll present Friday and Saturday in Portland at Boom Arts, a show. “I feel weird calling it one thing,” says Zhailon Levingston. “A person who

Boom update: hold the choir

The last show in Boom Arts’ season of “festive revolutions” was set to be New York-based the TEAM’s Primer for a Failed Super Power. But last week Boom announced in a press release that while the TEAM still will be the final

Boom goes fishing with puppets

Silencio Blanco understands that you can do a lot with a little. The Chilean theater group works with silent puppets, simple constructs of paper, chopsticks, and masking tape to tell deeply empathetic stories. Portland audiences will be able to see its work

Boom Arts: the halftime report

Boom Arts is halfway through its 2018-2019 season, and so far it’s been a season of growth. Kamla Hurst became the risk-taking Portland performance presenter’s very first executive director. The company, which calls itself “a boutique presenter and producer of contemporary theatre

Boom Arts: the executive chair

Kamla Hurst’s first exposure to Boom Arts, the innovative Portland presenting company for which she is now the first executive director, was Adrienne Truscott’s show Asking For It: A One-Lady Rape About Comedy Starring Her Pussy & Little Else! in October 2015.

Penny Arcade, back in town

Ruth Wikler first met Penny Arcade in Melbourne, Australia, in 2016 where Arcade was participating in a panel on political theater. “We got to talking and I learned that she had never performed in Portland despite touring for five decades,” says Wikler,

Boom Arts: puppets from Kiev

In the Paris Theatre in Portland, Oregon, voices break through the darkness in a traditional Ukrainian arrangement. The lights come up on the five members of Teatr-Pralnia, all dressed in mustardy overalls. Next to each of them is a small faceless puppet

“Small Mouth Sounds”: Things left unsaid

Quiet has always been a refuge for making sense of our lives. Whether with a short walk, a weekend in the woods, or a meditation practice, it’s sometimes easiest to find ourselves through purposeful stillness. But for some people that’s not enough.

Boom Arts’ Festive Revolution

Boom Arts is looking to bring a festive revolution to Portland. “We’re coming together to celebrate and turn things upside down,” says curator and producer Ruth Wikler, describing her vision for the company’s seventh season. In a world of constant bad news

Purple is the color of hard-won joy

The Color Purple looms large in America’s literary (and cinematic) canon. Beloved and controversial, Alice Walker’s Pulitzer Prize-winning novel about an African American woman living in the early 1900’s has touched millions. Unsurprisingly, it’s not an easy story. The hardships that the

Listen: talking Native arts & culture

“I make art to perpetuate culture,” Portland artist Shirod Younker told a crowd at The Old Church Concert Hall a few nights ago. Of late, he added, he’s been working on building traditional canoes. “Making canoes helps me understand my community. By

‘Fences,’ then and now

America always struggles to reckon with its racist history. There’s a resistance to bringing up the past. As if history has no bearing on where we are today. As if those who suffered under slavery, or the Trail of Tears, or the

About that turkey of a play …

Going into The Thanksgiving Play at Artists Rep I was prepared for a little laughing and a lot of uncomfortable cringing. I’ve come to expect this from modern satires touching on the traumatic legacies of racism in America. They often punch you in the

‘Hamilton’ in Portland: Historic!

The audience erupted in cheers Wednesday evening as the lights went down in Keller Auditorium and we were instructed to turn off our cellphones. The anticipation was palpable in that moment. I realized, Oh my god. I’m about to see Hamilton. If

‘The Mermaid Hour’ rolls around

When David Valdes Greenwood was workshopping The Mermaid Hour back in 2014 one piece of feedback he got was that the play would be “impossible to cast” because it was “too diverse.” The show centers on a 12-year-old transgender girl and features

Gambling with ‘Macbeth’

If you are a regular theatergoer you’ve probably seen Macbeth. Possibly multiple times. Possibly too many times. But a director with a vision can make a particular production stand out from all the others in your memory. All it takes is some

Long, cold, and worth it

Oregon playwright E.M. Lewis’s new show Magellanica opens with a scientist holding a parka and some luggage. “No one ends up in Antarctica by accident,” she says matter-of-factly. It’s true. Those who head deep into the frozen continent do must have strong

On the run from dystopia

The year is 2089. The people of Tierra Plana live orderly lives along strict lines, both figuratively and literally. Walled off from the rest of the world, the xenophobic nation-state has descended into a totalitarian dystopia. The leaders demand order and cultural

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