TJ Acena

 

Boom! Big changes as season ends

Boom Arts founder Ruth Wikler takes a top circus job in Montréal; Tracy Cameron Francis takes over as the company's new artistic director

The end of a season is always a moment of transition for a company. But for Boom Arts this year the transition will be much bigger than normal. Company founder Ruth Wikler has announced she is stepping down and taking a position as Director of Circus Programming for TOHU in Montréal, Canada.

Boom Arts’ board has selected Tracy Cameron Francis as the company’s next artistic producer. Francis is a first-generation Egyptian-American director, producer, deviser, dramaturge and educator. She is the festival director of the Cascade Festival of African Film and has worked in greater Portland with Milagro, Corrib, Artists Repertory Theatre, Portland Center Stage and Bag & Baggage, and PICA’s TBA Festival.

Tracy Cameron Francis, Boom Arts’ new leader.

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Dreaming about ‘Tomorrow’

Boom Arts 8: The New York ensemble The TEAM talks about "Tomorrow Will Be ...," its new, made-in-Portland show, playing Friday-Saturday

The three members of the New York theater ensemble the TEAM don’t call Tomorrow Will Be…, which they’ll present Friday and Saturday in Portland at Boom Arts, a show. “I feel weird calling it one thing,” says Zhailon Levingston. “A person who is looking for a one-sentence description might need to take a leap of faith.”

Tomorrow is also a switch in plans. Originally TEAM was going to present Primer for a Failed Superpower, an all-ages community concert featuring a multigenerational group of singers performing new arrangements of classic protest songs, for the last show of Boom Arts’ season. But early this year the company announced that TEAM would be presenting a new work, Tomorrow Will Be….

The “Tomorrow Will Be …” team, clockwise from top left: Zhailon Levingston, Orion Johnstone, Nehemiah Luckett, Ben Landsverk.

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Boom update: hold the choir

New York's The Team drops "Failed Superpower" and its community choir from its Boom Arts run in Portland, substitutes a new show

The last show in Boom Arts’ season of “festive revolutions” was set to be New York-based the TEAM’s Primer for a Failed Super Power. But last week Boom announced in a press release that while the TEAM still will be the final artist of the 2018-19 season, Primer for a Failed Super Power will no longer be the show they present. Instead the Team will perform Tomorrow Will Be…, an “interactive evening of song-sharing and community celebration inspired by the TEAM’s choral concert project Primer for a Failed Superpower.”

The Team’s “Primer for a Failed Superpower” in New York. Set to be recreated in Portland with a community choir, it’s being replaced by a new work. The Team photo

The largest difference between the two shows is that Tomorrow Will Be… does not feature a community choir the way Primer for a Failed Super Power did. The new production will debut in Portland, and still involves Portland-based musician and choir director Ben Landsverk. Different guest artists and activists are slated to appear in each of the performances and be followed by a social justice fair.


BOOM ARTS: THE SEASON: UPDATE


As part of our ongoing series on Boom’s season, we’ll talk with the TEAM about this new project and how it’s different from Primer for a Failed Super Power. The performance dates and venue remain unchanged, May 10 & 11 at The Old Church, and tickets are available at Boom’s website.

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TJ Acena has been covering Boom Arts’ 2018-19 season from inside and out for Oregon ArtsWatch. His previous pieces in the series:

  1. Boom Arts’ festive revolution. Embarking on a new season of theatrical celebration and social change.
  2. Boom Arts: Puppets from Kiev. From Ukraine, a 10-day dash of song, theater, puppetry and culture.
  3. Penny Arcade, back in town. Boom Arts brings the celebrated performance artist to town for the second time in a year with an old favorite and some new projects.
  4. Boom Arts: the executive chair. New executive director Kamla Hurst talks about planning, risk, and growth.
  5. Boom Arts: The halftime report. Acena looks back on the first half of the 2018-19 season and ahead to what’s still to come.
  6. Boom goes fishing with puppets. “Puppetry is a way of looking at acting,” Dominga Gutiérrez, co-founder of the Chilean troupe Silencio Blanca, tells Acena.

Silencio Blanco understands that you can do a lot with a little. The Chilean theater group works with silent puppets, simple constructs of paper, chopsticks, and masking tape to tell deeply empathetic stories. Portland audiences will be able to see its work Pescador/Fisherman at Imago Theatre the first two weekends of February as part of Boom Arts’ “Festive Revolutions” season.

Fisherman at work in “Pescador.” Silencio Blanco photo

The group didn’t set out to do puppetry. Co-founders Dominga Gutiérrez and Santiago Tobar were students at the Theater School of the University of Chile and interested in questions of acting and expression. Puppets, they discovered, provided a good way to explore the questions.

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Boom Arts: the halftime report

In the fifth chapter of his season-long look at the world-performance company, TJ Acena takes the midseason temperature and looks ahead

Boom Arts is halfway through its 2018-2019 season, and so far it’s been a season of growth. Kamla Hurst became the risk-taking Portland performance presenter’s very first executive director. The company, which calls itself “a boutique presenter and producer of contemporary theatre and performance from around the world,” brought Teatr-Pralnia, a 10-person performance group from Ukraine, to Portland. And it brought back Penny Arcade, one of America’s most respected performance artists, for an encore show.

The Ukrainian performance troupe Teatr-Pralnia raised the roof. Photo: Friderike Heuer

So far, so good. “Pralnia delighted us with a fabulous show,” says producer Ruth Wikler. “Word of mouth traveled over the week they were in town and our audiences literally quadrupled between the first and second weekends.” She was also pleased with the community-engagement programming: a workshop with students of theater and of Russian language and literature at Salem’s Willamette University; a program at Central Library; and a visit to Art & Learning Studios, where the artists made connections with adults with developmental disabilities, including native Ukrainian speakers.

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Boom Arts: the executive chair

As the Portland presenter of innovative world performance grows, Kamla Hurst steps from the board into the executive-director post

Kamla Hurst’s first exposure to Boom Arts, the innovative Portland presenting company for which she is now the first executive director, was Adrienne Truscott’s show Asking For It: A One-Lady Rape About Comedy Starring Her Pussy & Little Else! in October 2015. It wasn’t like anything else Hurst had seen in Portland. The show stuck with her and she started following Boom more closely. “A lot of stuff that’s brought by presenters is very finished polished work with large budgets,” she said. “Boom has a more grassroots feel. It’s not a spectacle.”

Hurst saw an organization bringing interesting voices and stories to Portland and leveraging them in the community in meaningful ways. Her belief in the company’s work lead her to approach Ruth Wikler, producer of the company, to join the board.

Kamla Hurst, Boom Arts executive director. Photo: Friderike Heuer

Last year Wikler came to the board and suggested creating an executive director position. “The board has known for a while that Boom Arts’ path to sustainability includes hiring full time leadership/management staff,” said Wikler. Thanks to some funds from capacity-building grants Boom had received from Oregon Community Foundation and Oregon Cultural Trust, the organization was ready to make that move.


BOOM ARTS: THE SEASON: 4


It was decided that the position needed to be established by the start of the 2018-19 season in fall. Because of the short timeline the process was fast-tracked and the board decided the first director would be an interim. Hurst was invited to apply, and was eventually accepted.

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Penny Arcade, back in town

The performance artist, a hit in Portland a year ago, brings her gentrification show and a pair of new works for a three-day Boom Arts run

Ruth Wikler first met Penny Arcade in Melbourne, Australia, in 2016 where Arcade was participating in a panel on political theater. “We got to talking and I learned that she had never performed in Portland despite touring for five decades,” says Wikler, producer and curator of the presenting company Boom Arts. “I offered to rectify that!” She was thrilled to get the legendary performance artist to Portland the next season.

Watching the audience reactions to Arcade’s February 2018 show Longing Lasts Longer, a critique of New York’s gentrification, Wikler knew that Portland hadn’t gotten enough of the Arcade. “Sometimes we see audiences leaping to their feet for standing ovations the minute the show ends, night after night,” says Wikler. “That’s when we realize that the one- or two-weekend run we planned just wasn’t enough.” So Wikler has asked Arcade back this season for an “encore performance.”

Penny Arcade, in a Boom Arts performance in February. Photo: Friderike Heuer

The last artist Boom Arts brought back was dancer/acrobat/comedian Adrienne Truscott, in 2016. “The pleasure for me as a curator making that kind of invitation to an artist was that it signaled an evolution in our presenter/artist relationship, in which I could engage with her oeuvre, her body of work, not just with the show with which she had had significant touring success,” says Wikler. “Our invitation to Penny is very similar. It’s an invitation for her to evolve with us; it’s a gesture of faith, support, and championship.”


BOOM ARTS: THE SEASON: 3


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