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PICA’s TBA:24 festival, spreading across the city Sept. 5-22, boasts a busy lineup including Linda K. Johnson’s “PASTfuture,” presented in part by her ongoing “Mycelium Dreams” project.
Oregon dance meets fall with a flourish of events, from BodyVox’s open floor night to TBA Fest, dance from India, world premieres, the Portland Dance Film Festival and more.
The festival at New Expressive Works was a profoundly satisfying sensory feast of symphonic sound, stunning visuals, superb dancing, and thought-provoking intellectual stimuli.
The Portland dance company and its sister troupe LED Boise stir up a kettle of contemporary dance, spicing the broth with a fog machine, a splash of milk, street dance, gender play and more.
For the first time in the history of the Olympic Games, hip-hop’s b-boys and b-girls join the crowd of competitors. A few Portland breakers have some things to say about that.
Greater Portland’s August dance schedule is busy — and a lot of it’s happening in the great outdoors in parks and squares and other public spaces.
Sitka’s success has inspired a new dance program in the Knappa School District to be taught by Astoria Arts and Movement Center instructors.
After 13 sterling years with Oregon Ballet Theatre, the 38-year-old character dancer finishes his career to a shower of bouquets, balloons, and cheering applause. He earned every bit of it.
With the sun shining, Oregon’s dance scene skips happily into the great outdoors (and a few indoor performances, too).
Featuring three world premieres by guest choreographers and a special performance by the Jefferson Dancers, this second iteration of ‘Made in Portland’ demonstrates OBT continues as, under Dani Rowe’s leadership, a creative force in the Portland dance community.
As summer approaches, Oregon’s dance scene brings a broad array of statements and styles to the party.
A heady program of dances and dance films created by women is a vibrant and successful beginning for what should become an annual event.
An exhilarating, if unconventional, look at the rise and fall of empires – historical, contemporary, urban, political, and even our own personal domains – through dance theater.
More than 90,000 votes helped the nonprofit gain funds to restore the long-neglected building, where the majestic ballroom now hosts classes ranging from ballet to Zumba.
A new four-day showcase of talented and innovative women choreographers from Oregon and Washington features both live dance performances and films.
Choreographers Marissa Rae Niederhauser and Ashley A. Friend premiere pieces in which movement intuition and nuance guide the work.
BodyVox’s collaboration with Imani Winds is a whimsical and visual spectacle that delighted fans, but missed synergistic opportunities amid the fun.
A busy bloom of storybook ballets, world premieres, film festivals and experimental dance is highlighted by a festival featuring the work of women choreographers.
The acclaimed high school dance company surprises and delights with a packed program of original choreography performed with energy, versatility, and joy.
![Dancers performed physically demanding duets and trios as they connected and disconnected throughout Rafael Bonachela's "ab[intra]." Photo: Pedro Greig.](https://i0.wp.com/www.orartswatch.org/wp-content/uploads/2024/04/ab_intra_210605_205_hires_byPedroGreig-1-1.jpg?fit=600%2C400&ssl=1)
The Australian dance company closed White Bird’s season with a bold performance, as the powerful and confident dancers brilliantly executed Rafael Bonachela’s technically demanding choreography.
Portland’s longest running dance company celebrates their 48th season at their annual performance, as artistic director Steve Gonzales marks his 25th year leading the nationally recognized high school dance program.
The 10th cohort of Alembic Resident Artists presented their new experimental dance pieces to a sold out crowd of fans, friends, and family at Performance Works NW.
The premiere of Dani Rowe’s chorus girl love story joins works by choreographers Ben Stevenson and Yue Yin for a diverse night of classical ballet and modern and theatrical dance.
The contemporary dance company presented the world premiere of works by three internationally recognized guest choreographers, each of whom explored the theme of secrets in distinctly different ways.
Two-time GRAMMY® nominee and New York-based musician Bonham joins EB resident choreographer Suzanne Haag in a collaborative performance of song, sound, and movement, April 6 and 7.
The dance photography of Jingzi Zhao kicks off a busy month that also features contemporary, collaborative, experimental and aerial works and the chance to see elite student performers.
The Keller Auditorium audience was repeatedly brought to their feet as the Ailey company dancers dazzled with exhilarating performances of both contemporary choreography and Ailey’s own iconic “Revelations.”
Presented at the 2024 Portland Jazz Festival, SKC’s latest world premiere promised to transcend artistic boundaries with innovations that take dance and sound in a new dimension, though delivered a more puzzling traditional concert dance experience.
The performance space by the railroad tracks in North Portland and the Butoh-inspired company Water in the Desert whisper their farewell to the Portland scene.
In its enrapturing show, ‘I Didn’t Come to Stay,’ this acclaimed tap and live music company celebrated the depth and virtuosity of tap’s Afro-diasporic roots.
Seven of Portland’s local dancers come together for an evening of solos, duets, trios, quartets, and quintets that reflect love and camaraderie.
As the Oregon dance card fills up for a busy month of movement, a performance space goes away and another springs to life.
Exploring life’s transitions and one’s quest for self-actualization through an Afrocentric lens, new and re-staged works by Oluyinka Akinjiola, Derrel Sekou Walker and others find fellowship along the way.
Melding dance, videography, music, poetry, and even virtual reality, ProLab Dance world-builds with ocean.
Trey McIntyre’s lush and lavish version for Oregon Ballet Theatre of J.M. Barrie’s classic fantasy is a treat for the forever young and those who grow up, too.
This weekend two classic works of 20th century American literature come to life in the form of 21st century ballet.
Differing senses of time, space, movement, image and meaning were coordinated by artistic leaders Alissa Deeter and Samuel Hobbs in their dazzling recent performances at The Reser.
Finding a community model for their crowd-sourced choreography helped the Eugene dance company connect with donors, partners, and the public, and build sustainable financial support.
Jamuna Chiarini looks back on December and January shows and ahead to February’s dance, from BodyVox’s “Flights” to Rejoice!’s “Rites of Passage” to OBT’s “Peter Pan” and more.
Choreographer Samuel Hobbs partners with PSC artistic director Dr. Alissa Deeter to create a powerful meditation of voice and movement drawn from ‘All-Night Vigil,’ Sergei Rachmaninoff’s choral masterpiece.
A new take on the liturgical work, from choral director Alissa Deeter and choreographer Samuel Hobbs; also, Chanticleer returns to Oregon.
From dancerly Broadway musicals to Éowyn Emerald’s return to a Bantu circus, a mystical being from Buenos Aires, Linda Austin’s birthday bash and more, 2024 kicks off in grand style.
Graham Cole’s newest production, featuring dramatic lighting design and a joyful solo performance by Elenaluisa Alvarez, struck an incongruent note with the introspective, feminist poetry which was its inspiration.
From a magnificent dancerly takeover of Zidell Yards to a push/FOLD contemporary festival to her own solo Odissi show, our DanceWatch columnist steps deftly through a busy year.
For this dance teacher and Contact Improvisation devotee, gender and movement are fluid: “We are in constant motion—that’s life. We’re constantly evolving. We are the transition.”
The recently appointed artistic director brings a new sense of energy and magic to the familiar holiday classic.
From the rhythms of tap to the glories of Nijinska to “Why Dance Matters” and more, Martha Ullman West prepares a list of great dance reads just in time for giving.
Every year, the holiday classic provides aspiring young dancers from the Willamette Valley to Alaska with their first experience of the world of professional ballet.
Part Two of choreographer Amy Leona Havin’s “Precious Cargo” adds more dance to its poignant look at shifting landscapes, memory, and the urgency of life.
The Portland dance company continues their 20th anniversary season with a winter showcase of new works by five Portland-based women choreographers, including Carla Mann and Andrea Parson.
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