The Portland Ballet fall enrollment 2022
Dance
The Portland Ballet fall enrollment 2022

For stories published before 2018, visit our archive site.

Dance review: The gender dynamics in OBT’s Man/Woman

By HEATHER WISNER Questioning gender politics in the tradition-minded and competitive world of ballet “can feel particularly risky—both emotionally and career wise,” former New York City Ballet principal dancer Wendy Whelan told The New York Times in January. She was speaking after

DanceWatch Weekly: Kevin Irving on Man/Woman

Man/Woman, Oregon Ballet Theatre’s program of five ballets that juxtapose all-female ballets and all-male ballets to explore gender stereotypes, opens tonight. The program includes The Dying Swan, a solo for a female dancer by Michel Fokine; a new commissioned work called Fluidity

Eugene Ballet preview: dance of the mountain king

By GARY FERRINGTON When Eugene Ballet  artistic director Toni Pimble decided to stage Peer Gynt, she faced a daunting challenge: transforming poetry into dance. The company had already proven it could dream big when it comes to creating major new works for the professional stage. Last

Stephen Petronio: Past and present

Stephen Petronio returned to Portland’s Newmark Theatre four years after his company danced the haunting, longform piece Like Lazarus Did. This time, his company performed a concert that included both a recent, original work and a set of iconic and influential pieces

DanceWatch Weekly: My vacation to Japan

I have just returned from a week in Japan, and I am in an elated, exhausted, jet lagged, watery, impermanent state of being neither here nor there. My mind is still navigating Japan, but I am physically back in the beautiful, blossoming

Dance review: Katie Scherman at BodyVox

The title of Katie Scherman’s new dance, the last piece in her retrospective concert at BodyVox this weekend, is To Have It All, and reading through Scherman’s bio, your first thought might be, hey, she does have it all! Multiple degrees, an

DanceWatch Weekly: Katie Scherman on having it all

Today is the first day of spring. It’s bright and sunny but cold, and I am meditating on the movement style and choreography of dance artist and BodyVox artist-in-residence Katie Scherman. Scherman’s company, Katie Scherman + Artists, an all female cast collected

Love, loss and lying in NW Dance Project premieres

By HEATHER WISNER Adapting Ibsen’s dark drama Hedda Gabler for dance is an ambitious undertaking: that much is clear when you’re greeted by two pages of program notes explaining the plot as you settle in for the world premiere of NW Dance

Dance review: Jesús Carmona’s reinvention of flamenco

By HEATHER WISNER Pure happiness doesn’t seem to exist in flamenco; a hint of melancholy, a sense of world weariness, suffuses the music and the dance. But there is pure happiness to be found in watching flamenco, especially when it’s done very

DanceWatch Weekly: Sarah Slipper choreographs ‘Hedda’

It’s all about liars these days. Recognizing them, calling them out, keeping them in check. It’s the new reality. What truth is, has shifted for some, but truth is fact, it doesn’t shift. Only the shifty shift. And, this week’s two premieres

Jessica Lang Dance: Classically modern

This weekend, Jessica Lang Dance, which Lang founded in 2011, visited Portland for the first time. A Juilliard graduate, Lang is a former member of Twyla Tharp’s company, THARP!, and is widely recognized as one of the most talented choreographers of her

DanceWatch Weekly: Jessica Lang and Jesús Carmona

Two White Bird shows—New York-based Jessica Lang Dance Company and Compañia Jesús Carmona from Barcelona—bookend this week’s performance schedule. Both choreographers defy categorization, and their hybrid choreographies draw heavily on lighting and visual elements to craft their story. Jessica Lang, artistic director

Urban Bush Women: ‘We’re going on a journey’

Urban Bush Women returned to the White Bird Uncaged series with a new work this weekend, Hair and Other Stories. The company’s first work with stage director Raelle Myrick-Hodges, this ambitious, multidisciplinary performance is definitely about hair and definitely about those “other

DanceWatch Weekly: Welcome to Urban Bush Women

This week I am excited to introduce you to Hair and Other Stories, a new collaborative work by Brooklyn-based Urban Bush Women (UBW). The piece blends dance, theatre, voice, and visual elements, focusing on hair and specifically African American women’s hair, and

Oregon Ballet Theatre locates the wonder in ‘Wonderland’

By HEATHER WISNER Tiny girls in poofy party dresses spun circles around steam punks sipping coffee in the Keller Auditorium lobby this Sunday, in a scene to rival the afternoon’s main event: Alice (in wonderland), which Oregon Ballet Theatre has mounted for

Dance review: It was 51 years ago today

By HEATHER WISNER I was working at SF Weekly in the mid-’90s when the Mark Morris Dance Group brought The Hard Nut, its take on The Nutcracker, to UC Berkeley. When the review came in from a freelance writer, the copy editor

DanceWatch Weekly: Dance apocalypse

It’s down the rabbit hole and into the land of the Beatles with Oregon Ballet Theatre’s Alice (in wonderland) and Mark Morris’s Pepperland (respectively), and oh, so muchly much more in between. Fifteen performances to be exact. Fifteen, completely different dance shows to

With Amorphous, DownRight Productions asks, ‘What If?’

By HEATHER WISNER The new performance-presenting venture DownRight Productions—co-directed by dancers Anna Marra and Emily Schultz—debuted at Headwaters Theatre February 15-18 with Amorphous, a program designed to showcase local talent working at the intersections of dance, art, music, and film. It felt

DanceWatch Weekly: Move it, own it

Because it’s Valentine’s day/week, and love is in the air, I thought I would reflect on loving relationships in regards to dance, more specifically my evolving relationship with dance, with our bodies, why I think we should all dance, and how I

DanceWatch Weekly: Intersecting with India 2

Since Saturday night, I have been riding on a blissful cloud of happy after seeing 17 Indian dance groups from the Northwest and beyond perform as part of Nritsovava, a fundraiser for Kalakendra. The Portland-based organization founded in 1987, that promotes the