FAMILY

Coast calendar: The light shines on youth

The work of young filmmakers, stories inspired by Cinderella and Dr. Suess, and a documentary about Anne Frank are among coastal offerings

February 25, 2020 // COAST, FAMILY, FILM, OREGON //

It’s film festival time in Manzanita, and the light is shining on young filmmakers from around the world. Each of the short films to be screened Friday was honored last year at the Gateway Film Festival, organized and hosted by students and Media Arts Department faculty at Pacific University in Forest Grove. Professor Jennifer Hardacker, who has shown her own films at the Hoffman Center for the Arts, will attend the screening to discuss the films. Showtime is 7:30 p.m. Feb. 28 in the Hoffman Center. Admission is $7. Films to be shown are:

  • Let.Go.Before.Trying, by Anna Mendes of Ashland
  • Istanbul: Home Away From Home, by Selin Tiryakioglu of Florida
  • Double Vida, by Sharlany Gonzalez of the Dominican Republic and Maryland
  • 63 Miles Away, by Emma Josephson of Portland
  • Writer’s Block Party, by Gabriella Sipe of Olympia
  • The Quiet, by Radheya Jegatheva of Australia
  • She, by Felix Koble of South Africa
  • Beacons of Portland, by David Pascual-Matias of Portland
  • Irony, by Radheya Jegatheva of Australia
Mel Brown
Mel Brown will lead his jazz quartet in a concert during Nehalem Winterfest.

NEHALEM IS PREPARING for the annual Nehalem Winterfest March 6-8. Performers are: the Marlin James Band, a country/rock group with influences ranging from Eddie Van Halen to George Strait, at 7 p.m. Friday; Eagles tribute band Eagle Eyes at 7 p.m. Saturday; and legendary Portland jazz band the Mel Brown Quartet at 2 p.m. Sunday. Performances are in North Country Recreation District Performing Arts Center. Tickets range from $18 to $29 and are available here.

Continues…

Nine short takes on 85 short films

With subjects ranging from Indian relay horse-racing to Newberg's own 99W drive-in, there's a lot to like in this weekend's McMinnville Short Film Festival

February 19, 2020 // CULTURE, FAMILY, FILM, OREGON, YAMHILL //

The McMinnville Short Film Festival will unveil more than 80 films this weekend, beginning Friday night, and even the very limited sneak preview I got — “only” a couple dozen films — was enough to leave a variety of impressions along with a few thoughts about the state of cinema as an art form and the cultural health of Yamhill County.

In the spirit of the event, I’ll present these random thoughts, observations, and impressions in a series of easily digestible short takes.

“Eat the Rainbow,” in the Experimental/A Bit Strange block Sunday, is a musical fable about an odd-yet-kind man who becomes a disruptive force when he moves into a conservative suburban neighborhood.

THE FESTIVAL IS A SIGNIFICANT YAMHILL COUNTY EVENT. Just shy of a decade old, it has emerged as one of the more ambitious cultural undertakings in the area, arguably in the same league with infrastructure projects such as Newberg’s Chehalem Cultural Center as well as the more recently launched Aquilon Music Festival, which runs several weeks. The film festival started small and rather anonymously with a few screenings and has  blossomed into a three-day extravaganza that fills McMinnville Cinema 10’s largest auditorium with often-breathtaking work from around Oregon, the United States, and the world. Founders Dan and Nancy Morrow set out to make it a filmmaker-friendly event. If the testimonials of film artists (many of whom come to talk about their work) are any indication, it is indeed that. But it’s also something that ought to have mass appeal to mainstream audiences (not just cinephiles) and those who perhaps don’t get to the theater as much as they used to. Bottom line, locals haven’t really discovered this thing yet in large numbers. They need to.

“Word on the Street” is a one-joke comedy in the style of film noir that dazzles with a clever, rhyming, linguistic hook. One might say it’s an interesting presentation of cinematic experimentation that’s likely to win your admiration.

THERE’S NOTHING NEW HERE. By that I mean: Cinema started as a short-format medium. When the National Film Preservation Foundation released the first of its many American Treasures collections in 1997, the package squeezed 50 films from the earliest days of filmmaking onto four DVDs. Most ran 10 minutes or less and some ran little more than a minute or two. The Academy of Motion Picture Arts and Sciences awarded its first film-short Oscar in 1932 — to The Music Box, a Laurel and Hardy flick about the pair trying to move a piano up a flight of stairs. Under one name or another, live-action short films have had their own category at the Oscars since 1957. Thanks to a variety of streaming services, it’s never been easier to see them.

SO MANY CHOICES, BUT SO EASY TO CHOOSE. The single best thing about this year’s festival is that it’s easy to see precisely what you want. For three days starting Friday at Linfield College, 85 films will be shown in nine screening blocks organized by theme. Documentary-lovers need not be subjected to horror films; animation fans will find their thing in a Saturday afternoon block; those with an interest in the environment or Indigenous stories and issues will find most of those films in separate screening blocks.

Continues…

Fishers of poetry

Nearly 100 commercial fishermen and women will share poems, stories, and songs during the 23rd annual FisherPoets Gathering next week in Astoria

February 19, 2020 // COAST, FAMILY, LANGUAGE ARTS, OREGON //

I had been on the Oregon Coast just shy of five months when I learned of the FisherPoets Gathering. I’d never heard of fisher poets, much less a gathering for them. But I must have been intrigued all those 19 years ago, because I drove the 130-odd miles up U.S. 101 to Astoria, a place I’d never seen.

That was the fourth year of the gathering, which celebrates the commercial fishing industry in poetry, prose and music. Even then, the Wet Dog Café venue was filled to overflowing. I returned several years for more, and nearly two decades later, the poems — though not necessarily the poets’ names — stay with me.

There was the young guy who hired on with a fishing vessel only to show up at the dock on the appointed day to find the skipper had headed out a day early. Not long after, he learned the entire crew perished when the vessel capsized. One woman talked of the time her boat burned on Thanksgiving, destroying everything, which wasn’t much in the first place. I made friends with Dave Densmore, who read Skeeter’s Song, the story of the day he lost his son and his father when they took Skeeter’s boat out for a quick cruise on the bay and never returned. It was Skeeter’s 14th birthday.

Besides writing poetry, FisherPoets founder Jon Broderick plays guitar, banjo, and occasional tin whistle. Photo by Patrick Dixon, courtesy FisherPoets Gathering

This year marks the 23rd FisherPoets Gathering, which takes place the last weekend of February at multiple venues around Astoria. Nearly 100 poets, storytellers and songwriters will share tales beginning Feb. 28. Event buttons, good for all weekend, are $20 and available at the door.

The gathering was fisherman Jon Broderick’s idea, earning him the title of “founder,” but only, he says, because he made the first phone call. That was to John van Amerongen, then-editor of Alaska Fisherman’s Journal, who frequently published the work of fisher poets in the magazine.

“I called to see if he had addresses for me,” Broderick recalled. “He did. Forty addresses. I contacted all of them. Thirty-nine said yes. Everybody I called said, ‘Let me talk to someone else.’ One person called another. We never talked to anybody who didn’t think it was a great idea. By word of mouth it spread. We never had to twist anyone’s arm.”

Broderick, whose family has fished for salmon in Bristol Bay, Alaska, for three decades, was already writing poetry, but his motive in putting together the gathering was not so much to foster literary pursuits, but friendship.

“Commercial fishermen are tightly knit, but far flung,” Broderick said. “You lose track of people. These are people … they’ve sunk boats, gone aground. They’ve had to deal with hardship and figure ways to carry on. That kind of resiliency is typical of commercial fishermen. Of course, this was all in the days before social media, and if you wanted to get together, you needed an occasion. I invited my friends to get together and read poems. Everybody came and they brought friends.”

Continues…

Raúl Gómez: Living in a world of optimism

The Metropolitan Youth Symphony director talks full STEAM ahead about the vital positive links among science, education, and the arts

January 20, 2020 // CULTURE, ED, FAMILY, MUSIC //

[Editor’s note: Gómez, music director of the Metropolitan Youth Symphony, delivered a version of this essay as a speech to Intel employees in November 2019. It has been updated, and edited for length. See also Vision 2020: Raúl Gómez, Brett Campbell’s interview with Gómez in ArtsWatch’s Vision 2020 series.]

*

By RAÚL GÓMEZ

I live in a world filled with optimism. The reason is that I work with young people in the arts. Every Saturday, more than 500 students come to Metropolitan Youth Symphony rehearsals in Portland and Hillsboro. I get to conduct two out of fifteen ensembles at MYS. One of these ensembles is our most advanced full orchestra: MYS Symphony Orchestra. These are highly gifted young musicians, playing near or at professional levels, many of whom have made their ways up the ranks at MYS,  from our youngest entry-level orchestra to our top group, which recently came back from touring Italy and Austria.

These young musicians fill me with optimism every Saturday, because they walk in the door, they say “hi” to their friends from different schools, chat a little bit, then they sit down, we tune, and then, for three hours, they’re laser-focused on slaying some of the most challenging and rewarding orchestral repertoire there is. This include masterworks like Beethoven Symphony No. 7 or Stravinsky’s Firebird Suite, and brand-new music by their peers: local, young composers from Oregon. 

THE ART OF LEARNING: an occasional series

My world is filled with optimism because after rehearsal, these kids go back home, hopefully rest and get some sleep, and then proceed to make it through their weeks at home, school, and their communities with the same focus, leadership, team spirit, and excellence that they exhibit in the orchestra. I go back home –exhausted and depleted of physical energy after rehearsing two ensembles for six hours – but on such a high. Five hundred-plus kids in Portland and Hillsboro just spent hours, under the leadership of an amazing team of conductors and coaches, doing what neuroscientists are calling “the brain equivalent of a full-body workout.” 

MUSIC & BRAIN DEVELOPMENT

As somebody who is a professional musician and as somebody who works in music education, I am very aware of the many benefits that music brings to anybody who engages in some kind of music-making on a regular basis. Music performance, music education, and the arts in general are good for the brain, and they are a booster for creativity and discipline. 

There are many studies, articles, scientific and scholarly publications about the correlation between music education and academic achievement. Students who participate in music score substantially higher on many standardized tests of math, reading, and writing, and in other measures of academic achievement and skill development.  

In the last few decades, neuroscientists have made great breakthroughs in understanding what music does to the human brain. A video publication by Dr. Anita Collins, a music educator in Australia, addresses this beautifully.

She explains that neuroscientists are able to monitor how our brains work with instruments like Functional Magnetic Resonance Imaging and Positron Emission Tomography scanners. They monitor the brains of people who are doing activities like reading or solving math problems, and different areas of the brain are activated. However, when they monitor people listening to music (not even playing, just listening) multiple areas of the brain light up at once. The scientists compare it to fireworks.

Continues…

Vision 2020: Raúl Gómez

Engaging the big issues: In a troubled world, the Metropolitan Youth Symphony leader says, schools need to teach the empathy of the arts

January 19, 2020 // CULTURE, FAMILY, MUSIC, VISION 2020 //

“One of my priorities has always been to promote and empower young musicians, to give voice to living composers,” Raúl Gómez-Rojas told ArtsWatch in 2018. Now in his fourth season as music director of Portland’s Metropolitan Youth Symphony, Gómez has firmly placed MYS in the forefront of classical music’s development by connecting tomorrow’s classical musicians with today’s music — including music composed by MYS members themselves. Last year, MYS partnered with Portland new music ensemble FearNoMusic’s Young Composers Project in a commissioning program, The Authentic Voice, which gives local, student composers an opportunity to write for and hear their work publicly performed by full symphony orchestra, while giving ensemble musicians a chance to play never performed music by their peers. This year, the program includes three symphonic commissions, each receiving a world premiere at Portland’s Arlene Schnitzer Concert Hall, eight YCP student arrangements of film scores for full orchestra, and other opportunities for readings and performances of works by younger composers with other MYS ensembles.

VISION 2020: TWENTY VIEWS ON OREGON ARTS

At MYS, the Costa Rican native  works with conductors, coaches, staff, families and more than 500 students in 15 orchestra, band and jazz ensembles. Last year, the League of American Orchestra’s 2018 Bruno Walter National Conductor Preview chose Gomez as one of six conductors honored for their “experience, talent, leadership, and commitment to a career in service to American orchestras.”

Raúl Gómez conducting the Metropolitan Youth Symphony. Photo: R. Kobell

Continues…

McMinnville gallery showcases young at art

A student show at The Gallery at Ten Oaks provides an encouraging snapshot of arts education in Yamhill County

January 14, 2020 // CULTURE, FAMILY, OREGON, VISUAL ART, YAMHILL //

Conventional wisdom — to the extent that there still is such a thing in our highly mediated, hyper-compartmentalized, and socially fractured world — is that arts in the public schools have taken a beating over the years. New football stadiums and practice facilities seem to get built with no problem or objection, but teachers and parents often are forced to scrape together resources on the fundraising circuit just to bring in a professional artist for a week.

“The Look” by Gemma Bell, age 17, Delphian School (acrylic, 16 by 16 inches)

In actuality, the picture obviously varies — from district to district, from school to school — but the show that opened last week in The Gallery at Ten Oaks in McMinnville provides a snapshot of the state of arts education in Yamhill County, and it’s encouraging.

For the second year, owners Dan and Nancy Morrow have opened the premium first-floor display space in their gallery to students. Last March, they invited McMinnville High School students to submit work, and they felt the show was successful enough to merit bringing in all Yamhill County high schools this year. “The students who came to the reception last year were so jazzed,” Dan said. “Nancy had name badges for every student. It’s those little things. It’s like, ‘Look, you’re here at a reception and people are coming to see your work on the wall.’”

Paintings, drawings, and ceramics by artists who attend high schools in Yamhill-Carlton, Amity, and Sheridan (as well as the private Delphian School) will greet visitors to the gallery through Feb. 2, and a reception will be held at 6 p.m. Wednesday, Jan. 15. Art by McMinnville and Newberg students will be showcased starting Feb. 4, with the reception set for 6 p.m. Feb. 12.

“Girl Falling” by Abby Renee Hornsby, Sheridan Middle School Grade 8 (digital art, 11 by 14 inches)

I recall being impressed with the overall quality at last year’s show, and the same holds true this time. Several portraits of young women by Delphian students stand out. My eye kept drifting back to a couple of delightful acrylics by 15-year-old Chloe Latch. Another acrylic, by 17-year-old Delphian Gemma Bell titled The Look, seems to challenge the viewer to come up with a word that describes just what that look (the girl’s expression) actually means, what sort of emotional and cognitive state is going on there. It’s nuanced, complex, and contradictory. This piece, along with several others, could easily be relocated upstairs with the pros.

Continues…

Vision 2020: Sean Andries and Carissa Burkett

Leaders of Newberg's Chehalem Cultural Center look forward to more performing arts, celebrating diversity, and exploring culture through a new culinary center

January 14, 2020 // CULTURE, FAMILY, NW, VISION 2020, YAMHILL //

The Chehalem Cultural Center in Newberg would be a remarkable resource even in the culturally rich neighborhoods of Portland. That it happens to be in rural Yamhill County serves as an inspiration to any community that seeks to create space for the arts.

Sean Andries, the center’s director, has been at the cultural center for two years following previous roles with Portland Center Stage and the Circus Project. He has a bachelor’s degree from the University of Oregon in theater and arts administration and a PTP Certificate from the Dell’Arte School. Carissa Burkett, curator and director of arts programs, also has worked at the Chehalem center for a little more than two years. She received her BA in studio art from Azusa Pacific University and her MFA in visual arts from Vermont College of Fine Art.

VISION 2020: TWENTY VIEWS ON OREGON ARTS

The center is housed in a sprawling, two-story brick building just north of Newberg’s city library. Originally a school built in 1935 as a Works Progress Administration project, the building is owned by the Chehalem Park & Recreation District. The nonprofit cultural center is responsible for everything inside, including several visual art galleries and exhibition halls that have featured some stunning exhibitions over the past couple of years. There also are studios and classrooms for arts classes, clay work, and music recording; a 5,200-square-foot ballroom; and a kitchen/culinary arts studio. More is in the works, including a 250-seat theater. 

Carissa Burkett and Sean Andries are excited about the Chehalem Cultural Center’s new Cox Family Culinary Enrichment Center as an avenue to explore art and culture. “So much of our culture is wrapped up in the food we eat and the people we share it with,” Andries says.
Carissa Burkett and Sean Andries are excited about the Chehalem Cultural Center’s new Cox Family Culinary Enrichment Center as an avenue to explore art and culture. “So much of our culture is wrapped up in the food we eat and the people we share it with,” Andries says.

How would you characterize the general state of artistic and cultural life in Newberg and Yamhill County?

Burkett: Throughout the two years that I have been working at the CCC, I’ve seen exponential growth in the ways that the community engages with and is impacted by the center. 2020 will be the 10th year that the center has been running, and as with any organization, we spent a substantial amount of time establishing ourselves in the community, defining who we are and what it is that we do, and then trying to get the word out. In the past two years, our youth and adult art classes have almost doubled both in what we offer and in students signing up. The quantity and caliber of visual art exhibitions has grown and the engagement with these exhibits has taken off. Folks are excited about what is happening and there seems to be a significant impact, more than ever before.

Continues…

« Older Entries