For stories published before 2018, visit our archive site.
Film Subcategories
FilmWatch
Also this week: Northwest Children’s Theater screens family-friendly films at The Judy; plus, “Repo Man,” “Time Bandits,” “The Doom Generation,” and “Wild at Heart.”
Julia Louis-Dreyfus stars as a struggling author in Nicole Holofcener’s dramedy about a couple’s marital crisis.
The latest films from directors Andrea Pallaoro and Emanuele Crialese recast the traditional family melodrama into incisive portrayals of the trans experience.
Also screening this week: ‘A Nightmare on Elm Street,’ Jane Arden’s ‘The Other Side of Underneath,’ a double feature of ‘Ator: The Fighting Eagle’ and ‘Dead Heat,’ and all nine ‘Fast & Furious’ films.
In a busy week focused on European films, indie features and revivals, a probing Romanian movie about globalization and bias tops the bill.
A packed movie week offers a little something for everyone, from nightclub dancers and familial rivalries to psychosexual depravity and revenge porn.
The Portland-filmed fourth collaboration between director Kelly Reichardt and star Michelle Williams is a refreshingly naturalistic portrayal of artistic creation.
Ben Affleck and Matt Damon star as Nike’s vapid chairman and his savvy assistant in the entertaining origin story of the Air Jordan.
Everyone’s favorite tabletop role-playing game returns to the big screen for the first time in over a decade. It may be entertaining enough for the average moviegoer, but can it please the die-hard fans?
This week’s cinematic offerings include a Portland-made short film, the true story of an ambitious Ricardian, and a mumblecore horror flick.
A year after the Oscar-winning actor’s death at his Portland home, Stage & Studio brings back Dave Paull’s in-depth radio interview with Hurt from 2011.
A full week of film showings includes documentaries “The First Step,” “Atomic Bamboozle,” and “Paris Calligrammes”; the baseball comedy “Calvin Marshall”; plus “Gentlemen Prefer Blondes” and “Heat.”
This year’s festival offers in-person screenings March 10-12 in addition to virtual showings March 13-19.
Mia Hansen-Løve’s latest film screens alongside the eighth installment in the Rockyverse. Plus: Billy Wilder classics and films for Women’s History Month.
A drug-addled black bear begins its box office rampage this weekend, but a few alternatives exist for those of us who’d prefer a light smack to a smash hit.
The former Oregon resident says the festival, which starts Thursday, is unusual in its focus on celebrating filmmakers and making connections.
Remembering the late star’s filmed-in-Portland roller derby movie “Kansas City Bomber,” and the key role a North Portland dive bar played.
Most of this year’s Oscar-nominated short films are available for streaming, but starting this weekend you can catch all of them in theaters.
Marisa Cohen and Peter Issac Alexander’s ten-episode series reimagines hundred-year-old science fiction stories in hand-drawn 2D animation.
Also screening this week: films for Black History Month, the stoner comedy ‘How High,’ and the new found-footage horror film ‘The Outwaters.’
Dmae Lo Roberts talks in her new podcast with director Paul Daisuke Goodman and actor Chris Tashima about their film on the fraught legacy of FDR’s Executive Order 9066.
M. Night Shyamalan’s latest high-concept horror flick hits theaters on Friday, and an Oscar nominee finally gets its Portland premiere.
Against all odds, censored Iranian master Jafar Panahi creates another captivating concoction of fact and fiction; Brandon Cronenberg’s third feature is a shocking indictment of the rich and powerful; and Bill Nighy sparkles in “Living,” but it’s no “Ikiru.”
Generationally speaking, what we’ve got here is failure to communicate. And “Everything Everywhere” scores big with the critics circle.
Also showing this week: Portland’s 10th EcoFilm Festival, Bollywood’s “RRR,” and the classic glories of Technicolor.
A pair of movies about women of low and high birth responding to repression; German and Japanese cinema at the Clinton; a flock of revivals: Welcome to 2023.
The women of the hit TV show “Grimm” team up again to tell behind-the-scenes stories, interview special guests and share their love of Portland in their podcast, “The Grimmcast.”
From the glories of Movie Madness to a flock of festivals to the tale of Will Vinton’s lost dreams, it was a very good film year in Oregon.
Marc Mohan picks his best movies of the year. To find out which ones make the list – and which is No. 1 – read on.
Using paper, cloth, and found materials, film director Luca DiPierro brings a beautifully haunting world of folklore and magic to life in “The Cadence.”
In “EO,” six donkeys in search of an auteur find the right one; “Babylon” discovers that Hollywood’s a den of iniquity.
On beyond “Avatar”: a pair of audacious debuts from Filipina and Danish/Iranian directors; big swings in a fat suit; and, yes, those otherworldly special effects.
A stellar adaptation of an “unfilmable” Dom Delillo novel leads a bonanza of big-screen openings, including a gay love story and a documentary on Nan Goldin’s war on OxyContin.
On beyond vengeful Santas: “Nanny” and “The Inspection” tell potent human tales, “Chatterley” is a handsome version of the novel, “Fawn” goes ancient Greek on the thriller format.
“Bones and All” revels in the sins of the flesh; Spielberg looks at anti-Semitism in America; Portlander Mark Gustafson co-directs “Pinocchio.”
A conversation with the Portland-educated experimental filmmaker and newly minted MacArthur “Genius Grant” honoree.
Shades of Fellini: “Bardo” is decadent, indulgent, and well worth the ride; “The Menu” gleefully roasts the rich and clueless.
Portland documentary filmmaker Brian Lindstrom (“Alien Boy,” “Finding Normal”) and co-director Andy Brown discuss their new film about the life and sorrows of ’70s singer Judee Sill.
Without the late Chadwick Boseman, a quintet of fierce females leads the Marvel franchise into vivid new territory.
The festivals at the Hollywood Theatre and Cinema 21 provide a rainbow of stories about LGBTQ+ life.
Portland filmmaker Anthony Orkin’s “Hello from Nowhere” blends romantic mixups and Gilbert & Sullivan on a Mount Hood camping trip.
An intriguing but not-too-dangerous apocalyptic tale, a saga of art behind bars, adventures on Mars, Lawrence returning to her indie roots, and one heaven of a sex scandal.
Portland director Dawn Jones Redstone’s debut feature film tells the tale of a woman balancing community activism and raising children.
The 1992 movie raised the stakes on horror films by casting a Black man as the villain and, like 1999’s Japanese “Audition,” giving a glimpse of the future.
With “Banshees,” the “In Bruges” team creates another winner; “Jane” brings pre-Roe issues to post-Roe times; Oregon-made animation; unflinching “Western Front”; trouble for trailer parks.
A television host called The Bowman Body opened the creaking lid to an overflowing casket of horror films – and a fascinated boy discovered a lifelong passion.
Blanchett does a star turn as a tough musical maestro in former Portlander Todd Field’s newest film, and Portland trio YACHT gets a documentary.
Jack Pierce and the invention of a Hollywood horror classic, the makeup and design of Frankenstein’s monster. Happy Halloween.
Nyback, who has died at 69, toured his collections of old films internationally and once owned the Clinton Street Theatre.
A CIA-tinged tale of danger and lust; Lebanon’s first all-female thrash metal band; a festival of 400-plus films, from Buffalo Soldiers to Storm Large.
Give to our GROW FUND.
