As American society has taken steps—some halting, some confident—toward recognition and acceptance of a wider variety of gender and sexual identities, compelling true-life tales reflecting a previously stifled panorama of experiences have emerged. Each year, the Portland Queer Documentary Film Festival presents
This week’s column necessarily begins with a personal aside. When it became clear to me in 2016, after years of writing about movies for The Oregonian (God rest its soul), that Portland’s daily newspaper was not willing to invest in regular local
A 65-year-old male director, world-famous, Oscar-nominated, a legendary auteur, makes a movie about a 23-year-old woman rediscovering her sexuality through masochistic fantasies and by working the afternoon shift at a brothel. In several scenes, some of them taking place in her imagination,
Obsession can take many forms, and at least a few of them are on display in films opening this week in Portland. An obsession with justice, if not revenge, drives Joe, the haunted, brutal character played by Joaquin Phoenix in director Lynne
film, video, and media programming amplifies black femmes, women, and non-men in Portland
Willy Vlautin is a Portland institution, the author of five novels and the lead singer and primary songwriter for the band Richmond Fontaine. Andrew Haigh is a rapidly rising figure in international cinema, having made a splash with his debut feature “Weekend,”
One of the most fascinating films of the 1990s returns to the big screen this week in Portland when Cinema 21 hosts a restored version of director Emir Kusturica’s 1995 historical fantasia “Underground.” The movie was a cinematic event when it won
“Gemini” is a sleek, entertaining new thriller set in the glamorous world of Hollywood and drenched in celebrity culture. It’s also directed by Portland-raised Aaron Katz, and for anyone familiar with Katz’s previous work, that synopsis might come as a shock. “Sleek,”
Who doesn’t love Agnes Varda? Anybody who isn’t thoroughly charmed by the venerable, diminutive legend of French filmmaking probably isn’t worth knowing. If any 88-year-old can be said to be precocious, it’s her, and her latest (please, not her last!) effort, the
The Oscars are dying. So what?On March 4, the Motion Picture Association of America held the 90th Academy Awards ceremony. You may not have heard about it, since reportedly nobody really cares about the Oscars anymore. As someone who religiously watches, and
As the 41st Portland International Film Festival rounds the far turn and enters its second week, a mouth-watering array of cinematic flavors remain to be sampled. (We’ll even mention a few of them below.) But PIFF has always done an excellent job
I recently wrote a piece for The Oregonian listing the ten most anticipated films of this year’s Portland International Film Festival. This made sense because (a) people likes lists; (b) the early deadline for the piece meant there was precious little opportunity
Even the flames couldn’t destroy Joan of Arc. The 15th-century teenage revolutionary was infamously burned at the stake for leading a revolution, but her memory survived. Ultimately, she achieved sainthood and became a symbol of France itself. Centuries after her immolation, Danish
by DOUGLAS DETRICK Seeing a film with a new score played by live musicians — who, just like the audience, have their eyes on the screen as they play — is a treat for the eyes as well as the ears. A
Award-winning director Mahalia Cohen developed The Last Hot Lick while trying to fund another film she had written. “In 2015, for awhile I’d been trying to get a movie made, get funding,” the Portland-born, New York-based filmmaker said about Thinner Than Water. (You can
