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MusicWatch Weekly: spanning the centuries

Pick a century, and there’s an Oregon concert to suit your taste this week. Working backward from contemporary to ancient, Saturday’s southeast Portland house concert by Ashland based duo Caballito Negro features flutist Tessa Brinckman and percussionist Terry Longshore playing music by

“Tesla” lab report

Introduction Harmonic Laboratory’s most recent experiment investigated the question: Can a creative cooperative based in digital media, dance, and music successfully add a new theatrical element to its existing compound to produce an integrative, immersive multimedia experience? This lab report examines the

MusicWatch Weekly: choral confluence

Vibrant voices lead this week’s Oregon music calendar, beginning with one of America’s oldest and most revered choral ensembles, St. Olaf Choir’s performance Thursday at Portland’s Trinity Episcopal Cathedral, Friday at Eugene’s First United Methodist Church and Saturday afternoon at North Medford

Sunwook Kim review: subtle touch, dynamic range

By ANGELA ALLEN Sunwook Kim opened his January 14 Portland Piano International recital with J.S. Bach’s Toccata, Adagio and Fugue in C Major, BWV 564, written for organ (think majestic, reverential, full-voiced) and ran furiously through the opening toccata. The word, toccata,

‘Voices of Light’ preview: trial by fire

Even the flames couldn’t destroy Joan of Arc. The 15th-century teenage revolutionary was infamously burned at the stake for leading a revolution, but her memory survived. Ultimately, she achieved sainthood and became a symbol of France itself. Centuries after her immolation, Danish

MusicWatch Weekly: still burning

The Oregon portion of the valuable new Spontaneous Combustion New Music Festival isn’t even half over and already it’s produced a pair of the finest contemporary classical concerts in recent memory: a spectacular performance of music by Gyorgy Ligeti and one-time Oregonians

“Cosi fan Tutte” review: identity crisis

by ANGELA ALLEN In Seattle Opera’s production of Mozart’s Cosi fan Tutte, the stage’s main prop, aside from an inviting pile of mattresses, is a tall mirror. Each character pauses in front of it at some time, checking out his or her current reflection,

‘The Last Hot Lick’: American quirk

Award-winning director Mahalia Cohen developed The Last Hot Lick while trying to fund another film she had written. “In 2015, for awhile I’d been trying to get a movie made, get funding,” the Portland-born, New York-based filmmaker said about Thinner Than Water. (You can

MusicWatch Weekly: sizzlers and swashbucklers

A hot new source of contemporary music has ignited in Oregon. Although, given the incendiary events of the summer and fall, its name might be a tad, er, heated for a West Coast music fest, Spontaneous Combustion New Music Festival, which runs

Angelo Xiang Yu & Andrew Hsu review: Brahms’s indiscretions

Johannes Brahms and his music both have forbidding reputations. Yet on his rambles around 19th century Vienna, the great Romantic composer would give away candy to children – who would keep on the lookout for “Papa Brahms.” And he wrote two of

MusicWatch Weekly: revolutionaries

Oregon music this week features the work of a couple of revolutionaries from a century or so ago whose imagination has left its mark on the present and maybe even the future, enhanced by today’s technology. Tesla: Light, Sound, Color (Thursday-Friday Hult

Oregon Symphony reviews: immigrant songs

An orchestra handles like a steamship, where a jazz band (even a big one) handles like a motorboat, and genre-crossing tends to breed monsters as much as angels. What kind of hybrid might the Oregon Symphony Orchestra produce in performing George Gershwin’s

Music Notes

As a new year begins, here’s one of our periodic roundups of recent news in Oregon music. This is only a smattering, of course. Got more news about Oregon music? Let us know, or leave it in the comments section below. High Notes

‘Brahms vs. Radiohead’: classical mashup

Many American orchestras, desperate to attract younger and more diverse audiences, now have special programs aimed at pre-retirement age music lovers. Several — in Indianapolis, Pittsburgh, Colorado — have hired young conductor Steve Hackman to run them. Hackman noticed that when highly

MusicWatch Weekly: classics meet currents

Oregon music gradually awakens from its holiday hangover, er, hibernation this week, serving up a few appetizers to whet your appetite for the ample main courses to follow in coming weeks. Feel free to recommend other music performances in the comments section

‘Dracula’ and Third Angle reviews: two faces of Philip Glass

My first encounter with the music of Philip Glass was, appropriately, in the theater. The community college I attended after high school put on a selection of one-act plays from David Ives’ recently published All In The Timing. Between acts there would